NiSi ATHENA PRIME 85mm T1.9 Full-Frame Lens (PL Mount)
- Designed with a rear screw-in filter mount.
- Lets you place a filter between your camera sensor and lens body.
- Saves the weight of a filter and frees up a space in a front matte box.
- Produces soft, engaging bokeh.
- 300° ring rotation for precise focusing.
- Standard 0.8 MOD focus and aperture rings for use with follow focus systems.
- Fluorescent focus marks in both feet and meters.
Specs
| Focal Length | |
| Maximum Aperture | |
| Lens Mount | |
| Lens Format Coverage | |
| Filter Thread | |
| Image Stabilization | |
| Electronic Communication |
| Maximum Aperture | |
| Minimum Aperture | |
| Lens Mount | |
| Lens Format Coverage | |
| Angle of View | |
| Focus Scales | |
| Filter Thread | |
| Minimum Focus Distance | |
| Aperture/Iris Blades | |
| Image Stabilization | |
| Gear Standard | |
| Gear Rotation | |
| Electronic Communication | |
| Diameter | |
| Length | |
| Weight |
NiSi ATHENA Prime T2.4/1.9 Full-Frame 5-Lens Kit (PL Mount)
- Designed with a rear screw-in filter mount.
- Lets you place a filter between your camera sensor and lens body.
- Saves the weight of a filter and frees up a space in a front matte box.
- Produces soft, engaging bokeh.
- 300° ring rotation for precise focusing.
- Standard 0.8 MOD focus and aperture rings for use with follow focus systems.
- Fluorescent focus marks in both feet and meters.
- Designed with a rear screw-in filter mount.
- Lets you place a filter between your camera sensor and lens body.
- Saves the weight of a filter and frees up a space in a front matte box.
- Produces soft, engaging bokeh.
- 300° ring rotation for precise focusing.
- Standard 0.8 MOD focus and aperture rings for use with follow focus systems.
- Fluorescent focus marks in both feet and meters.
- Designed with a rear screw-in filter mount.
- Lets you place a filter between your camera sensor and lens body.
- Saves the weight of a filter and frees up a space in a front matte box.
- Produces soft, engaging bokeh.
- 300° ring rotation for precise focusing.
- Standard 0.8 MOD focus and aperture rings for use with follow focus systems.
- Fluorescent focus marks in both feet and meters.
- Designed with a rear screw-in filter mount.
- Lets you place a filter between your camera sensor and lens body.
- Saves the weight of a filter and frees up a space in a front matte box.
- Produces soft, engaging bokeh.
- 300° ring rotation for precise focusing.
- Standard 0.8 MOD focus and aperture rings for use with follow focus systems.
- Fluorescent focus marks in both feet and meters.
- Designed with a rear screw-in filter mount.
- Lets you place a filter between your camera sensor and lens body.
- Saves the weight of a filter and frees up a space in a front matte box.
- Produces soft, engaging bokeh.
- 300° ring rotation for precise focusing.
- Standard 0.8 MOD focus and aperture rings for use with follow focus systems.
- Fluorescent focus marks in both feet and meters.
NiSi ATHENA Tuned Prime T2.4/1.9 Full-Frame 5-Lens Kit with Case (PL Mount)
Character and Depth
Fast T1.9/2.4 Apertures
Cine-Style Design
- Each lens features 10 aperture blades, micro-contrast control, and low chromatic aberration without distortion.
- All lenses share an 80mm front diameter with minimal focus breathing.
- A consistent size and weight enable you to quickly switch out lenses without spending time rebalancing your rig.
- The focus ring is capable of rotating 300° for intuitive control. Markings on the lens are fluorescent and in both feet and meters.
- Industry-standard 0.8 MOD focus and aperture rings are for use with lens control systems.
- Rear filter threads are on all except on the 14mm lens.
Key Features
- Full-Frame | T1.9/2.4 to T22
- Tuned 14, 25, 35, 50, and 85mm Primes
- Classic, Lower-Contrast Vintage Look
- Softer Bokeh, Subtle Blue/Purple Flares
- 80mm Front Outside Diameter
- 10 Aperture Blades, Rear Filter Thread
- 0.8 MOD Focus and Aperture Gears
- 300° Focus Rotation
- Lens Markings in Feet and Meters
- Includes Hard Case
Optex Excellence
The Optex Excellence 35mm Probe/Periscope System is a engineering masterpiece in the world of probe lenses. Not only is it the worlds first modular probe system, all of it’s components are color matched. This means the operator is able to utilize the system as a probe or periscope and can trust that the image will maintain continuity no matter what. Because the system is universal across a wide range of formats, all the Prime Lenses are marked in Degrees, rather than focal length. The table below shows the equivalent focal lengths for ⅔” Video, Super16, 35mm, 35mm Anamorphic, Vistavision and 65mm.
SPECS:
P+S TECHNIK SKATER Scope Compact Snorkel
Description
The SKATER Scope is the first truly compact periscope lens system. It can be used as a straight version (borescope) and as a bent version (periscope) with any desired angle.
As it is considerably shorter in its overall length than comparable systems, with clear operating controls, the SKATER Scope makes it possible to work quickly and intuitively.
SPECS:
Mount: PL
Format: S35, N35, N16, 516
TiltRange: #105°(2.5°increments)
Pivots:360°
Dimensions: 5.3 x 3.7″ (13.5 x 19.4cm)
Weight: 6.5 Ibs (2.9 kg)
PHANTOM FLEX 4K NIKON F MOUNT
This Standard F-Mount is compatible with several Phantom V-Series and Flex cameras.
PL Extension Tube Set
While mid to long range lenses benefit most from this product, the Duclos PL Macro Tube can be used on just about any PL mount lens. Decrease the minimum focus distance to within a few inches of the front element while maintaining optimal image quality.
Designed and manufactured in the USA by Duclos Lenses, the stainless steel components, precision tolerances, and optically flat internal surface finish are meticulously married to reduce stray light and ensure the highest quality is maintained. Works with S35 and 35FF format lenses and cameras.
NOTE: The PL Macro tubes do NOT work with anamorphic lenses.
RED DSMC PL MOUNT
The DSMC® PL Mount allows you to use full frame and 35mm PL mount cinema lenses with your DSMC or DSMC2 ® BRAIN®,
Lightweight aluminum alloy construction and a solid locking mechanism provides durable, lightweight support for PL mount glass. Captive screws provide a secure attachment and allow for more convenient mount removal. This mount is a must have for cinematographers looking for the cinematic aesthetic of an array of PL lenses.
RED DSMC S35 CANON EF MOUNT
The DSMC® S35 Canon Mount offers support for a wide variety of Canon EF and EF-S compatible lenses to use with your DSMC or DSMC2® BRAIN. Available in lightweight machined aluminum, or robust titanium-the DSMC Canon Mount offers modularity and convenience and supports autofocus and electronic iris control with compatible lenses. < BR/>
The mount attaches easily to the front of your camera BRAIN® and uses a dual-ring lock system to secure Canon EF and EF-S lenses. Both aluminum and titanium models feature captive mounting screws; you’ll never have to worry about searching for hardware.
SPECS:
Lens Mount: EF Mount
Autofocus support available for select EF lenses
Electronic iris control available for select EF and EF-S compatible lenses
Touch focus enabled for select lenses
No back focus adjustments necessary when switching mounts
Lightweight machined aluminum or robust titanium options
RED DSMC VV CANON EF MOUNT
The DSMC® WV Al Canon Mount offers support for a wide variety of Canon EF-S and full frame Canon EF compatible lenses to use with your DSMC2 ® SK V BRAIN, Constructed from lightweight aluminum, the DSMC VV Al Canon Mount offers modularity and supports autofocus as well as electronic iris control with compatible lenses.
The mount attaches easily to the front of your camera BRAIN® and uses a dual-ring lock system to secure Canon EF and EF-S lenses. Captive screws provide a secure attachment and allow for more convenient mount removal.
SPECS:
Mount: EF Mount
Autofocus support available for select EF lenses
Electronic iris control available for select EF and EF-S compatible lenses
Touch focus enabled for select lenses
No back focus adjustments necessary when switching mounts
NOTE: The DSMC WV Al Canon Mount is not intended to be used with smaller sized sensors and, if used, it may result in unintended artifacts
Sigma 18-35mm T2 High Speed Zoom
The 9-bladed iris provides round out-of-focus highlights for a natural-looking bokeh. The lens barrel features 180° of rotation from close focus to infinity, the zoom barrel rotates 160°, and the clickless iris ring features 60° of rotation. All three lens control rings are geared with cine-standard 0.8 Mod gears, and the focus scale is marked in feet. The front of the lens is 95mm in diameter with a removable 1/4″-20 support foot that helps support the lens with the aid of a 1/4″-20 rod-mounted lens support (not included).
SPECS:
Lens Mount: EF Mount
Format Coverage: S35
Filter Thread: 82 mm
Maximum Aperture T-No.: 1:2
Minimum Focus: 11″
Length: 5.2″
Weight: 3.2 Ibs
Sigma 50-100mm T2 High Speed Zoom
The Sigma 50-100mm T2 Cine High-Speed Zoom Lens (Feet) with a PL mount provides an image circle that covers Super 35mm-sized sensors. It features a maximum T-stop of 2, and the aperture does not ramp over the zoom range. It shares common lens gear positions with the other lens in the Sigma High Speed Zoom lineup, which makes for rapid lens changes.
SPECS:
Lens Mount: PL Mount
Format Coverage: S35
Filter Thread: 82 mm
Maximum Aperture T-No.: T2.0
Minimum Focus: 3.17′ / 96.5 cm
Length: 6.90″ / 175.2 mm
Weight: 4.1 lb / 1885.0 g
Sigma Cine Primes
The image quality of a high-end prime lens. Full-frame compatibility yet compact. These ten prime lenses range from 14mm to 135mm, and all offer T1.5 or T2 brightness. Rivaling a high-end prime set with their stunning image quality and compact construction, they also offer full-frame coverage. With this complete set of ten lenses designed for 6K-8K shooting, the FF High Speed Prime Line allows filming of various cuts without making any changes to the lighting, taking cinematography to the next level of performance.
AVAILABLE FOCAL LENGHTS:
- SIGMA 14MM CINE FF HIGH SPEED T2.0
- SIGMA 20MM CINE FF HIGH SPEED T1.5
- SIGMA 24MM CINE FF HIGH SPEED T1.5
- SIGMA 35MM CINE FF HIGH SPEED T1.5
- SIGMA 50MM CINE FF HIGH SPEED T1.5
- SIGMA 85MM CINE FF HIGH SPEED T1.5
- SIGMA 135MM CINE FF HIGH SPEED T2.0
SONY 16-35mm f/2.8 GM Lens
A fast and flexible wide-angle zoom, the FE 16-35mm f/2.8 GM Lens from Sony is a wide-angle zoom designed for full-frame E-mount mirrorless cameras. Distinguished by its constant f/2.8 maximum aperture, this lens offers consistent performance throughout the zoom range and benefits working in low-light conditions. The optical design incorporates two extra-low dispersion elements to reduce chromatic aberrations along with two XA elements and three aspherical elements, which significantly controls spherical aberrations for a high degree of image sharpness and clarity. Additionally, a Nano AR coating has been applied to limit ghosting and lens flare for increased contrast and color fidelity when working in strong lighting conditions.
SPECS:
Mount: Sony E Mount
Maximum Aperture F-No.: 1 : 2.8
Minimum Focus: 1.25′ / 38 cm
Length: 3.45 x 5.35″ / 87.6 x 136 mm
Weight: 1.9 lb / 886 g
SONY FE 1.4X TELECONVERTER
The FE 1.4x Teleconverter increases the lens’s magnification by 1.4x for a narrower field of view. The dedicated design maintains full communication between the lens and E-mount mirrorless cameras, including auto-exposure metering, autofocus, and Optical SteadyShot image stabilization. Additionally, this teleconverter also features a dust- and moisture-resistant construction, matching the lens, to benefit working in harsh environmental conditions.