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Leica Summicron-C PL Mount

The T2.0 SUMMICRON-C prime lenses are built with high ASA/ISO digital cameras in mind, offering plenty of depth of field and performance while maintaining a compact size. Advances in cine lens design allow the SUMMICRON-C lenses to be smaller and more compact than other lenses with comparable performance. Only 4″ (101 mm) long and weighing between 2.9 and 3.4 pounds (1.3-1.6 kg), these lenses are perfect for stabilized gs, aerial cinematography, underwater cinematography, and ereoscopic 3D. The classic linear focus scale of the SUMMICRON-C lenses is miliar to camera assistants around the world. Focus rolls in ently allowing for smooth pulls without the unpleasant sudden nap of sharpness.

AVAILABLE FOCAL LENGTHS:

  • 15MM SUMMICRON-C T2.0
  • 18MM SUMMICRON-C T2.0
  • 21MM SUMMICRON-C T2.0
  • 25MM SUMMICRON-C T2.0
  • 29MM SUMMICRON-C T2.0
  • 35MM SUMMICRON-C T2.0
  • 40MM SUMMICRON-C T2.0
  • 50MM SUMMICRON-C T2.0
  • 75MM SUMMICRON-C T2.0
  • 100MM SUMMICRON-C T2.0
  • 135MM SUMMICRON-C T2.0
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Leica Summilux-C

At T 1.4 and averaging only 1.7 kg per lens, the SUMMILUX-C lenses are the smallest set of fast aperture, purpose-built prime lenses available for cinematography. Their patent focus design allows for a long focus throw even on these compact lenses.

The use of exotic aspherical elements in each SUMMILUX-C lens creates a telecentric path of light from the rear element to the sensor. Telecentricity and aspheric correction not only reduce

chromatic aberrations and color fringing, but also create a more even illumination across the entire field. Add in an already large image circle and the SUMMILUX-C lenses are the perfect companions for larger digital sensors like RED’s Dragon sensor.

 

Their unique design allows these cine lenses to be far smaller than any existing lenses below T2.0. At just 5.6″ (142 mm) long and

weighing between 3.5 and 4 pounds (1.6-1.8 kg), lens changes are easier and safer than ever, which is welcome news for camera assistants and hurried productions. Smaller lenses also result in smaller, lighter camera packages and cases as well as significantly smaller rigs.

 

Available Focal Lengths

16MM SUMMILUX-C T1.4-PL MOUNT

18MM SUMMILUX-C T1 4-PL MOUNT

21MM SUMMILUX-C T1.4-PL MOUNT

25MM SUMMILUX-C T1. 4-PL MOUNT

29MM SUMMILUX-C T1.4-PL MOUNT

35MM SUMMILUX-C T1.4-PL MOUNT

40MM SUMMILUX-C T1.4-PL MOUNT

65MM SUMMILUX-C MACRO T1.4-PL MOUNT

75MM SUMMILUX-C T1.4-PL MOUNT

100MM SUMMILUX-C T1.4-PL MOUNT

135MM SUMMILUX-C T1.4-PL MOUNT

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Leica Thalia

The THALIA prime lenses offer a consistently cinematic look and feel throughout the range of 9 lenses from 24 mm to 180 mm with an image circle of 60 mm. The unique always-round iris design creates a bokeh that is smooth, distinct and full of character. Although these are not vintage lenses, the THALIA’s offer many of the characteristics that have led cinematographers to pair older lenses with digital sensors. They are smooth, forgiving, and clear without being overly sharp. Images captured  can appear to have an added depth and dimensionality, especially on larger sensors, due to a gradual focus fall off curve. Rather than even, flat layers of focus across the frame, the THALIA lenses have a sharp and focused center with gradual and pleasing fall off of contrast and light towards the edges leading the view to the image center as well as adding dimensionality to the scene.

AVAILABLE FOCAL LENGHTS:

  • 24MM THALIA FF T3.6
  • 30MM THALIA FF T2.9
  • 35MM THALIA FF T2.6
  • 45MM THALIA FF T2.9
  • 55MM THALIA FF T2.8
  • 70MM THALIA FF T2.6
  • 100MM THALIA FF T2.2
  • 120MM THALIA FF T2.6
  • 180MM THALIA FF T3.6
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LENS BABY COMPOSER PRO II SWEET 35MM OPTIC T2.5 – PL MOUNT

Have unprecedented precision control over the “sweet spot” of focus in your selective focus photos with the Lensbaby Composer Pro Il with Sweet 35 Optic available here with a PL mount. This updated tool is completely compatible with the established Optic Swap System and can use any of the numerous optics available.
This version improves upon the original Pro model by featuring a metal body as well as an improved tilt function that ranges from 0-15° in any direction.

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Lensbaby 3G PL Mount

The Lensbaby is a hybrid between a bellows camera and a tilt-shift camera. The lens can be compressed, extended, and/or bent off-center in any direction for different effect. It will add a unique perspective on the world that is a radical departure from the precision of digital or even film photography. Effects like blurring, glowing highlights, and subtle, prismatic color distortions can all be achieved without software manipulations.

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LINDSEY OPTICS DIRECTOR’S VIEWFINDER (LF)

At the heart of the LF Directors Viewfinder design are interchangeable modules for quick and easy tool-free format changes. With a push of the red button, each module slips in and out of the LF body and securely nests in place. The ground glasses attach magnetically to the modules and are marked with format frame lines.

Available Modules:

Large Format (ARRI Alexa 65)

VistaVision (RED Monstro 8K)

Full Frame (Sony Venice)

Super 35

NOTE: PLEASE ADVISE AHEAD OF RENTAL WHICH FRAMELINES

YOU WILL USE TO ACCOMMODATE YOUR SHOOT

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MASTER PRIME

The Master Prime Lenses are both fast and have an optical performance surpassing that of all standard speed primes. There are new creative opportunities with these lenses, making shots possible that would have been considered impossible before. The Master Primes have been co-developed by ARRI and ZEISS, are manufactured by ZEISS.

 

Available Focal Lengths

12MM MASTER PRIME T1.3-PL MOUNT

14MM MASTER PRIME T1.3-PL MOUNT

16MM MASTER PRIME T1.3-PL MOUNT

18MM MASTER PRIME T1.3-PL MOUNT

21MM MASTER PRIME T1.3-PL MOUNT

25MM MASTER PRIME T1.3-PL MOUNT

27MM MASTER PRIME T1.3-PL MOUNT

32MM MASTER PRIME T1.3-PL MOUNT

35MM MASTER PRIME T1.3-PL MOUNT

40MM MASTER PRIME T1.3-PL MOUNT

50MM MASTER PRIME T1.3-PL MOUNT

65MM MASTER PRIME T1.3-PL MOUNT

75MM MASTER PRIME T1.3-PL MOUNT

100MM MASTER PRIME T1.3-PL MOUNT

135MM MASTER PRIME T1.3-PL MOUNT

150MM MASTER PRIME T1.3-PL MOUNT

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Meru Anamorphic Lenses

These lenses are reminiscent of JDC Cooke Crystal (Xtal) Express Anamorphic Lenses, Todd AO and Cooke Technovision Anamorphic lenses, but with better mechanics and optics.

Top Quality Anamorphic lenses for your narrative or commercial project!

SPECS:

Available Sizes: 40mm/ 50mm/ 80mm/ 135mm

T stop: 40mm, 50mm – T2.3/ 80mm – T1.7/ 135mm – T3.5

Close Focus: 40mm – 3’4″/ 50mm – 24”/ 80mm – 3’/ 135mm – 2’3”

Length: 40mm – 4.75″/ 50mm – 5.75″/ 80mm, 135mm – 11.5”

Weight: 40mm – 4.25 lbs/ 50mm – 5.0 lbs/ 80mm, 135mm – 6.5 lbs

Front Diameter 134mm

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Metabones Canon EF to Sony E Mount T Smart Adapter

Bring out your Canon EF and EF-S mount lenses for use on a variety of full-frame and APS-C format Sony E-mount cameras with this Metabones EF to E Mount T Smart Adapter. Further improving on previous generations of Smart Adapters, this fifth-generation model now features a rubber gasket to protect the camera’s mount from dust and moisture, offers a status notification LED light to check operation modes, and a dedicated switch that controls in-body image stabilization of select cameras. Also, this version is compatible with the Sony PXW-FS7 Mark II video camera.

SPECS:

Mount: EF to E-Mount

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Metabones Leica M Lens to Sony E-mount

METABONES LEICA M LENS TO SONY E-MOUNT:

Precision-crafted from brass with chromium plating, this adapter is designed for daily use and offers infinity focus.

This model has a flocked interior that will limit flaring and ghosting from reflections inside the adapter, and a satin exterior finish matches that of most cameras for a unified appearance. Additionally, it has a detachable Arca-type compatible tripod foot for simple mounting to a variety of tripods.

This adapter allows you to mount a Leica M lens on your Sony E-mount camera, but it does not support automatic functions such as autofocus and electronic aperture control.

Camera Mount
Sony E

Lens Mount
Leica M

Electronic Communication Display
No

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Metabones Nikon F Lens to Sony E-mount T Adapter II

Mount your Nikon F lens to your Sony E-mount camera with this T Adapter II from Metabones. Precision-crafted from brass with chromium plating, this adapter is designed for daily use and offers infinity focus. This model has a flocked interior that will limit flaring and ghosting from reflections inside the adapter, and a satin exterior finish matches that of most cameras for a unified appearance. Additionally, it has a detachable Arca-type compatible tripod foot for simple mounting to a variety of tripods.

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NiSi ATHENA PRIME 14mm T2.4 Full-Frame Lens (PL Mount)

Focal Length
14mm
Maximum Aperture
T2.4
Lens Mount
ARRI PL
Lens Format Coverage
Full-Frame (46 mm Image Circle)
Filter Thread
No
Image Stabilization
No
Electronic Communication
No
Maximum Aperture
T2.4
Minimum Aperture
T22
Lens Mount
ARRI PL
Lens Format Coverage
Full-Frame (46 mm Image Circle)
Angle of View
Full Frame
Horizontal: 103.6°
Diagonal: 113.9°
Focus Scales
Imperial, Metric
Filter Thread
No
Minimum Focus Distance
9.84″ / 0.25 m
Aperture/Iris Blades
10
Image Stabilization
No
Gear Standard
0.8 MOD
Gear Rotation
Focus: 300°
Electronic Communication
No
Diameter
Front: 3.1″ / 80 mm
Length
3.4″ / 85.3 mm
Weight
28.2 oz / 800 g
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NiSi ATHENA PRIME 25mm T1.9 Full-Frame Lens (PL Mount)

Cinematic Full-Frame Imaging
Capture high-quality images using a full-frame camera with an ARRI PL mount with this NiSi ATHENA PRIME 25mm T1.9 Full-Frame Lens. This lens features soft bokeh, micro-contrast control, and low chromatic aberration to highlight image details without distortion. It has a 46mm image circle, a T1.9 maximum aperture for deep depth of view and an increased area of focus, an 80mm front outside diameter, and minimal focus breathing.
Rear Filter Mount

  • Designed with a rear screw-in filter mount.
  • Lets you place a filter between your camera sensor and lens body.
  • Saves the weight of a filter and frees up a space in a front matte box.
Cine-Style Capture
  • Produces soft, engaging bokeh.
  • 300° ring rotation for precise focusing.
  • Standard 0.8 MOD focus and aperture rings for use with follow focus systems.
  • Fluorescent focus marks in both feet and meters.

 Specs

Focal Length
25mm
Maximum Aperture
T1.9
Lens Mount
ARRI PL
Lens Format Coverage
Full-Frame (46 mm Image Circle)
Filter Thread
77 mm
Image Stabilization
No
Electronic Communication
No
Maximum Aperture
T1.9
Minimum Aperture
T22
Lens Mount
ARRI PL
Lens Format Coverage
Full-Frame (46 mm Image Circle)
Angle of View
Full Frame
Horizontal: 71.7°
Diagonal: 82.1°
Focus Scales
Imperial, Metric
Filter Thread
77 mm
Minimum Focus Distance
11.8″ / 0.3 m
Aperture/Iris Blades
10
Image Stabilization
No
Gear Standard
0.8 MOD
Gear Rotation
Focus: 300°
Electronic Communication
No
Diameter
Front: 3.1″ / 80 mm
Length
3.2″ / 81.3 mm
Weight
28.2 oz / 800 g
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NiSi ATHENA PRIME 35mm T1.9 Full-Frame Lens (PL Mount)

Cinematic Full-Frame Imaging
Capture high-quality images using a full-frame camera with an ARRI PL mount with this NiSi ATHENA PRIME 35mm T1.9 Full-Frame Lens. This lens features soft bokeh, micro-contrast control, and low chromatic aberration to highlight image details without distortion. It has a 46mm image circle, a T1.9 maximum aperture for deep depth of view and an increased area of focus, an 80mm front outside diameter, and minimal focus breathing.
Rear Filter Mount
  • Designed with a rear screw-in filter mount.
  • Lets you place a filter between your camera sensor and lens body.
  • Saves the weight of a filter and frees up a space in a front matte box.
Cine-Style Capture
  • Produces soft, engaging bokeh.
  • 300° ring rotation for precise focusing.
  • Standard 0.8 MOD focus and aperture rings for use with follow focus systems.
  • Fluorescent focus marks in both feet and meters.

Specs

Focal Length
35mm
Maximum Aperture
T1.9
Lens Mount
ARRI PL
Lens Format Coverage
Full-Frame (46 mm Image Circle)
Filter Thread
77 mm
Image Stabilization
No
Electronic Communication
No
Maximum Aperture
T1.9
Minimum Aperture
T22
Lens Mount
ARRI PL
Lens Format Coverage
Full-Frame (46 mm Image Circle)
Angle of View
Full Frame
Horizontal: 55.1°
Diagonal: 64.3°
Focus Scales
Imperial, Metric
Filter Thread
77 mm
Minimum Focus Distance
11.8″ / 0.3 m
Aperture/Iris Blades
10
Image Stabilization
No
Gear Standard
0.8 MOD
Gear Rotation
Focus: 300°
Electronic Communication
No
Diameter
Front: 3.1″ / 80 mm
Length
3.2″ / 81.3 mm
Weight
28.2 oz / 800 g
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NiSi ATHENA PRIME 50mm T1.9 Full-Frame Lens (PL Mount)

Cinematic Full-Frame Imaging
Capture high-quality images using a full-frame camera with an ARRI PL mount with this NiSi ATHENA PRIME 50mm T1.9 Full-Frame Lens. This lens features soft bokeh, micro-contrast control, and low chromatic aberration to highlight image details without distortion. It has a 46mm image circle, a T1.9 maximum aperture for deep depth of view and an increased area of focus, an 80mm front outside diameter, and minimal focus breathing.
Rear Filter Mount
  • Designed with a rear screw-in filter mount.
  • Lets you place a filter between your camera sensor and lens body.
  • Saves the weight of a filter and frees up a space in a front matte box.
Cine-Style Capture
  • Produces soft, engaging bokeh.
  • 300° ring rotation for precise focusing.
  • Standard 0.8 MOD focus and aperture rings for use with follow focus systems.
  • Fluorescent focus marks in both feet and meters.

Specs

Focal Length
50mm
Maximum Aperture
T1.9
Lens Mount
ARRI PL
Lens Format Coverage
Full-Frame (46 mm Image Circle)
Filter Thread
77 mm
Image Stabilization
No
Electronic Communication
No
Maximum Aperture
T1.9
Minimum Aperture
T22
Lens Mount
ARRI PL
Lens Format Coverage
Full-Frame (46 mm Image Circle)
Angle of View
Full Frame
Horizontal: 40.1°
Diagonal: 47.5°
Focus Scales
Imperial, Metric
Filter Thread
77 mm
Minimum Focus Distance
19.7″ / 0.5 m
Aperture/Iris Blades
10
Image Stabilization
No
Gear Standard
0.8 MOD
Gear Rotation
Focus: 300°
Electronic Communication
No
Diameter
Front: 3.1″ / 80 mm
Length
3.2″ / 81.3 mm
Weight
28.2 oz / 800 g
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