Canon K35 25-120mm Macro T2.8
This lens is a great compliment to the K35 prime set because of the vintage coatings and fast aperature. Extreme close focus ability makes the lens handy in many situations.
SPECS:
Lens Mount: PL Mount
Maximum Aperture T-No.: 1:2.8
Minimum Focus: 4′ (13″ w/Macro)
Length: 10″
Weight: 11.5 Ibs
Canon Mount Adapter EF-EOS R
CANON MOUNT ADAPTER EF – EOS R:
The Canon Mount Adapter EF-EOS R is a lightweight, compact lens adapter designed for attaching any EF or EF-S-mount lens to the EOS R mirrorless digital’ camera.
This simple adapter retains full autofocus and image stabilization capabilities and contains no optical components, thereby maintaining the original optical quality of the mounted lens. It is also dust and water-resistant, making it suitable for use in harsh weather conditions.
Adapter
Camera Mount Canon RF
Lens Mount Canon EF
Physical
Dimensions/b> 2.8 x H: 0.9″ / 71.2 x H: 24.0 mm
Weight 3.88 oz / 110 g
CANON RF 24-70MM F/2.8L II USM
Canon RF 24-70mm f/2.8 L IS USM is a versatile wide-angle to portrait-length lens characterized by its bright, advanced, and intuitive design. The constant f/2.8 maximum aperture suits working in difficult lighting conditions and also enables greater control over depth of field. The optical design incorporates a series of aspherical and Ultra-Low Dispersion elements, which greatly reduce a variety of aberrations throughout the zoom range in order to produce sharp and clear imagery. An Air Sphere Coating has also been applied to suppress flare and ghosting when working in strong lighting conditions.
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Century 1.4 Extender
High resolution 1.4X PL to PL stainless steel mount extender, increases lens focal length by 1.4X, multi-coated optics for professional cinematography zoom lenses. Mounts between lens and camera with a one stop light loss.
SPECS:
Mount: PL Mount
Strength: 1.4x
Century Precision Optics 6mm T1.9
The Century Optics 6mm T1.9 is a super-wide, fast prime lens made to cover Super-16 film and S16mm cropped sensors. When the custom made wide-angle adapter is attached the lens becomes a 4.5mm T1.9, one of the widest lenses ever made for this format. This is a rectilinear lens, not a fisheye, so you have an incredibly wide field of view but straight lines stay relatively straight, with slight barrel distortion.
This lens is at home on film cameras, but can work fine with digital cameras too. If you need to go really wide, and need a relatively fast lens, this is a great option.
Specs:
PL Mount
Focal length – 6mm
Maximum Aperture F-No. – 6mm – 1 : 1.9
Minimum Focus – 1′
Weight – 2.2 lbs
Cinemagic Revolution
Cine Magic International’s new Revolution Lens System, is the world’s first snorkel lens system that allows live panning of the objective lens while maintaining a level horizon. The built in image orientation optics allow the image to be rotated to any position within a 360 degree circle. Spinning images can also be accomplished by continuously rotating the image rotation ring.
Kit Includes:
9.8MM PRIME-MINI LENS – PL MOUNT W/ (2) CAPS
12MM PRIME-MINI LENS – PL MOUNT W/ (2) CAPS
16MM PRIME-MINI LENS – PL MOUNT W/ (2) CAPS
20MM PRIME-MINI LENS – PL MOUNT W/ (2) CAPS
24MM PRIME-MINI LENS – PL MOUNT W/ (2) CAPS
32MM PRIME-MINI LENS – PL MOUNT W/ (2) CAPS
40MM PRIME-MINI LENS – PL MOUNT W/ (2) CAPS
60 MM PRIME-MINI LENS – PL MOUNT W/ (2) CAPS
Cooke 100mm T2.0 S7/i Full Frame Plus Prime Lens (PL Mount)
The Cooke 100mm T2.0 S7/i Full Frame Plus Prime Lens is designed to cover full frame cinema camera sensors up to at least the full sensor area of the RED Weapon 8K (46.31mm image circle). It is color-matched to other Cooke lenses to keep that well-known Cooke look, and has focus markings on both sides of the lens. A cam-type focus mechanism with a large lens barrel diameter and 270° of rotation from end-stop to end-stop allows for precision focus markings, especially at close focus.
The lens features a PL mount, which makes it compatible with most commonly used professional motion picture film and electronic cameras, and has an aperture range of T2.0 to T22. The PL mount incorporates i/Technology contacts that feed lens information metadata to a compatible camera, including focus distance, aperture and depth-of-field.
Specs
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Cooke 18mm T2.0 S7/i Full Frame Plus Prime Lens (PL Mount)
The Cooke 18mm T2.0 S7/i Full Frame Plus Prime Lens is designed to cover full frame cinema camera sensors up to at least the full sensor area of the RED Weapon 8K (46.31mm image circle). It is color-matched to other Cooke lenses to keep that well-known Cooke look, and has focus markings on both sides of the lens. A cam-type focus mechanism with a large lens barrel diameter and 270° of rotation from end-stop to end-stop allows for precision focus markings, especially at close focus.
The lens features a PL mount, which makes it compatible with most commonly used professional motion picture film and electronic cameras, and has an aperture range of T2.0 to T22. The PL mount incorporates i/Technology contacts that feed lens information metadata to a compatible camera, including focus distance, aperture and depth-of-field.
Specs
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Cooke 20-100mm
Lens designer Gordon H. Cook designed the 35mm Cooke 20-100mm, T3.1 Varotal zoom lens, released in 1971. It was the first high quality zoom designed for professional motion picture photography that incorporated a totally new design concept that has remained the basis for all Cooke zoom lenses subsequently produced. It was produced through the late 1980s.
SPECS:
Lens Mount: PL Mount
Maximum Aperture: T3.1
Front Diameter: 144mm
Minimum Focus: 2′ 4″
Length: 13″
Weight: 13.6 Ibs
Cooke 25-250mm
The Cooke 18-100mm Varotal T3 and the Cooke Cinetal 25-250mm T3.7 are classic Cooke zooms lenses released in the late
1980s and are legendary industry standard zooms. The 25-250mm offers a great range from a wide 25mm to a long 250mm, making it a workhorse for both wide and telephoto work. The lens is designed for Academy 35, and for large sensor coverage a simple 1.2x expander is used to retain the Cooke Look. The lens is organic and sharp but handles the image without feeling harsh. It is solidly built, ergonomic, and has flattering character. Cooke designed the lenses to naturally emphasize skin tones. Hence part of the Cooke Look.
SPECS:
Lens Mount: PL Mount
Maximum Aperture: T3.9
Front Diameter: 121mm
Minimum Focus: 5′ 6″
Length: 1″ 1″
Weight: 10.5 lbs
Cooke 25mm T2.0 S7/i Full Frame Plus Prime Lens (PL Mount)
The Cooke 25mm T2.0 S7/i Full Frame Plus Prime Lens is designed to cover full frame cinema camera sensors up to at least the full sensor area of the RED Weapon 8K (46.31mm image circle). It is color-matched to other Cooke lenses to keep that well-known Cooke look, and has focus markings on both sides of the lens. A cam-type focus mechanism with a large lens barrel diameter and 270° of rotation from end-stop to end-stop allows for precision focus markings, especially at close focus.
The lens features a PL mount, which makes it compatible with most commonly used professional motion picture film and electronic cameras, and has an aperture range of T2.0 to T22. The PL mount incorporates i/Technology contacts that feed lens information metadata to a compatible camera, including focus distance, aperture and depth-of-field.
Specs
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| Focal Length | |
| Aperture | |
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Cooke 32mm T2.0 S7/i Full Frame Plus Prime Lens (PL Mount)
The Cooke 32mm T2.0 S7/i Full Frame Plus Prime Lens is designed to cover full frame cinema camera sensors up to at least the full sensor area of the RED Weapon 8K (46.31mm image circle). It is color-matched to other Cooke lenses to keep that well-known Cooke look, and has focus markings on both sides of the lens. A cam-type focus mechanism and a large lens barrel diameter with 270° of rotation from end-stop to end-stop allows for precision focus pulls, especially at close focus.
The lens features a PL mount, which makes it compatible with most commonly used professional motion picture film and electronic cameras, and has an aperture range of T2.0 to T22. The PL mount incorporates i/Technology contacts that feed lens information metadata to a compatible camera, including focus distance, aperture and depth-of-field.
Specs
| Mount | |
| Focal Length | |
| Aperture | |
| Maximum Format Size | |
| Minimum Object Distance (M.O.D.) | |
| Close Focus | |
| Scales | |
| Drive Gear | |
| Rotation | |
| Angle of View | |
| Length | |
| Front Diameter | |
| Weight |
Cooke 50mm T2.0 S7/i Full Frame Plus Prime Lens (PL Mount)
The Cooke 50mm T2.0 S7/i Full Frame Plus Prime Lens is designed to cover full frame cinema camera sensors up to at least the full sensor area of the RED Weapon 8K (46.31mm image circle). It is color-matched to other Cooke lenses to keep that well-known Cooke look, and has focus markings on both sides of the lens. A cam-type focus mechanism and a large lens barrel diameter with 270° of rotation from end-stop to end-stop allows for precision focus pulls, especially at close focus.
The lens features a PL mount, which makes it compatible with most commonly used professional motion picture film and electronic cameras, and has an aperture range of T2.0 to T22. The PL mount incorporates i/Technology contacts that feed lens information metadata to a compatible camera, including focus distance, aperture and depth-of-field.
Specs
| Mount | |
| Focal Length | |
| Aperture | |
| Maximum Format Size | |
| Minimum Object Distance (M.O.D.) | |
| Close Focus | |
| Scales | |
| Drive Gear | |
| Rotation | |
| Angle of View | |
| Length | |
| Front Diameter | |
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Cooke 75mm T2.0 S7/i Full Frame Plus Prime Lens (PL Mount)
The Cooke 75mm T2.0 S7/i Full Frame Plus Prime Lens is designed to cover full frame cinema camera sensors up to at least the full sensor area of the RED Weapon 8K (46.31mm image circle). It is color-matched to other Cooke lenses to keep that well-known Cooke look, and has focus markings on both sides of the lens. A cam-type focus mechanism and a large lens barrel diameter with 270° of rotation from end-stop to end-stop allows for precision focus pulls, especially at close focus.
The lens features a PL mount, which makes it compatible with most commonly used professional motion picture film and electronic cameras, and has an aperture range of T2.0 to T22. The PL mount incorporates i/Technology contacts that feed lens information metadata to a compatible camera, including focus distance, aperture and depth-of-field.
Specs
| Mount | |
| Focal Length | |
| Aperture | |
| Maximum Format Size | |
| Minimum Object Distance (M.O.D.) | |
| Close Focus | |
| Scales | |
| Drive Gear | |
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| Angle of View | |
| Length | |
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Cooke Anamorphic Lenses
The Anamorphic /i lenses offer superb optical and mechanical performance. Distortion, veiling glare, flares, and all aberrations are controlled at all apertures over the whole field of view. Like our S4/, 5/i and miniS4/ prime lenses, the cam focus mechanism allows for smooth focus adjustments.
SPECS:
Mount: PL Mount or LPL Mount
Format Coverage: Full Frame
Available Focal Lengths: 25mm, 40mm, 50mm, 65mm (Macro), 75mm, 100mm, 135mm, 180mm, 300mm
Maximum Aperture: 25mm – 300mm; T2.3 (65mm Macro; T2.6)