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Century 1.4 Extender
High resolution 1.4X PL to PL stainless steel mount extender, increases lens focal length by 1.4X, multi-coated optics for professional cinematography zoom lenses. Mounts between lens and camera with a one stop light loss.
SPECS:
Mount: PL Mount
Strength: 1.4x
PL Extension Tube Set
While mid to long range lenses benefit most from this product, the Duclos PL Macro Tube can be used on just about any PL mount lens. Decrease the minimum focus distance to within a few inches of the front element while maintaining optimal image quality.
Designed and manufactured in the USA by Duclos Lenses, the stainless steel components, precision tolerances, and optically flat internal surface finish are meticulously married to reduce stray light and ensure the highest quality is maintained. Works with S35 and 35FF format lenses and cameras.
NOTE: The PL Macro tubes do NOT work with anamorphic lenses.
Kish Optics Ultimate Director Viewfinder
The Kish Optics Ultimate Director Viewfinder is a PL mount 35mm format director viewfinder used to preview a lens’ field of view before putting it on camera, thus saving precious time in assessing the next set up on a film set.
All of our Kish viewfinders have been outfitted with an anamorphic attachment, which allow with the switch of a knob to toggle between anamorphic and spherical field of views.
SPECS:
Mount: PL Mount
Accepts Arri 35III Ground Glass
Adjustable Eyepiece Diopter
Anamorphic Attachment for use with 35mm Anamorphic prime lenses
Canon 8-64mm T2.4 Super 16
Not only is this lens sharp, has one of the most useful zoom ranges of any lens and has an amazing close-focus, but it also has almost NO FOCUS BREATHING at any focal length. With a field of view that is roughly equivalent to a 14.5-115mm in Super-35 terms and a close focus that nearly touches the front of the lens, this is the ultimate documentary lens. There is rarely a moment where you feel like you can’t get the shot you need or feel like you have to change lenses.
SPECS:
Mount: PL Mount
Focal Length: 8-64mm
Maximum Aperture F-No.: 1 : 2.4
Minimum Focus: 1′ 10″
Length: 200mm
Weight: 2.3kg
Arri/Zeiss 11-110mm T2.2 S16
SPECS:
Mount: PL Mount
Focal Length: 11-110mm
Maximum Aperture F-No. 1 : 2.2
Minimum Focus: 5ft cf w/ macro at 11mm
Length: 182.5 mm
Weight: 1.5kg
Angénieux 12-120mm
SPECS:
Lens Mount: C Mount
Focal Length: 12-120mm
Maximum Aperture F-No.: T2.1
Minimum Focus: 4′ 10″
Length: 181mm
Weight: 950g
Kern/Switar C-Mount Lenses
Kern Switar RX Primes and Macro-Switar RX primes were made in Switzerland in the 1960s by Kern-Paillard for Bolex reflex 16mm cameras. The RX versions were designed to compensate for the addition of the prism in Bolex reflex cameras, and that is where they really shine. These are some of the most beautiful and highly regarded C-Mount primes ever made.
Specs:
Mount: C-Mount
Available Focal Lengths: 10mm/ 16mm/ 25mm/ 50mm/ 75mm/ 100mm/ 150mm
Maximum Aperture F-No: 10mm – 1 : 1.6/ 16mm – 1 : 1.8/ 25mm – 1 : 1.1/ 50mm – 1 : 1.4/ 75mm – 1 : 1.9/ 100mm -1 : 2.8/ 150mm – 1 : 3.3
Century Precision Optics 6mm T1.9
The Century Optics 6mm T1.9 is a super-wide, fast prime lens made to cover Super-16 film and S16mm cropped sensors. When the custom made wide-angle adapter is attached the lens becomes a 4.5mm T1.9, one of the widest lenses ever made for this format. This is a rectilinear lens, not a fisheye, so you have an incredibly wide field of view but straight lines stay relatively straight, with slight barrel distortion.
This lens is at home on film cameras, but can work fine with digital cameras too. If you need to go really wide, and need a relatively fast lens, this is a great option.
Specs:
PL Mount
Focal length – 6mm
Maximum Aperture F-No. – 6mm – 1 : 1.9
Minimum Focus – 1′
Weight – 2.2 lbs
ARRI/ZEISS Ultra Primes S16
Cinematic Quality For Super 16
Like the Master Primes, the Zeiss Ultra 16 lenses combine high speed with outstanding optical performance. With a widest stop of T1.3 they create shallow depth of field and allow shooting on tight lighting budgets or under severe time pressure. Equaled by no other Super 16 lenses in optical performance, they join the other ARRI lenses in elevating the Super 16 image to its highest possible quality.
All nine Ultra 16 lenses (6, 8, 9.5, 12, 14, 18, 25, 35, 50 mm) cover the full Super 16 format and are fully compatible with the optical quality, color balance and ergonomics of the other ARRI lenses.
The Zeiss Ultra 16 lenses are the perfect companions to the Super 16 cameras, the ARRIFLEX 416, 416 Plus and 416 Plus HS.
SPECS:
Mount: PL
Maximum Aperture F-No.: 1 : 1.3
Front Diameter: 95mm
Focal length: 6mm/ 8mm/ 9.5mm/ 12mm/ 14mm/ 18mm/ 25mm/ 35mm/ 50mm
Minimum Focus: 6mm – 8″/ 8mm – 1’/ 9.5mm – 1’/ 12mm – 1’/ 14mm – 1’/ 18mm – 12″/ 25mm – 12″/ 35mm – 14″/ 50mm – 16″
Weight: 6mm – 2.2 lbs/ 8mm – 2.2 lbs/ 9.5mm – 2 lbs/ 12mm – 2.4 lbs/ 14mm – 2.1 lbs/ 18mm – 2.6 lbs/ 25mm – 2.6 lbs/ 35mm – 2.4 lbs/ 50mm – 2.6 lbs
ARRI/ZEISS Super16 Standard Speeds
The ARRI Zeiss Standard Speed MKII PL primes are serious industry players and have been for over 45 years and still are today.
Small, solid, lightweight, fast enough at T2.1 and have an organic sharpness and fall-off bokeh which is different to modern lenses, they also have slightly more contrast too. The Standard Speed MKII primes have plenty of character, personality and history. They bring an additional filmic aesthetic to modern digital cameras.
SPECS:
Mount: PL Mount
Front Diameter: 9.5mm – 50mm; 80mm
Focal Lengths Available: 8mm/ 9.5mm/ 16mm/ 25mm/ 50mm
Maximum Aperture: F-No.-: 8mm – 1 : 2.1/ 9.5mm – 1 : 1.3/ 16mm – 1 : 1.3/ 25mm – 1 : 1.3/ 50mm – 1 : 1.3
Minimum Focus: 8mm – 8″/ 9.5mm – 10″/ 16mm – 8″/ 25mm – 10″/ 50mm – 2″ 4″
Weight: 8mm – 1.2lbs/ 9.5mm – 1.6lbs/ 16mm – 1.6lbs/ 25mm – 1.4lbs/ 50mm – 1.8lbs
ARRI Master Macro 100mm T2 Lens
For those who want the ultimate in image quality for table top cinematography, product shots, close-up inserts on feature films or any other applications that require a macro lens, the ARRI Master Macro 100 delivers images of breathtaking beauty. Designed for the ANSI Super 35 image format, the ARRI Master Macro 100 can be used on any PL mount 35 mm film and single sensor digital camera.
SPECS:
Mount: PL Mount
Maximum Aperture F-No.: T2
Minimum Focus: 13.75″ (1:1 ratio)
Weight: 5.7 lbs.
Arri/ Zeiss Macro
ARRI has produced a range of Macro Prime lenses for cinema use. Each is capable of extreme close focus with the 50mm and 100mm lenses achieving 1:1 magnification. The unique ARRI design also offers an auto compensating iris function, eliminating stop loss guess work.
SPECS:
Lens Mount: PL Mount
Format Coverage: Super 35
Focal Lengths Available: 16mm/ 24mm/ 32mm/ 40mm/ 50mm/ 60mm/ 100mm/ 200mm
Maximum Aperture F-No. 16mm – 40mm; T2.1/ 50mm – 100mm; T3.0/ 200mm; T4.3
Minimum Focus: 16mm – 6″/ 24mm – 7″/ 32mm – 9″/ 40mm – 10″/ 50mm – 8″/ 60mm – 11″/ 100mm – 1’2″/ 200mm – 1’11”
Front Diameter: 80mm
Canon EF 85mm f/1.2L II USM Lens
Mixing a short-telephoto focal length with a bright maximum aperture, the EF 85mm f/1.2L II USM is a Canon L-series lens well-suited for portraiture. The impressively fast f/1.2 maximum aperture affords a great degree of control over depth of field for isolating subjects and producing desirable selective focus effects. Complementing these qualities is a sophisticated design that includes one aspherical element to suppress spherical aberrations and notable sharpness and clarity, and a floating optical system is used that maintains image quality throughout the focusing range. A Super Spectra coating has also been applied to limit flare and ghosting and promote greater contrast and color accuracy in a variety of lighting conditions. Complementing the imaging attributes, a ring-type USM is employed to deliver quick and quiet autofocus performance along with full-time manual focus control.
SPECS:
EF Mount
Focal length – 85mm
Maximum Aperture F-No. – 1 : 1.2
Minimum Focus – 3.12′ / 95 cm
Weight – 2.3 lb / 1025 g
Canon EF 50mm f/1.2L USM Lens
Clearly distinguished by its bright maximum aperture, the Canon EF 50mm f/1.2L USM is a normal-length L-series prime also sporting a robust physical design and advanced optical layout. The impressively fast f/1.2 maximum aperture affords a great degree of control over depth of field for isolating subjects and producing desirable selective focus effects. Complementing these qualities is a sophisticated optical composition, which includes one aspherical element to suppress spherical aberrations in order to achieve notable sharpness and clarity. A Super Spectra coating has also been applied to limit flare and ghosting and promote greater contrast and color accuracy in a variety of lighting conditions. Complementing the imaging attributes, a ring-type USM is employed to deliver quick and quiet autofocus performance along with full-time manual focus control.
SPECS:
EF Mount
Focal length – 50mm
Maximum Aperture F-No. – 1 : 1.2
Minimum Focus – 1.48′ / 45 cm
Weight – 1.3 lb / 580 g
Canon EF 28mm f/1.8 USM Lens
Delivering a comfortable wide-angle field of view, the EF 28mm f/1.8 USM from Canon balances a versatile perspective with a bright f/1.8 maximum aperture for controlling depth of field and working in low-light conditions. Complementing the fast and wide design, the optical design incorporates one aspherical element to help control distortion and reduce spherical aberrations in order to achieve greater sharpness and clarity. A Super Spectra coating has also been applied to minimize surface reflection, flare, and ghosting for increased contrast when working in strong lighting. Additionally, this lens sports a ring-type USM for quick and quiet autofocus performance and full-time manual focus override.
SPECS:
EF Mount
Focal length – 28mm
Maximum Aperture F-No. – 1 : 1.8
Minimum Focus – 9.84″ / 25 cm
Weight – 10.9 oz / 310 g