The 138mm Kaleidoscope-9 Filter from Revar Cine is a nine-surface filter made for professional cinematography and creating a high-resolution split image. The center is a 50mm clear flat surface. Any subject positioned in the center will be refracted, and part of the image will show on the outer eight surfaces.
Clear Center
- Made for professional cinematography and excellent for special effects, this filter creates a high-resolution split image.
- Featuring nine surfaces, this kaleidoscope filter reflects the image in the 50mm center flat portion.
- The image is repeated on eight surfaces, creating multiple duplicate images.
- This filter uses high-quality Schott BK7 glass with an index similar to your lens elements.
- Manufactured to the highest tolerances, this glass will exceed the performance of other diopters and has a high-quality anodized aluminum ring with scratch-resistant coatings.
The 10″ monitor features a bright 2000 cd/m² display, a 1920 x 1200 touchscreen QD-LCD, wireless Teradek Bolt compatibility, HDMI 2.0, and 6G-SDI inputs/outputs that support up to 4K30 resolutions. Easily control ARRI, Sony, and RED cinema cameras from the monitor thanks to the 5-pin USB and Ethernet control ports
Whether on a conventionally lit set or on fast-moving, lower-tier productions shot by small crews with
minimal lighting, Ensō Prime Lenses can be relied upon to produce engaging, well-controlled
images. It is this complete dependability in any shooting environment, combined with ARRI’s
legendary build quality and climatic tolerances, that gives users the freedom to forget about
technical worries and respond to their surroundings with unfettered creativity.
Whether on a conventionally lit set or on fast-moving, lower-tier productions shot by small crews with
minimal lighting, Ensō Prime Lenses can be relied upon to produce engaging, well-controlled
images. It is this complete dependability in any shooting environment, combined with ARRI’s
legendary build quality and climatic tolerances, that gives users the freedom to forget about
technical worries and respond to their surroundings with unfettered creativity.
Whether on a conventionally lit set or on fast-moving, lower-tier productions shot by small crews with
minimal lighting, Ensō Prime Lenses can be relied upon to produce engaging, well-controlled
images. It is this complete dependability in any shooting environment, combined with ARRI’s
legendary build quality and climatic tolerances, that gives users the freedom to forget about
technical worries and respond to their surroundings with unfettered creativity.