Cooke Anamorphic SF
The Cooke SF Full Frame Anamorphic finally brings the anamorphic look you have been looking for to the full range of large format digital cameras. Coverage circle covers a full 24 x 36 still size sensor with 1.8 squeeze. Cooke’s /i Technology enables cameras to automatically record key lens data for every frame shot, allowing post-production teams to access it digitally. Featuring key information on lens setting, focusing distance, aperture and depth-of-field, hyperfocal distance, serial number and more, it streamlines production and post and saves time and cost to eliminate guesswork.
Sizes Available: 32mm/ 40mm/ 50mm/ 75mm/ 100mm/ 135mm
Maximum Aperture: T2.3
Format Coverage: Full frame
Cooke S2 Panchros TLS
The growing demand for vintage Cooke Speed Panchro lenses from the 1920s to 1960s prompted us to introduce a modern redesign of the vintage classic. We are pleased to introduce Cooke Panchro/i Classic, T2.2 to T3.2 Prime lenses.
AVAILABLE FOCAL LENGHTS:
COOKE S4 I
Award winning Cooke $4 Prime Lenses were designed and developed in close technical collaboration with industry professionals. They are colour-matched and compatible with all contemporary Cooke cine lenses. Cooke $4 optics offer superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture. The cam-type focus mechanism allows for smooth focus adjustments.
AVAILABLE FOCAL LENGTHS:
- COOKE 12MM S4/I T2.0-PL MOUNT
- COOKE 14MM S4/I T2.0-PL MOUNT
- COOKE 16MM S4/I T2.0-PL MOUNT
- COOKE 18MM S4/I T2.0-PL MOUNT
- COOKE 21MM S4/I T2.0-PL MOUNT
- COOKE 25MM S4/I T2.0-PL MOUNT
- COOKE 27MM S4/| T2.0-PL MOUNT
- COOKE 32MM S4/I T2.0-PL MOUNT
- COOKE 35MM S4/I T2.0-PL MOUNT
- COOKE 40MM 54/1 T2.0-PL MOUNT
- COOKE 50MM S4/I T2.0-PL MOUNT
- COOKE 65MM S4/I T2.0-PL MOUNT
- COOKE 75MM S4/I T2.0-PL MOUNT
- COOKE 100MM S4/I T2.0-PL MOUNT
- COOKE 135MM S4/I T2.0-PL MOUNT
- COOKE 150MM S4/I T2.0-PL MOUNT
- COOKE 180MM S4/I T2.0-PL MOUNT
Cooke SP3 Full-Frame 5-Lens Prime Set (25/32/50/75/100mm, Sony E)
The SP3 Full-Frame 5-Lens Prime Set from Cooke comprises 25, 32, 50, 75, and 100mm lenses and a hard-shell lens case. These full-frame primes feature a fast T2.4 maximum aperture, a compact, lightweight design, user-changeable mounts, and consistent gear placement across the series.
| Focal Length | |
| Maximum Aperture | |
| Lens Mount | |
| Lens Format Coverage | |
| Filter Thread | |
| Image Stabilization |
| Maximum Aperture | |
| Minimum Aperture | |
| Lens Mount | |
| Interchangeable Mount | |
| Lens Format Coverage | |
| Image Circle | |
| Angle of View | |
| Focus Scales | |
| Filter Thread | |
| Minimum Focus Distance | |
| Aperture/Iris Blades | |
| Image Stabilization | |
| Gear Standard | |
| Gear Rotation | |
| Diameter | |
| Length | |
| Weight |
DJI 17-28mm T3.0 ASPH PZ Lens (DL)
Designed for the Ronin 4D 6K and 8K gimbal cameras, this DJI 17-28mm T3.0 ASPH PZ Lens features a DL mount, full-frame sensor, and built-in servo zoom motor. The lens has calibration-free autofocusing technology and allows you to zoom within the 17 to 28mm focal range without needing to rebalance your Ronin 4D. A T3.0 to T22 aperture range and lens construction of 13 elements in 11 groups capture footage up to 8K with ease. The lens can focus on objects from 7.5″ away at its minimum focal length. Its 67mm front diameter allows you to add compatible filters to customize your camera’s visuals.
SPECS:
| Focal Length | |
| Aperture | |
| Lens Mount | |
| Lens Format Coverage | |
| Minimum Focus Distance | |
| Optical Design | |
| Focus Type | |
| Image Stabilization | |
| Filter Size | |
| Dimensions | |
| Weight |
DJI 24mm f/2.8 ASPH LS Lens
DJI’s 24mm f/2.8 ASPH LS Lens is compatible with the Zenmuse X7 camera. The aperture opens to f/2.8 at its widest to maximize light passage when shooting in low light conditions or to reduce depth-of-field for augmented bokeh effect. A lens hood and balancing ring are included.
SPECS:
| Compatibility | |
| Aperture | |
| Dimensions | |
| Weight |
DJI 50mm f/2.8 ASPH LS Lens
DJI’s 50mm f/2.8 ASPH LS Lens is compatible with the Zenmuse X7 camera. The aperture opens to f/2.8 at its widest to maximize light passage when shooting in low light conditions or to reduce depth-of-field for augmented bokeh effect. A lens hood and balancing ring are included.
SPECS:
| Compatibility | |
| Aperture | |
| Dimensions | |
| Weight |
DJI 75mm f/1.8 Telephoto Lens (DL)
Designed for the Zenmuse X9-8K and X9-8K Air gimbal cameras, this DL mount 75mm f/1.8 Telephoto Lens from DJI is a medium telephoto lens capable of 8K shooting. The lens itself has a total aperture range of f/1.8 to f/22 for a variety of lighting conditions. High lens sharpness and minimal chromatic aberration ensure natural image reproduction with rich details. A 55mm filter thread allows you to add compatible filters and customize your camera’s visuals. Included pan and tilt axis counterweights make balancing the lens on your gimbal camera a breeze. Other included accessories are a balancing ring and lens protector.
SPECS:
| Focal Length | |
| Aperture | |
| Lens Mount | |
| Lens Format Coverage | |
| Minimum Focus Distance | |
| Focus Type | |
| Image Stabilization | |
| Filter Size | |
| Dimensions | |
| Weight |
DJI Zenmuse X9 Lens Mount Unit (E-Mount)
Expand your lens options when using your Ronin 4D 4-Axis Cinema Camera 6K or 8K Combo with the Sony E-mount Zenmuse X9 Lens Mount Unit from DJI. This dedicated unit replaces the DJI DL lens mount on your Zenmuse X9 camera.
DL 35mm F2.8 LS ASPH Lens
DJI’s 35mm f/2.8 ASPH LS Lens is compatible with the Zenmuse X7 camera. The aperture opens to f/2.8 at its widest to maximize light passage when shooting in low light conditions or to reduce depth-of-field for augmented bokeh effect. A lens hood and balancing ring are included.
SPECS:
| Compatibility | |
| Aperture | |
| Dimensions | |
| Weight |
DZOFilm X-Tract 18-28mm T8 FF Probe Zoom Macro Lens (0° Direct View, ARRI PL)
- This 18-28mm zoom offers an ultrawide to more midrange reach, covering most common focal lengths.
- The wide 100 to 73° field of view supports flexible capture.
- Craft creative macro shots using a maximum magnification ratio of 2.1:1.
- The extremely close minimum focusing distance of around 0.24″ lets you get super tight coverage of your subject.
- The large depth of field and wide-angle focal length combine to enable close-ups in constricted areas while maintaining a safe distance from your subject.
- The optical design has both ED (extra-low dispersion) and high-refractive index elements, suppressing chromatic and spherical aberrations.
- Advanced coatings help minimize flaring and reflections.
- Incorporates seven HRI (high-refractive-index) lens elements, producing more natural color.
- ±2% distortion control across the zoom range.
- The relatively fast T8 maximum aperture is maintained throughout the zoom range.
- Multilayer, antireflective coatings help ensure sharp, clear images even when shooting wide open.
- Focus, iris, and zoom functions all have 0.8 MOD cine-style gears for compatibility with follow focus and lens motor systems.
- A lightweight yet rear-heavy design helps reduce vibrations while shooting.
- The focus barrel offers a wide 300° rotation for precise focus pulls.
- Waterproof and dustproof, this probe lens is also scratch and fog resistant.
| Focal Length | |
| Maximum Aperture | |
| Lens Mount | |
| Lens Format Coverage | |
| Filter Thread | |
| Image Stabilization | |
| Electronic Communication |
| Maximum Aperture | |
| Minimum Aperture | |
| Lens Mount | |
| Lens Format Coverage | |
| Angle of View | |
| Focus Scales | |
| Filter Thread | |
| Zoom Ratio | |
| Minimum Focus Distance | |
| Magnification | |
| Image Stabilization | |
| Lens Mounting | |
| Gear Standard | |
| Gear Rotation | |
| Electronic Communication | |
| Diameter | |
| Length | |
| Weight |
DZOFilm X-Tract 18-28mm T8 FF Probe Zoom Macro Lens (90°, ARRI PL, Meters)
- This 18-28mm zoom offers an ultrawide to more midrange reach, covering most common focal lengths.
- The wide 100 to 73° field of view supports flexible capture.
- This 90° probe features a right-angle design that provides creative positioning.
- A rotating ring enables even greater flexibility.
- Craft creative macro shots using a maximum magnification ratio of 2.1:1.
- The extremely close minimum focusing distance of around 0.24″ lets you get super tight coverage of your subject.
- The large depth of field and wide-angle focal length combine to enable close-ups in constricted areas while maintaining a safe distance from your subject.
- The optical design has both ED (extra-low dispersion) and high-refractive index elements, suppressing chromatic and spherical aberrations.
- Advanced coatings help minimize flaring and reflections.
- Incorporates seven HRI (high-refractive-index) lens elements, producing more natural color.
- ±2% distortion control across the zoom range.
- The relatively fast T8 maximum aperture is maintained throughout the zoom range.
- Multilayer, antireflective coatings help ensure sharp, clear images even when shooting wide open.
- Focus, iris, and zoom functions all have 0.8 MOD cine-style gears for compatibility with follow focus and lens motor systems.
- A lightweight yet rear-heavy design helps reduce vibrations while shooting.
- The focus barrel offers a wide 300° rotation for precise focus pulls.
- Waterproof and dustproof, this probe lens is also scratch and fog resistant.
- Focus is marked in meters.
| Focal Length | |
| Maximum Aperture | |
| Lens Mount | |
| Lens Format Coverage | |
| Filter Thread | |
| Image Stabilization | |
| Electronic Communication |
| Maximum Aperture | |
| Minimum Aperture | |
| Lens Mount | |
| Lens Format Coverage | |
| Angle of View | |
| Focus Scales | |
| Optical Design | |
| Filter Thread | |
| Zoom Ratio | |
| Minimum Focus Distance | |
| Magnification | |
| Aperture/Iris Blades | |
| Image Stabilization | |
| Lens Mounting | |
| Gear Standard | |
| Gear Rotation | |
| Electronic Communication | |
| Built-In Light | |
| Probe Offset | |
| Diameter | |
| Length | |
| Weight |
FUJINON CABRIO 14-35MM T2.9
Designed using the latest proprietary optical simulation software, the PL 14-35 mm wide angle lens offers exceptional optical performance in the center of the image and in the corners of the frame. The digital servo’s 16-bit encoding assures operators that all lens data output including the position of the zoom, iris, and focus- is extremely accurate. The PL 14-35mm lens supports Lens Data System (LDS) and /i metadata formats, and can be controlled using cinema industry standard wireless controllers as well as existing FUJINON wired and wireless units.
The PL 14-35mm Cabrio lens has a detachable digital servo drive.
The Cabrio can be used as a self-contained ENG-style lens or cine style lens. Cinematographers will also be right at home with this lens. With the detachable drive removed, the lens is set to accept industry standard cine motors and matte boxes. The 14-35mm lens is lightweight and comfortable to use with today’s smaller 4K cameras. For shooters looking for a lightweight zoom that can be
used as a handheld, capturing wide angles in tight spaces, it’s ideal.
The PL 14-35 covers 31.5mm sensor size on a digital cinema style camera. While sensors on standard broadcast cameras are all the same size, sensors on digital cine cameras vary greatly. This new zoom ensures the image captured will cover large sensors for optimal, full-frame resolution. A nine- blade iris part of the design as well, creating the most natural-looking imagery possible.
Specs
Camera Format
PL Mount
Focal length
14 – 35 mm
Zoom range
2.5 ×
Maximum Photometric Aperture T-No.
1: 2.9
Iris Blades
9
Focus Rotation (degrees)
200
Zoom Rotation (degrees)
120
M.O.D. from image plane
0.6 m / 2′
Object dimensions at M.O.D. 16: 9 Aspect ratio*
14 mm 701 × 394 mm
35 mm 193 x 109 mm
Angular field of view 16: 9 Aspect ratio*
14mm 88°52′ x 57°45
35 mm 42°49′ × 24°53′
Macro
Available
Filter thread
M111 (Protection Filter)
Diameter × Length
114 × 231 mm
Weight
2.9 kg
Features
-With Detachable Digital Drive Unit<br/>
-Flange Focal Distance Adjustment<br/>
-LDS & /i Compatible<br/>
– Accepts M127 Filter<br/>
FUJINON CABRIO 19-90MM T2.9
The Fujinon ZK19-90mm T2.9 Cabrio Lens is a wide to telephoto zoom lens for Super 35mm cameras, and it features a PL mount. The focus, zoom, and iris barrels are geared with standard 0.8 film pitch, which provides an interface for the removable ENG-style digital drive unit. The rear PL mount features electrical contacts for sharing ARRI LDS and Cooke /i Technology lens data with the camera.
The detachable drive unit is an ENG-style hand grip with a zoom rocker switch, 16-bit encoding, and an interface for remote control via a wired or wireless controller from Fujinon or other compatible third-party manufacturers. When the drive unit is attached to the lens, a digital auto-aligning system quickly and accurately calibrates it to the zoom, focus, and iris gears. Power is provided by either an external connector or the PL mount’s “hot shoe” interface. Included with the lens is a 111mm clear protection filter that helps to protect the front of the lens.
FUJINON CABRIO 85-300MM T2.9
The Fujinon ZK85-300mm T2.9-4.0 Lightweight Cabrio Lens is a PL Mount lens that features a detachable servo drive unit. With the drive unit, this lens operates like a traditional ENG TV lens thanks to the same interface and accessories familiar to TV lens users. This is helpful in simplifying and reducing setup time since it is not necessary to use more complicated cine lens drive systems, and the drive seamlessly interfaces with wired and wireless cine control systems as well.
With the drive unit removed, this lens has a standard 0.8mm cine gearing, allowing for the use of traditional third-party cine accessories (sold separately). This lens features hybrid technology from both Fujifilm broadcast and cine lens technologies in a lightweight and compact body.