WOODEN CAMERA CANON RF TO PL MOUNT:
The Canon RF to PL Mount Pro Lens Adapter from Wooden Camera enables you to use pro cine-style PL mount lenses on your RF-mount RED KOMODO or V-RAPTOR cinema camera.
This dedicated lens mount adapter features a 1/4”-20 thread on the bottom for a lens support or cage mount. It includes a PL mount port cap and three vertical lens support posts for integration with optional lens support brackets.
Adapter
Camera Mount
Canon RF
Lens Mount
ARRI PL MOUNT
PROBE II
Innovision’s Probe II is developed especially for shooters whose projects require long tubular lenses and higher-resolution images.
The Probe II features high-resolution glass elements and relay optics for images with remarkable edge-to-edge sharpness, flat field, and extreme depth of field. State-of-the-art multiple coatings provide sharp, low-dispersion images. The Probe II comes in 35mm film and Video/16mm versions. The Video/16mm Probe II easily covers Super 16, as well.
Probe II lenses come with a set of five interchangeable front objectives. The Probe II for 35mm film work, rated at T5.6, provides focal lengths ranging from 9-40mm. The 16mm/video unit offers a range of focal lengths from 5-24mm with a speed of T2.8.
Interchangeable lens mounts offer simple adaptation to most professional cameras.
Probe lenses accept 40.5mm filters. For hands-off focus, Innovision offers an optional remote follow focus.
Key Specifications
Speed: 35mm – T5.6, Video/16mm – T2.8
Barrel Diameter: 1.7″ (43.2mm)
Length: 35mm – 18″ (46cm), Video/16mm – 16″ (41cm)
Weight: 3.5 lbs. (1.6kg)
Housing: Constructed of aircraft aluminum with durable black anodized exterior.
Optional Accessories: Remote focus control, an assortment of 40.5mm filters, Camera mounts for all common cameras, and shipping cases.
Rent Cooke Anamorphic SF in New York City
Cooke Anamorphic/i SF lenses pair classic Cooke anamorphic rendering with a tunable diffusion element that allows cinematographers to dial in halation, highlight bloom, and gentle contrast roll-off without filtration. Featuring a 2x squeeze, consistent T2.3 aperture (T2.8 on longer focal lengths), and Cooke’s /i Technology for lens metadata, they deliver the signature warm skin tones, smooth falloff, and organic oval bokeh the brand is known for. Compared to the standard Anamorphic/i set, the SF series introduces controlled softness while maintaining solid center resolution, ideal for narrative, commercials, and episodic work seeking a more romantic anamorphic texture straight out of camera.
