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P+S TECHNIK SKATER Scope Compact Snorkel
Description
The SKATER Scope is the first truly compact periscope lens system. It can be used as a straight version (borescope) and as a bent version (periscope) with any desired angle.
As it is considerably shorter in its overall length than comparable systems, with clear operating controls, the SKATER Scope makes it possible to work quickly and intuitively.
SPECS:
Mount: PL
Format: S35, N35, N16, 516
TiltRange: #105°(2.5°increments)
Pivots:360°
Dimensions: 5.3 x 3.7″ (13.5 x 19.4cm)
Weight: 6.5 Ibs (2.9 kg)
Wooden Camera Canon RF to PL Mount
WOODEN CAMERA CANON RF TO PL MOUNT:
The Canon RF to PL Mount Pro Lens Adapter from Wooden Camera enables you to use pro cine-style PL mount lenses on your RF-mount RED KOMODO or V-RAPTOR cinema camera.
This dedicated lens mount adapter features a 1/4”-20 thread on the bottom for a lens support or cage mount. It includes a PL mount port cap and three vertical lens support posts for integration with optional lens support brackets.
Adapter
Camera Mount
Canon RF
Lens Mount
ARRI PL MOUNT
Canon Mount Adapter EF-EOS R
CANON MOUNT ADAPTER EF – EOS R:
The Canon Mount Adapter EF-EOS R is a lightweight, compact lens adapter designed for attaching any EF or EF-S-mount lens to the EOS R mirrorless digital’ camera.
This simple adapter retains full autofocus and image stabilization capabilities and contains no optical components, thereby maintaining the original optical quality of the mounted lens. It is also dust and water-resistant, making it suitable for use in harsh weather conditions.
Adapter
Camera Mount Canon RF
Lens Mount Canon EF
Physical
Dimensions/b> 2.8 x H: 0.9″ / 71.2 x H: 24.0 mm
Weight 3.88 oz / 110 g
Metabones Leica M Lens to Sony E-mount
METABONES LEICA M LENS TO SONY E-MOUNT:
Precision-crafted from brass with chromium plating, this adapter is designed for daily use and offers infinity focus.
This model has a flocked interior that will limit flaring and ghosting from reflections inside the adapter, and a satin exterior finish matches that of most cameras for a unified appearance. Additionally, it has a detachable Arca-type compatible tripod foot for simple mounting to a variety of tripods.
This adapter allows you to mount a Leica M lens on your Sony E-mount camera, but it does not support automatic functions such as autofocus and electronic aperture control.
Camera Mount
Sony E
Lens Mount
Leica M
Electronic Communication Display
No
INNOVISION PROBE II PLUS
Innovision’s Probe II is developed especially for shooters whose projects require long tubular lenses and higher resolution images.
The Probe II features high resolution glass elements and relay optics for images with remarkable edge-to-edge sharpness, flat field, and extreme depth of field. State-of-the-art multiple coatings provide sharp, low dispersion images. The Probe II comes in 35mm film and Video/16mm versions. The Video/16mm Probe II easily covers Super 16, as well.
Probe II lenses come with a set of five interchangeable front objectives. The Probe II for 35mm film work, rated at T5.6, provides focal lengths ranging from 9-40mm. The 16mm/video unit offers a range of focal lengths from 5-24mm with a speed of T2.8.
Interchangeable lens mounts offer simple adaptation to most professional cameras.
Probe lenses accept 40.5mm filters. For hands-off focus, Innovision offers an optional remote follow focus.
SPECS:
Speed: 35mm – T5.6, Video/16mm – T2.8
Barrel Diameter: 1.7″ (43.2mm)
Length: 35mm – 18″ (46cm), Video/16mm – 16″ (41cm)
Weight: 3.5 lbs. (1.6kg)
Housing: Constructed of aircraft aluminum with durable black anodized exterior.
Optional Accessories: Remote focus control, an assortment of 40.5mm filters,Camera mounts for all common cameras, shipping cases.
INNOVISION PROBE II
PROBE II
Innovision’s Probe II is developed especially for shooters whose projects require long tubular lenses and higher-resolution images.
The Probe II features high-resolution glass elements and relay optics for images with remarkable edge-to-edge sharpness, flat field, and extreme depth of field. State-of-the-art multiple coatings provide sharp, low-dispersion images. The Probe II comes in 35mm film and Video/16mm versions. The Video/16mm Probe II easily covers Super 16, as well.
Probe II lenses come with a set of five interchangeable front objectives. The Probe II for 35mm film work, rated at T5.6, provides focal lengths ranging from 9-40mm. The 16mm/video unit offers a range of focal lengths from 5-24mm with a speed of T2.8.
Interchangeable lens mounts offer simple adaptation to most professional cameras.
Probe lenses accept 40.5mm filters. For hands-off focus, Innovision offers an optional remote follow focus.
SPECS:
Speed: 35mm – T5.6, Video/16mm – T2.8
Barrel Diameter: 1.7″ (43.2mm)
Length: 35mm – 18″ (46cm), Video/16mm – 16″ (41cm)
Weight: 3.5 lbs. (1.6kg)
Housing: Constructed of aircraft aluminum with durable black anodized exterior.
Optional Accessories: Remote focus control, an assortment of 40.5mm filters, Camera mounts for all common cameras, and shipping cases.
VENUS OPTICS LAOWA PRO2BE 24MM T8 2X 3-LENS SET
The LAOWA Pro2be 24mm T8 2x Probe 3-Lens Set has a wide range of unique macro views. This set comprises a direct view straight lens, a 35° view lens, and a 90° periscope lens.
- The 90° Periscope-Type Lens is one in a series that also includes direct-view and 35° versions. It covers up to full-frame camera sensors, is waterproof down to 14.4″, focuses to just 0.2″, and features a relatively fast T8 maximum aperture, a 2x magnification ratio, and 360° rotation.
- The Direct-View Lens is one in a series that also includes 90° periscope and 35° versions. It covers up to full-frame camera sensors, is waterproof down to 14.4″, focuses to just 0.2″, and features a relatively fast T8 maximum aperture and a 2x magnification ratio.
- The 35° View Lens is one in a series that also includes direct-view and 90° periscope versions. It covers up to full-frame camera sensors, is waterproof down to 14.4″, focuses to just 0.2″, and features a relatively fast T8 maximum aperture, a 2x magnification ratio, and 360° rotation.
SPECS:
Lens Mount: PL Mount
Maximum Aperture: T8
Format Coverage: Full Frame
Minimum Focus Distance: From Front of Lens: 0.2″ / 4 mm
Image Stabilization: No
Electronic Communication: No
Length: 19.7″ / 500 mm
Weight: 2.34 lb / 1.06 kg
Cooke Anamorphic SF
The Cooke SF Full Frame Anamorphic finally brings the anamorphic look you have been looking for to the full range of large format digital cameras. Coverage circle covers a full 24 x 36 still size sensor with 1.8 squeeze. Cooke’s /i Technology enables cameras to automatically record key lens data for every frame shot, allowing post-production teams to access it digitally. Featuring key information on lens setting, focusing distance, aperture and depth-of-field, hyperfocal distance, serial number and more, it streamlines production and post and saves time and cost to eliminate guesswork.
Sizes Available: 32mm/ 40mm/ 50mm/ 75mm/ 100mm/ 135mm
Maximum Aperture: T2.3
Format Coverage: Full frame
Kowa Cine Prominar Lens TLS PL Mount
Kowa Cine Pominar Spherical Primes, are Japanese cinema lenses from the 1960s. These are impressive lenses with one of the most amazing combinations of characteristics. They are sharp on center, with medium/low contrast. So you can get sharp images, but you retain more detail on your shadows and highlights. This also makes them very flattering on your subject. Their bokeh is very special, with enough character to make the lenses stand out from modern options, but not so busy that it distracts from your subject. What really sets them apart from almost every other lens set, is their signature gold and amber lens flares, thanks to their gold single-layer coatings. They flare like nothing else. And since the lenses are slightly cool in color, when properly white balanced, their flares have a rich saturated amber tone that is beautiful, never distracting, and contrasts blue skies really well.
AVAILABLE FOCAL LENGHTS:
- KOWA CINE PMINAR / TLS 20MM T2.6
- KOWA CINE PMINAR / TLS 25MM T2.3
- KOWA CINE PMINAR / TLS 32MM T2.3
- KOWA CINE PMINAR / TLS 40MM T2.3
- KOWA CINE PMINAR / TLS 50MM T2.3
- KOWA CINE PMINAR / TLS 75MM T2.3
- KOWA CINE PMINAR / TLS 100MM T2.6
Canon EF 35mm F/1.4L II USM Lens
Characterized by its unique and advanced optical composition, the Canon EF 35mm f/1.4L II USM is a wide-angle L-series prime featuring a fast f/1.4 maximum aperture to suit working in difficult lighting conditions. Its optical design incorporates a Blue Spectrum Refractive Optics element; a specially developed element that helps to nearly eliminate chromatic aberrations and color fringing for notable clarity and color accuracy. In addition to this, an ultra-low dispersion element and two aspherical elements are also featured to further control various aberrations and distortion for great sharpness and resolution. Individual elements also feature a Sub Wavelength Coating to suppress flare and ghosting for high contrast and color fidelity when working in harsh and backlit conditions.
SPECS:
EF Mount
Maximum Aperture F-No. – 1 : 1.4
Minimum Focus – 11.02″ / 28 cm
Weight – 1.3 lb / 580 g
Front Diameter – 72mm
Canon EF 11-24mm f/4L USM Lens
A truly versatile wide-angle zoom featuring an advanced optical design and constant f/4 maximum aperture, the Canon EF 11-24mm f/4L USM Lens is a member of the esteemed L-series of lenses designed for full-frame EOS DSLRs. One Super UD element and one UD element offer a significant reduction in chromatic aberrations while four aspherical elements help to minimize distortions throughout the zoom range and provide consistent edge-to-edge sharpness and illumination. Both SWC and ASC coatings have been applied to the elements in order to reduce lens flare and ghosting for increased contrast and color accuracy. Ideally suited for landscape and architectural photography, this lens covers ultra-wide to wide-angle perspectives and backs up its versatile zoom range with sophisticated optical components and intuitive handling.
SPECS:
EF Mount
Maximum Aperture F-No. – 1 : 1.4
Minimum Focus – 11.02″ / 28 cm
Weight – 2.6 lb / 1180 g
Tokina 11-16mm Ultra-Wide Angle Lens
Duclos Lenses has developed a conversion process for the Tokina 11-16mm ultra-wide angle lens. Most obvious is the PL mount that interfaces with any PL mount camera including the RED Epic. More subtle yet most important is the activated manual aperture control. Lubricated, geared, and marked, the new aperture ring allows precise control for the user. The outer shell of the lens has been replaced with black anodized aluminum. Internal components are refined and reenforced. The final product is a small, lightweight lens perfectly capable of holding it’s own against the likes of other motion picture optics. Now also available in Canon Eos and Nikon F mount.
SPECS:
- Lens Mount: PL Mount
- Max Aperture: T2.8
- Image Circle: 32-38mm
- Min. Focus: 12″
- Front Diameter: 80mm
- Weight: 1.5lb.
Optex Excellence
The Optex Excellence 35mm Probe/Periscope System is a engineering masterpiece in the world of probe lenses. Not only is it the worlds first modular probe system, all of it’s components are color matched. This means the operator is able to utilize the system as a probe or periscope and can trust that the image will maintain continuity no matter what. Because the system is universal across a wide range of formats, all the Prime Lenses are marked in Degrees, rather than focal length. The table below shows the equivalent focal lengths for ⅔” Video, Super16, 35mm, 35mm Anamorphic, Vistavision and 65mm.
SPECS:
WOODEN CAMERA LPL MOUNT TO SONY E
Use this Wooden Camera LPL to Sony E-Mount Adapter to adapt the E Mount on your Sony full-frame Alpha series camera to accept cine-style LPL lenses such as the Signature LPL Primes. The integrated 1/4″-20 support foot serves as stress relief, transferring the weight of the lens away from the mount and onto your tripod or WC baseplate. This adapter includes a set of color-coded, stackable shims for adjusting your flange focal distance if your camera is out of calibration. The included LPL lens port cap will help keep your camera’s sensor dust-free when no lens is attached to the mount.
PHANTOM FLEX 4K NIKON F MOUNT
This Standard F-Mount is compatible with several Phantom V-Series and Flex cameras.