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LENS BABY COMPOSER PRO II SWEET 35MM OPTIC T2.5 – PL MOUNT
Have unprecedented precision control over the “sweet spot” of focus in your selective focus photos with the Lensbaby Composer Pro Il with Sweet 35 Optic available here with a PL mount. This updated tool is completely compatible with the established Optic Swap System and can use any of the numerous optics available.
This version improves upon the original Pro model by featuring a metal body as well as an improved tilt function that ranges from 0-15° in any direction.
LINDSEY OPTICS DIRECTOR’S VIEWFINDER (LF)
At the heart of the LF Directors Viewfinder design are interchangeable modules for quick and easy tool-free format changes. With a push of the red button, each module slips in and out of the LF body and securely nests in place. The ground glasses attach magnetically to the modules and are marked with format frame lines.
Available Modules:
Large Format (ARRI Alexa 65)
VistaVision (RED Monstro 8K)
Full Frame (Sony Venice)
Super 35
NOTE: PLEASE ADVISE AHEAD OF RENTAL WHICH FRAMELINES
YOU WILL USE TO ACCOMMODATE YOUR SHOOT
CANON K35
Rehoused by TLS, the Canon K35s are the perfect combination of amazing performance and unique character. They are low contrast, have a gentle focus fall-off, and produce gorgeous pastel skin-tones. It is made up of some of the oldest K35’5 produced, therefore they are quite warm, and flares are a beautiful mix of gold, amber and magenta. Covering Full Frame, these high speed lenses have excellent close-focus and their 15-blade iris means your bokeh is always a soft circular shape. They are one of the best performing vintage super speed lenses when shot wide-open thanks in a large part to their aspherical designs.
SPECS:
Available Sizes: 18mm/ 24mm/ 35mm/ 55mm/ 85mm
T-stop: 18mm, 24mm – T1.5/ 34mm, 55mm, 85mm – T1.4
Close Focus: 18mm, 24mm, 34mm – 12″/ 55mm – 22”/ 85mm – 2’9”
Front Diameter: 110mm
LAOWA 24MM T14 2X PERIPROBE PL MOUNT
The 24mm T14 2x PeriProbe not only inherits all the great features from the 24mm T14 2x Probe lens, a new tube with periscope is now also included. The new 90° Periscope tip unlocks countless new exciting movements. The 85° AoV and a very close 2cm working distance help create the bug-eye perspective. The 2x magnification allows for capturing subjects of different sizes with details. Users could poke the long and waterproof barrel into a tight space and underwater to obtain a unique perspective. The LED Ring Lite provides an extra light source. Users could also switch the 90° periscope back to the 0° straight scope. The lens could rotate 360° along the axis by unlocking the orientation ring.
SPECS:
Aperture Range: T14-40
Angle of View: 85°
Format Compatibility: Full Frame
Min. Focal Distance: 2cm
Max. Magnification: 2x
Weight: 770g/ 1.69lbs (Estimate)
Meru Anamorphic Lenses
These lenses are reminiscent of JDC Cooke Crystal (Xtal) Express Anamorphic Lenses, Todd AO and Cooke Technovision Anamorphic lenses, but with better mechanics and optics.
Top Quality Anamorphic lenses for your narrative or commercial project!
SPECS:
Available Sizes: 40mm/ 50mm/ 80mm/ 135mm
T stop: 40mm, 50mm – T2.3/ 80mm – T1.7/ 135mm – T3.5
Close Focus: 40mm – 3’4″/ 50mm – 24”/ 80mm – 3’/ 135mm – 2’3”
Length: 40mm – 4.75″/ 50mm – 5.75″/ 80mm, 135mm – 11.5”
Weight: 40mm – 4.25 lbs/ 50mm – 5.0 lbs/ 80mm, 135mm – 6.5 lbs
Front Diameter 134mm
SONY FE 70-200mm F/2.8 GM LENS
Sony’s FE 70-200mm f/2.8 GM OSS Il takes the classic fast zoom and elevates performance to a whole new level. This lens builds upon the best parts of the original and makes them even better while simultaneously reducing weight by 29%-making this lens the lightest in its class. Sony has also given this lens a brand-new AF system that promises up to four times the speed and has made plenty of optical optimizations that will appeal to video shooters, including improvements to focus breathing and focus shift. Whether you shoot portraits, sports, landscapes, or video, the 70-200mm f/2.8 will get the job done.
SPECS:
Mount: Sony E-mount
Format: Full Frame
Maximum Aperture: f/2.8
Image Stabilization: Yes
Filter Size: 77 mm
Weight: 1045 g (36.9 oz.) (Without tripod mount)
Dimensions (D x L): 88x 200mm (3-1/2×7-7/8 in.)
Fujinon Premista Zooms
Expressly designed for large-format sensors, the Premista Large-Format Cine Zoom Lens from Fujifilm covers up to a 46.3mm image circle in addition to Super35 sensors. Its image quality is maintained from the center through the image corners, and it is color-matched to the Fujifilm cine lens line to reduce color grading in post. Compatibility with both ZEISS eXtended Data and Cooke /i Technology makes it easy to note your lens information for VFX work or matching shots.
Housed in a durable lens barrel, the Premista is designed with a 13-blade aperture for smooth bokeh. It also shares a 114mm front diameter with the other Premista line, making it simple to share accessories such as filters, a follow focus, and matte boxes. It features measurements in both feet and meters, and the index markings on the FIZ rings are in fluorescent paint so they are easily viewable in dark environments.
SPECS:
Lens Mount: PL Mount
Lenses Available: 19-45mm/ 28-100mm/ 80-250mm
Format Coverage: Large Format
Maximum Apreture: T2.9 (80-250mm – T2.9 to T3.5)
Image Stabelization: No
Image Circle: 46.3mm
Electronic Communication: Yes
Weight: 19-45mm – 7.28 lbs/ 28-100mm – 8.38 lbs/ 80-250mm – 8.38 lbs
ARRI Signature Primes
Designed for use with full-frame, large-format sensors, the versatile ARRI Signature Primes also cover Super 35. Dedicated LF Open Gate, and Super 35 Open Gate magnetic format masks enable you to switch between formats, and are included with the lens. Stockings, nets, and voile can be used for diffusion when mounted in the Signature Prime’s rear net holder. Eleven iris blades produce smooth, rounded bokeh effects, and a telecentric design minimizes breathing. The LDS-2 lens data system is backwards-compatible with ARRI’s LDS-1, and communicates with Cooke’s /i Technology.
Constructed with magnesium housings and aluminum gear rings, each Signature Prime is lightweight, water-resistant, and features focus marks in feet. Anti-reflective coatings, light baffles, and light traps help to minimize any internal barrel flare
SPECS:
Lens Mount: LPL Mount
Maximum Aperture: T1.8 (200mm – T2.5)
Front Diameter: 114mm
Lenses Available: 12mm/ 15mm/ 18mm/ 21 mm/ 25 mm/ 29mm/ 35mm/ 40mm/ 47mm/ 58mm/ 75mm/ 95mm/ 125mm/ 150mm/ 200mm
IB/E OPTICS S35XVV Large-Format 1.66x Expander Mount Adapter for S35 Cine Lenses
Expand the focal length of your S35 format PL-mount lens when using it on a full-frame sensor camera with this S35XVV
Large-Format 1.66x Expander Mount Adapter for S35 Lenses from IBE OPTICS. The expander supports high-resolution imagery while scaling the image through an $35 PL mount lens on large-format sensors with up to a 46.5mm image circle. It is designed to magnify your focal length by 1.66x.
The extender features minimal optical degradation while expanding the focal length and decreasing the image brightness by 1.46 stops. To create an optimized optical design for modern lenses and digital cameras, the maximum input is T2.0. The S35XVV is designed to mount a PL lens on any digital cinema camera with a native PL mount, and the UMS lens mount system allows you to interchange the camera mount with optional Canon EF, Sony E, MFT, or other available mounts to fit a wide range of cameras. Its durable design incorporates stainless steel PL mounts and an anodized aluminum body.
Venus Optics Laowa 12mm Zero-D
The PL mount Laowa 12mm T2.9 Zero-D Cine Lens from Venus Optics provides a wide, 122° angle of view well suited for outdoor and landscape shots and in tight interior locations, and it is optimized for digital cinematography. It is so lightweight and compact that it can be used not only with handheld shooting, it is also light enough for use on gimbals. The lens produces an image circle that will cover full-frame, VistaVision, and ARRI ALEXA LF sized sensors or smaller.
SPECS:
Lens Mount: PL Mount Lens
Maximum Aperture: T2.9
Format Coverage: Full Frame
Minimum Focus Distance: From Unspecified Point in Lens: 7″ / 17.8 cm
Image Stabilization: No
Weight: 1.49 lb / 675 g
NOTE: LENS COMES WITH 114MM TO 100MM ADAPTER RING
Metabones Nikon F Lens to Sony E-mount T Adapter II
Mount your Nikon F lens to your Sony E-mount camera with this T Adapter II from Metabones. Precision-crafted from brass with chromium plating, this adapter is designed for daily use and offers infinity focus. This model has a flocked interior that will limit flaring and ghosting from reflections inside the adapter, and a satin exterior finish matches that of most cameras for a unified appearance. Additionally, it has a detachable Arca-type compatible tripod foot for simple mounting to a variety of tripods.
RED DSMC S35 CANON EF MOUNT
The DSMC® S35 Canon Mount offers support for a wide variety of Canon EF and EF-S compatible lenses to use with your DSMC or DSMC2® BRAIN. Available in lightweight machined aluminum, or robust titanium-the DSMC Canon Mount offers modularity and convenience and supports autofocus and electronic iris control with compatible lenses. < BR/>
The mount attaches easily to the front of your camera BRAIN® and uses a dual-ring lock system to secure Canon EF and EF-S lenses. Both aluminum and titanium models feature captive mounting screws; you’ll never have to worry about searching for hardware.
SPECS:
Lens Mount: EF Mount
Autofocus support available for select EF lenses
Electronic iris control available for select EF and EF-S compatible lenses
Touch focus enabled for select lenses
No back focus adjustments necessary when switching mounts
Lightweight machined aluminum or robust titanium options
RED DSMC PL MOUNT
The DSMC® PL Mount allows you to use full frame and 35mm PL mount cinema lenses with your DSMC or DSMC2 ® BRAIN®,
Lightweight aluminum alloy construction and a solid locking mechanism provides durable, lightweight support for PL mount glass. Captive screws provide a secure attachment and allow for more convenient mount removal. This mount is a must have for cinematographers looking for the cinematic aesthetic of an array of PL lenses.
RED DSMC VV CANON EF MOUNT
The DSMC® WV Al Canon Mount offers support for a wide variety of Canon EF-S and full frame Canon EF compatible lenses to use with your DSMC2 ® SK V BRAIN, Constructed from lightweight aluminum, the DSMC VV Al Canon Mount offers modularity and supports autofocus as well as electronic iris control with compatible lenses.
The mount attaches easily to the front of your camera BRAIN® and uses a dual-ring lock system to secure Canon EF and EF-S lenses. Captive screws provide a secure attachment and allow for more convenient mount removal.
SPECS:
Mount: EF Mount
Autofocus support available for select EF lenses
Electronic iris control available for select EF and EF-S compatible lenses
Touch focus enabled for select lenses
No back focus adjustments necessary when switching mounts
NOTE: The DSMC WV Al Canon Mount is not intended to be used with smaller sized sensors and, if used, it may result in unintended artifacts
Metabones Canon EF to Sony E Mount T Smart Adapter
Bring out your Canon EF and EF-S mount lenses for use on a variety of full-frame and APS-C format Sony E-mount cameras with this Metabones EF to E Mount T Smart Adapter. Further improving on previous generations of Smart Adapters, this fifth-generation model now features a rubber gasket to protect the camera’s mount from dust and moisture, offers a status notification LED light to check operation modes, and a dedicated switch that controls in-body image stabilization of select cameras. Also, this version is compatible with the Sony PXW-FS7 Mark II video camera.
SPECS:
Mount: EF to E-Mount