Enhance your mirrorless camera capture with outstanding optical performance using the SP3 75mm T2.4 Full-Frame Prime Lens from Cooke. Based on the storied Speed Panchro lenses, the SP3 primes are optically and mechanically optimized for full-frame mirrorless cameras. These tough yet lightweight and compact lenses feature focus and iris mechanics that are aligned across the series, enabling quick lens changes when using matte boxes and FIZ (focus/iris/zoom) systems. Each lens in the series matches the Cooke Panchro/i Classic series, enabling you to use the SP3 primes as a “B” or “C” camera drone or gimbal solution that complements your “A” camera footage.
The Cooke Look
- The SP3 primes are closely based on the classic Cooke Look popularized in Hollywood films.
- Outstanding definition and resolution are complemented by a classic fall-off towards the frame edge.
- Proprietary Cooke optical coatings ensure flare control and color matching across the series.
- Images are rendered with greater realism thanks to heightened dimensionality and contrast performance.
- Facial images feature optimal skin tone and character.
Consistent T2.4 Aperture
- Designed with a fast T2.4 aperture that is consistent across the series.
- The 9-blade aperture features smooth and accurate adjustments with finer control towards the wider end.
- This Sony E-mount lens features an interchangeable mount that can be changed by the user.
- Available mounts will include Canon RF and Leica L and M options.
- The RF-mount will be available soon after launch; purchasers will be able to redeem one free of charge by following the instructions in the packaging. The Leica M-mount will be available in early 2024.
- Non-linear focus scales provide more exact control as you approach minimum focus.
- Industry-standard 0.8-MOD focus and iris gears are compatible with third-party FIZ systems.
- Focus scales are marked in both feet and meters.
- A common 64mm front diameter and M58 filter size across the series (except the 100mm) enables quick lens changes when working with matte boxes and adapters.
- Enables you to filter the lens without adding the weight of a matte box to your drone or gimbal.
Enhance your mirrorless camera capture with outstanding optical performance using the SP3 100mm T2.4 Full-Frame Prime Lens from Cooke. Based on the storied Speed Panchro lenses, the SP3 primes are optically and mechanically optimized for full-frame mirrorless cameras. These tough yet lightweight and compact lenses feature focus and iris mechanics that are aligned across the series, enabling quick lens changes when using matte boxes and FIZ (focus/iris/zoom) systems. Each lens in the series matches the Cooke Panchro/i Classic series, enabling you to use the SP3 primes as a “B” or “C” camera drone or gimbal solution that complements your “A” camera footage.
The Cooke Look
- The SP3 primes are closely based on the classic Cooke Look popularized in Hollywood films.
- Outstanding definition and resolution are complemented by a classic fall-off towards the frame edge.
- Proprietary Cooke optical coatings ensure flare control and color matching across the series.
- Images are rendered with greater realism thanks to heightened dimensionality and contrast performance.
- Facial images feature optimal skin tone and character.
- Designed with a fast T2.4 aperture that is consistent across the series.
- The 9-blade aperture features smooth and accurate adjustments with finer control towards the wider end.
- This Sony E-mount lens features an interchangeable mount that can be changed by the user.
- Available mounts will include Canon RF and Leica L and M options.
- Note that the RF-mount will be available soon after launch; purchasers will be able to redeem one free of charge by following the instructions in the packaging. The Leica M-mount will be available in early 2024.
- Non-linear focus scales provide more exact control as you approach minimum focus.
- Industry-standard 0.8-MOD focus and iris gears are compatible with third-party FIZ systems.
- Focus scales are marked in both feet and meters.
- This 100mm prime has an 82mm front diameter and accepts a 77M screw-in filter.
- A common 64mm front diameter and M58 filter size across the rest of the series enables quick lens changes when working with matte boxes and adapters.
The enhanced 14mm T2 FF High-Speed Cine Prime from Sigma combines the same high-quality optics and mechanics of its FF prime line with a cine-oriented design including Cooke/i Technology that provides lens metadata to assist in post and visual effects production. This 14mm prime with PL mount is a wider focal length in the series offering full-frame sensor coverage, 6 to 8K resolution, lens markings in feet, and a T2 maximum aperture in a compact, lightweight form.
A common 95mm front diameter and similar physical attributes across the lens line makes it easier and quicker to mount lens accessories such as matte boxes, follow focuses, and lens control motors. The 9-bladed iris produces pleasing out-of-focus bokeh effects and ghosting and flaring have been minimized. Color reproduction is standardized for easier color correction. Each lens in the range offers consistent lens gear positions and 180° of focus barrel rotation. The FF High-Speed Cine Prime lenses also feature a clickless iris with linear markings, dampeners on each gear ring for silent operation, and industry-standard 0.8 MOD gear pitch.
The enhanced 20mm T1.5 FF High-Speed Cine Prime from Sigma combines the same high-quality optics and mechanics of its FF prime line with a cine-oriented design including Cooke/i Technology that provides lens metadata to assist in post and visual effects production. This 20mm prime with PL mount is a wider focal length in the series offering full-frame sensor coverage, 6 to 8K resolution, lens markings in feet, and a T1.5 maximum aperture in a compact, lightweight form.
A common 95mm front diameter and similar physical attributes across the lens line makes it easier and quicker to mount lens accessories such as matte boxes, follow focuses, and lens control motors. The 9-bladed iris produces pleasing out-of-focus bokeh effects and ghosting and flaring have been minimized. Color reproduction is standardized for easier color correction. Each lens in the range offers consistent lens gear positions and 180° of focus barrel rotation. The FF High-Speed Cine Prime lenses also feature a clickless iris with linear markings, dampeners on each gear ring for silent operation, and industry-standard 0.8 MOD gear pitch.
The enhanced 24mm T1.5 Fully Luminous FF High-Speed Cine Prime from Sigma combines the same high-quality optics and mechanics of its FF prime line with a cine-oriented design including Cooke/i Technology that provides lens metadata to assist in post and visual effects production. This 24mm prime with PL mount is a wider focal length in the series offering full-frame sensor coverage, 6 to 8K resolution, lens markings in feet, and a T1.5 maximum aperture in a compact, lightweight form.
A common 95mm front diameter and similar physical attributes across the lens line makes it easier and quicker to mount lens accessories such as matte boxes, follow focuses, and lens control motors. The 9-bladed iris produces pleasing out-of-focus bokeh effects and ghosting and flaring have been minimized. Color reproduction is standardized for easier color correction. Each lens in the range offers consistent lens gear positions and 180° of focus barrel rotation. The FF High-Speed Cine Prime lenses also feature a clickless iris with linear markings, dampeners on each gear ring for silent operation, and industry-standard 0.8 MOD gear pitch.
The enhanced 35mm T1.5 FF High-Speed Cine Prime from Sigma combines the same high-quality optics and mechanics of its FF prime line with a cine-oriented design that includes Cooke /i Technology that provides lens metadata to assist in post and visual effects production. This 35mm prime with a PL mount is a wider focal length lens in the series, offering full-frame sensor coverage, 6 to 8K resolution, lens markings in feet, and a T1.5 aperture in a compact, relatively lightweight form.
A common 95mm front diameter and similar physical attributes across the lens line makes it easier and quicker to mount lens accessories such as matte boxes, follow focuses, and lens control motors. The 9-bladed iris produces pleasing out-of-focus bokeh effects and ghosting and flaring have been minimized. Color reproduction is standardized for easier color correction. Each lens in the range offers consistent lens gear positions and 180° of focus barrel rotation. The FF High-Speed Cine Prime lenses also feature a clickless iris with linear markings, dampeners on each gear ring for silent operation, industry-standard 0.8 MOD gear pitch, and engraved markings for durability.
The enhanced 50mm T1.5 FF High-Speed Cine Prime from Sigma combines the same high-quality optics and mechanics of its FF prime line with a cine-oriented design that includes Cooke /i Technology that provides lens metadata to assist in post and visual effects production. This 50mm prime with a PL mount is a midrange focal length in the series, offering full-frame sensor coverage, 6 to 8K resolution, lens markings in feet, and a T1.5 aperture in a compact, relatively lightweight form.
A common 95mm front diameter and similar physical attributes across the lens line makes it easier and quicker to mount lens accessories such as matte boxes, follow focuses, and lens control motors. The 9-bladed iris produces pleasing out-of-focus bokeh effects and ghosting and flaring have been minimized. Color reproduction is standardized for easier color correction. Each lens in the range offers consistent lens gear positions and 180° of focus barrel rotation. The FF High-Speed Cine Prime lenses also feature a clickless iris with linear markings, dampeners on each gear ring for silent operation, industry-standard 0.8 MOD gear pitch, and engraved markings for durability.
The enhanced 85mm T1.5 FF High-Speed Cine Prime from Sigma combines the same high-quality optics and mechanics of its FF prime line with a cine-oriented design, and it now utilizes Cooke /i Technology that provides lens metadata to assist in post and visual effects production. This 85mm prime with PL mount is a longer focal length in the series, offering full-frame sensor coverage, 6 to 8K resolution, lens markings in feet, and a T1.5 aperture in a compact, lightweight form.
A common 95mm front diameter and similar physical attributes across the lens line makes it easier and quicker to mount lens accessories such as matte boxes, follow focuses, and lens control motors. The 9-bladed iris produces pleasing out-of-focus bokeh effects and ghosting and flaring have been minimized. Color reproduction is standardized for easier color correction. Each lens in the range offers consistent lens gear positions and 180° of focus barrel rotation. The FF High-Speed Cine Prime lenses also feature a clickless iris with linear markings, dampeners on each gear ring for silent operation, industry-standard 0.8 MOD gear pitch, and engraved markings for durability.
The enhanced 135mm T2 FF High-Speed Cine Prime from Sigma combines the same high-quality optics and mechanics of its FF prime line with a cine-oriented design including Cooke/i Technology that provides lens metadata to assist in post and visual effects production. This 135mm prime with PL mount is a longer focal length in the series offering full-frame sensor coverage, 6 to 8K resolution, lens markings in feet, and a T2 maximum aperture in a compact, lightweight form.
A common 95mm front diameter and similar physical attributes across the lens line makes it easier and quicker to mount lens accessories such as matte boxes, follow focuses, and lens control motors. The 9-bladed iris produces pleasing out-of-focus bokeh effects and ghosting and flaring have been minimized. Color reproduction is standardized for easier color correction. Each lens in the range offers consistent lens gear positions and 180° of focus barrel rotation. The FF High-Speed Cine Prime lenses also feature a clickless iris with linear markings, dampeners on each gear ring for silent operation, and industry-standard 0.8 MOD gear pitch.
Orion Series 2X anamorphic prime lenses are built to be a universal filmmaking tool — perfect for the latest professional film and digital cinema cameras with native PL mount or just as easily adapted to Canon EF-based cinema cameras. Orion series easily adapt to all mirrorless cameras because of their native PL mount.
This mechanically dependable prime lens features a design that is standardized across the series with unified focus and iris gear positions and a common 114mm front diameter that make lens swaps easier when using cine-style matte boxes and FIZ systems. The Orion 32mm prime comes with focus marks in feet but can be switched by the user to meters using a separately available focus scale.
- Creates twice the horizontal field with the same vertical field of view as a similar spherical lens.
- Creates a wide-angle view with the shallow depth of field inherent to telephoto prime.
- Use this Orion series lens to create a vintage anamorphic look replete with “waterfall” bokeh, streak effects, and a spherical aberration glow when used wide open.
- Compatible with ARRI PL-mount cameras or with Canon EF-mount cameras when used with the separately available mount kit.
- Works with Sony E-mount or Micro Four Thirds cameras using separately available adapters.
- Covers up to Super 35-format camera sensors.
- Use with the separately available Atlas 1.6x LF extender for full-frame coverage.
- A fast T2 aperture enables low-light capture.
- Stopping down to T2.8 or less produces a crisp, flat-field look.
- The mechanically dependable design is standardized across the series for reliable performance.
- Unified focus and iris gear positions reduce the need for adjustment when switching lenses on your rig.
- The standardized 114mm front diameter is compatible with many filters and matte boxes.
- Custom support feet are available separately.
- The 270° of focus barrel rotation enables smooth, precise focus pulls.
- The focus scales are adjustable in the field for maximum accuracy.
- Focus scales in feet can be replaced by the user with those in meters and vice versa.