Showing 1–15 of 32 resultsSorted by average rating
Angenieux EZ-3 45-165mm T2.3 S35 & 68-250mm T3.5 Cinema Zoom
The EZ-3 68-250mm & 45-165mm Cinema Zoom Kit from Angenieux consists of a compact PL-mount zoom lens plus both Super35 and FF/VistaVision rear lens-groups, enabling you to use the zoom with a wide range of cine-style cameras. Simply swap out the rear group to use this versatile 3.7x ratio zoom with the format of your choice on a project-by-project basis. The ARRI PL mount can be changed for separately available Sony E or Canon EF mounts, further expanding the EZ-3 zoom’s versatility.
This lens features industry-standard 0.8 MOD focus, iris, and zoom gears for compatibility with follow focus units and lens control motors. The 114mm front diameter enables you to work with a wide variety of rod-supported matte boxes.
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| Electronic Communication |
| Maximum Aperture | |
| Lens Mount | |
| Interchangeable Mount | |
| Lens Format Coverage | |
| Image Circle | |
| Angle of View | |
| Focus Scales | |
| Filter Thread | |
| Zoom Ratio | |
| Minimum Focus Distance | |
| Image Stabilization | |
| Lens Mounting | |
| Gear Standard | |
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| Electronic Communication | |
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Laowa Ranger S35 17-50mm T2.9 Compact Cine Lens
The Laowa Ranger 17-50mm T2.9 S35 Compact Cine Zoom Lens from Venus Optics covers Super 35 sensors and is ideal for gimbal, drone, and handheld use. When combined with the separately available 11-18mm and 50-130mm zooms, the three lenses provide an extensive 11-130mm total range. Zoom features include 0.8 MOD cine gears on focus, iris, and zoom rings, focus marks in both feet and meters, and a 77mm front filter thread.
SPECS:
Lens Mount – PL
Lens Format Coverage – Super35/APS-C
Filter Thread – 77 mm
Electronic Communication – No
Front Diameter – 80 mm
Tokina 11-16mm Ultra-Wide Angle Lens
Duclos Lenses has developed a conversion process for the Tokina 11-16mm ultra-wide angle lens. Most obvious is the PL mount that interfaces with any PL mount camera including the RED Epic. More subtle yet most important is the activated manual aperture control. Lubricated, geared, and marked, the new aperture ring allows precise control for the user. The outer shell of the lens has been replaced with black anodized aluminum. Internal components are refined and reenforced. The final product is a small, lightweight lens perfectly capable of holding it’s own against the likes of other motion picture optics. Now also available in Canon Eos and Nikon F mount.
SPECS:
- Lens Mount: PL Mount
- Max Aperture: T2.8
- Image Circle: 32-38mm
- Min. Focus: 12″
- Front Diameter: 80mm
- Weight: 1.5lb.
Canon CINE-SERVO 25-250mm T2.95 S35
The lens covers an extensive 25 to 250mm focal range while featuring a T2.95 to T3.95 aperture from wide to telephoto. Using a 1.5x extender with 10x optical zoom, the telephoto range extends to an impressive 375mm. Like the rest of its cine lens family, the zoom lens creates a soft, pleasing bokeh using an 11-blade iris and a clickless iris ring. The focus ring rotates 180° with smooth operation. An LCD screen on the lens allows you to adjust user settings and functions such as zoom speed and locking, easily configured using the integrated drive switch.
SPECS:
Lens Mount: Canon EF
Maximum Aperture: T3.95
Minimum Focus Distance From: 4′ / 1.2m
Front Diameter: 114 mm
Zoom Ratio: 10x
Electronic Communication: Yes
Image Stabilization: No
Dimensions: (W x H) 7.6 x 5.2″ / 193.04 x 132.08 mm
Length: 11.1″ / 28.19 cm
Weight: 6.7 lb / 3.04 kg
ARRI 9.5-18mm T2.9 F Ultra Wide Zoom
The 9.5-18mm T2.9 Ultra Wide Zoom Lens from ARRI has been designed for both current and future large-sensor HD cameras. This super-wide angle, near-telecentric zoom delivers optimal image quality, suiting it for plate shots and other VFX applications. It covers large formats up to the current ARRI Open Gate 33.6 mm image circle and is future-proofed for image circles ranging up to 34.5 mm.
SPECS
Lens Mount: PL Mount
Focal length: 9.5-18mm
Maximum Aperture T-No.: 1 : 2.9
Minimum Focus: 21.6″ (0.55 m)
Length: 13.2″ (335.5 mm)
Weight: 10.6 lb (4.8 kg)
Sigma 50-100mm T2 High Speed Zoom
The Sigma 50-100mm T2 Cine High-Speed Zoom Lens (Feet) with a PL mount provides an image circle that covers Super 35mm-sized sensors. It features a maximum T-stop of 2, and the aperture does not ramp over the zoom range. It shares common lens gear positions with the other lens in the Sigma High Speed Zoom lineup, which makes for rapid lens changes.
SPECS:
Lens Mount: PL Mount
Format Coverage: S35
Filter Thread: 82 mm
Maximum Aperture T-No.: T2.0
Minimum Focus: 3.17′ / 96.5 cm
Length: 6.90″ / 175.2 mm
Weight: 4.1 lb / 1885.0 g
Sigma 18-35mm T2 High Speed Zoom
The 9-bladed iris provides round out-of-focus highlights for a natural-looking bokeh. The lens barrel features 180° of rotation from close focus to infinity, the zoom barrel rotates 160°, and the clickless iris ring features 60° of rotation. All three lens control rings are geared with cine-standard 0.8 Mod gears, and the focus scale is marked in feet. The front of the lens is 95mm in diameter with a removable 1/4″-20 support foot that helps support the lens with the aid of a 1/4″-20 rod-mounted lens support (not included).
SPECS:
Lens Mount: EF Mount
Format Coverage: S35
Filter Thread: 82 mm
Maximum Aperture T-No.: 1:2
Minimum Focus: 11″
Length: 5.2″
Weight: 3.2 Ibs
Hawk 150-450mm T2.8
HAWK 150-450mm T2.8. High Speed Telephoto Zoom Lens – you can quickly change it from a 150-450mm T2.8 to a 100-300mm T2.2. This is the industry standard at the 450mm end of zoom range. It’s also the fastest 100-300mm available. How does this lens give you two sets of zoom ranges? – it comes with a separate optical reducer.
When you insert that, all the focal length are reduced 0.7 times.
SPECS:
Lens Mount: PL Mount
Maximum Aperture T-No.: 1:2.8
Minimum Focus: 10′
Length: 26″
Weight: 36 Ibs
Cooke 25-250mm
The Cooke 18-100mm Varotal T3 and the Cooke Cinetal 25-250mm T3.7 are classic Cooke zooms lenses released in the late
1980s and are legendary industry standard zooms. The 25-250mm offers a great range from a wide 25mm to a long 250mm, making it a workhorse for both wide and telephoto work. The lens is designed for Academy 35, and for large sensor coverage a simple 1.2x expander is used to retain the Cooke Look. The lens is organic and sharp but handles the image without feeling harsh. It is solidly built, ergonomic, and has flattering character. Cooke designed the lenses to naturally emphasize skin tones. Hence part of the Cooke Look.
SPECS:
Lens Mount: PL Mount
Maximum Aperture: T3.9
Front Diameter: 121mm
Minimum Focus: 5′ 6″
Length: 1″ 1″
Weight: 10.5 lbs
Cooke 20-100mm
Lens designer Gordon H. Cook designed the 35mm Cooke 20-100mm, T3.1 Varotal zoom lens, released in 1971. It was the first high quality zoom designed for professional motion picture photography that incorporated a totally new design concept that has remained the basis for all Cooke zoom lenses subsequently produced. It was produced through the late 1980s.
SPECS:
Lens Mount: PL Mount
Maximum Aperture: T3.1
Front Diameter: 144mm
Minimum Focus: 2′ 4″
Length: 13″
Weight: 13.6 Ibs
Canon CN-E 30-300mm T2.95-3.7
The Cinema Zoom lens 30-300mm T2.95-3.7 L rivals best-in-class zoom magnification and telephoto focal length for the Super 35mm format, and is engineered to offer unrivaled optical performance for demanding high-end productions, meeting and exceeding industry standards. Intended for the working professional, the 30-300mm T2.95-3.7 L lens has markings on angled surfaces on both sides of the barrel, making it easy to read settings from behind, or from either side of the camera. Focus markings can even be switched from standard labeling to metric, depending on production need. This lens is equipped with control rings designed to maintain the proper amount of resistance with consistent operating torque, and a covered flange-back adjustment mechanism to meet numerous production application needs.
SPECS:
Lens Mount: PL Mount
Maximum Aperture T-No.: 1:2.95 – 3.7
Minimum Focus: 5′
Length: 13.78″
Weight: 12.8 Ibs
FUJINON CABRIO 14-35MM T2.9
Designed using the latest proprietary optical simulation software, the PL 14-35 mm wide angle lens offers exceptional optical performance in the center of the image and in the corners of the frame. The digital servo’s 16-bit encoding assures operators that all lens data output including the position of the zoom, iris, and focus- is extremely accurate. The PL 14-35mm lens supports Lens Data System (LDS) and /i metadata formats, and can be controlled using cinema industry standard wireless controllers as well as existing FUJINON wired and wireless units.
The PL 14-35mm Cabrio lens has a detachable digital servo drive.
The Cabrio can be used as a self-contained ENG-style lens or cine style lens. Cinematographers will also be right at home with this lens. With the detachable drive removed, the lens is set to accept industry standard cine motors and matte boxes. The 14-35mm lens is lightweight and comfortable to use with today’s smaller 4K cameras. For shooters looking for a lightweight zoom that can be
used as a handheld, capturing wide angles in tight spaces, it’s ideal.
The PL 14-35 covers 31.5mm sensor size on a digital cinema style camera. While sensors on standard broadcast cameras are all the same size, sensors on digital cine cameras vary greatly. This new zoom ensures the image captured will cover large sensors for optimal, full-frame resolution. A nine- blade iris part of the design as well, creating the most natural-looking imagery possible.
Specs
Camera Format
PL Mount
Focal length
14 – 35 mm
Zoom range
2.5 ×
Maximum Photometric Aperture T-No.
1: 2.9
Iris Blades
9
Focus Rotation (degrees)
200
Zoom Rotation (degrees)
120
M.O.D. from image plane
0.6 m / 2′
Object dimensions at M.O.D. 16: 9 Aspect ratio*
14 mm 701 × 394 mm
35 mm 193 x 109 mm
Angular field of view 16: 9 Aspect ratio*
14mm 88°52′ x 57°45
35 mm 42°49′ × 24°53′
Macro
Available
Filter thread
M111 (Protection Filter)
Diameter × Length
114 × 231 mm
Weight
2.9 kg
Features
-With Detachable Digital Drive Unit<br/>
-Flange Focal Distance Adjustment<br/>
-LDS & /i Compatible<br/>
– Accepts M127 Filter<br/>
FUJINON CABRIO 19-90MM T2.9
The Fujinon ZK19-90mm T2.9 Cabrio Lens is a wide to telephoto zoom lens for Super 35mm cameras, and it features a PL mount. The focus, zoom, and iris barrels are geared with standard 0.8 film pitch, which provides an interface for the removable ENG-style digital drive unit. The rear PL mount features electrical contacts for sharing ARRI LDS and Cooke /i Technology lens data with the camera.
The detachable drive unit is an ENG-style hand grip with a zoom rocker switch, 16-bit encoding, and an interface for remote control via a wired or wireless controller from Fujinon or other compatible third-party manufacturers. When the drive unit is attached to the lens, a digital auto-aligning system quickly and accurately calibrates it to the zoom, focus, and iris gears. Power is provided by either an external connector or the PL mount’s “hot shoe” interface. Included with the lens is a 111mm clear protection filter that helps to protect the front of the lens.
FUJINON CABRIO 85-300MM T2.9
The Fujinon ZK85-300mm T2.9-4.0 Lightweight Cabrio Lens is a PL Mount lens that features a detachable servo drive unit. With the drive unit, this lens operates like a traditional ENG TV lens thanks to the same interface and accessories familiar to TV lens users. This is helpful in simplifying and reducing setup time since it is not necessary to use more complicated cine lens drive systems, and the drive seamlessly interfaces with wired and wireless cine control systems as well.
With the drive unit removed, this lens has a standard 0.8mm cine gearing, allowing for the use of traditional third-party cine accessories (sold separately). This lens features hybrid technology from both Fujifilm broadcast and cine lens technologies in a lightweight and compact body.
CANON CINE SERVO 17-120MM T2.95
The CINE-SERVO 17-120mm T2.95-3.9 lens provides cinematographers and broadcast operations with a compact, lightweight design (only 6.4 lbs.) using Canon optical elements, while offering outstanding performance and reliability in professional shooting environments.
The new lens is fully 4K-ready, with a high optical resolution and support for Super35mm large-format cameras. An 11-blade aperture diaphragm helps ensure an artistic and beautiful representation of out-of-focus areas (or “Bokeh”).
The lens also features a high 7x zoom magnification, wide focal length range of 17mm to 120mm, and a 180º smooth rotating focus ring. Acknowledging that broadcasters often need to control zoom, focus and iris/aperture in different ways than filmmakers, Canon has developed this zoom lens with full external servo control for drama, documentary and other broadcast productions.
The servo drive unit is compatible with industry-standard protocols for control from a number of lens controllers including Canon’s standard broadcast lens controllers (ZSD-300D/FPD-400D) and multiple industry standard cinema lens controllers. The drive unit can be easily removed for cinema-style shoots and can be easily re-attached without any manual re-alignment. A 16-bit metadata output enables connection to virtual studio systems.
High Zoom Magnification 7x
4K Ready
11-Blade Iris
Designed for Cinema Style and Broadcast Applications
Enhanced Servo Drive Unit
Compact and Lightweight
Multiple Communication Capability with Compatible Cameras
16-bit Metadata Output for Virtual Studio Systems
High Durability and Ruggedness
Power Supply
Also Available in EF Mount