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DJI 50mm f/2.8 ASPH LS Lens
DJI’s 50mm f/2.8 ASPH LS Lens is compatible with the Zenmuse X7 camera. The aperture opens to f/2.8 at its widest to maximize light passage when shooting in low light conditions or to reduce depth-of-field for augmented bokeh effect. A lens hood and balancing ring are included.
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DJI 75mm f/1.8 Telephoto Lens (DL)
Designed for the Zenmuse X9-8K and X9-8K Air gimbal cameras, this DL mount 75mm f/1.8 Telephoto Lens from DJI is a medium telephoto lens capable of 8K shooting. The lens itself has a total aperture range of f/1.8 to f/22 for a variety of lighting conditions. High lens sharpness and minimal chromatic aberration ensure natural image reproduction with rich details. A 55mm filter thread allows you to add compatible filters and customize your camera’s visuals. Included pan and tilt axis counterweights make balancing the lens on your gimbal camera a breeze. Other included accessories are a balancing ring and lens protector.
SPECS:
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DL 35mm F2.8 LS ASPH Lens
DJI’s 35mm f/2.8 ASPH LS Lens is compatible with the Zenmuse X7 camera. The aperture opens to f/2.8 at its widest to maximize light passage when shooting in low light conditions or to reduce depth-of-field for augmented bokeh effect. A lens hood and balancing ring are included.
SPECS:
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Cooke SP3 Full-Frame 5-Lens Prime Set (25/32/50/75/100mm, Sony E)
The SP3 Full-Frame 5-Lens Prime Set from Cooke comprises 25, 32, 50, 75, and 100mm lenses and a hard-shell lens case. These full-frame primes feature a fast T2.4 maximum aperture, a compact, lightweight design, user-changeable mounts, and consistent gear placement across the series.
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Angenieux EZ-3 45-165mm T2.3 S35 & 68-250mm T3.5 Cinema Zoom
The EZ-3 68-250mm & 45-165mm Cinema Zoom Kit from Angenieux consists of a compact PL-mount zoom lens plus both Super35 and FF/VistaVision rear lens-groups, enabling you to use the zoom with a wide range of cine-style cameras. Simply swap out the rear group to use this versatile 3.7x ratio zoom with the format of your choice on a project-by-project basis. The ARRI PL mount can be changed for separately available Sony E or Canon EF mounts, further expanding the EZ-3 zoom’s versatility.
This lens features industry-standard 0.8 MOD focus, iris, and zoom gears for compatibility with follow focus units and lens control motors. The 114mm front diameter enables you to work with a wide variety of rod-supported matte boxes.
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ARRI Ensō Prime Lenses
Technical Specifications
- Format Compatibility: Full-frame (Large Format) sensors
- Lens Mount: ARRI LPL with LDS-2 and Cooke /i lens data protocols
- Aperture Range:
- T2.1 for most focal lengths
- T2.5 for 14mm and 150mm
- T2.8 for 10.5mm and 250mm
- Focal Lengths Available:
- Close Focus Capability: 1:4 magnification ratio; for example, the 32mm lens focuses as close as 10 inches (25.4 cm)
- Front Diameter: 95mm for most lenses, facilitating easy matte box compatibility.
Optical Characteristics
- Native Look: Delivers natural image detail with stunning bokeh, gentle focus fall-off, and minimal focus breathing
- Ensō Vintage Elements: Optional rear-mounted magnetic filters that allow cinematographers to modify the lens’s optical characteristics, offering three positive and three negative elements to achieve various vintage looks
- Metadata Integration: Built-in chips provide real-time lens data (focus, iris, zoom) to compatible cameras, aiding in on-set monitoring and post-production workflows
Laowa Ranger S35 17-50mm T2.9 Compact Cine Lens
The Laowa Ranger 17-50mm T2.9 S35 Compact Cine Zoom Lens from Venus Optics covers Super 35 sensors and is ideal for gimbal, drone, and handheld use. When combined with the separately available 11-18mm and 50-130mm zooms, the three lenses provide an extensive 11-130mm total range. Zoom features include 0.8 MOD cine gears on focus, iris, and zoom rings, focus marks in both feet and meters, and a 77mm front filter thread.
SPECS:
Lens Mount – PL
Lens Format Coverage – Super35/APS-C
Filter Thread – 77 mm
Electronic Communication – No
Front Diameter – 80 mm
CANON RF 24-70MM F/2.8L II USM
Canon RF 24-70mm f/2.8 L IS USM is a versatile wide-angle to portrait-length lens characterized by its bright, advanced, and intuitive design. The constant f/2.8 maximum aperture suits working in difficult lighting conditions and also enables greater control over depth of field. The optical design incorporates a series of aspherical and Ultra-Low Dispersion elements, which greatly reduce a variety of aberrations throughout the zoom range in order to produce sharp and clear imagery. An Air Sphere Coating has also been applied to suppress flare and ghosting when working in strong lighting conditions.
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InfiniProbe ROBUSTO-LITE™ TS-160 Universal
The TS-160 is a radically new approach to macro/micro imaging. It has a Variable Iris, but no f/stops. It focuses internally without any changes to its outer dimensions. Its front lens is a specially-calculated microscope objective or a macro auxiliary. It ranges magnification from 0 to as much as 16x and can focus anywhere from infinity down to 18mm. Almost any camera up to and including those with 35mm sensors can be used with it. It is so easy to use that it literally sets the best image for you every time you focus. It may be a “counter-intuitive” experience even to experienced photographers. Quality macro/micro imaging has become simple and easy. Recently, new accessories and the availability of a PL Arri-type mount have extended the TS- 160’s uses into advanced cinematographic capabilities. Now, a single lens can be used for imaging from micro and macro to table-top advertising, motion pictures, and wherever incredible depth of field is envisioned. Truly, the TS-160 has now advanced to the front rank of special optics.
SPECS:
Mounts Available: Canon EF & Arri PL
Cooke 100mm T2.0 S7/i Full Frame Plus Prime Lens (PL Mount)
The Cooke 100mm T2.0 S7/i Full Frame Plus Prime Lens is designed to cover full frame cinema camera sensors up to at least the full sensor area of the RED Weapon 8K (46.31mm image circle). It is color-matched to other Cooke lenses to keep that well-known Cooke look, and has focus markings on both sides of the lens. A cam-type focus mechanism with a large lens barrel diameter and 270° of rotation from end-stop to end-stop allows for precision focus markings, especially at close focus.
The lens features a PL mount, which makes it compatible with most commonly used professional motion picture film and electronic cameras, and has an aperture range of T2.0 to T22. The PL mount incorporates i/Technology contacts that feed lens information metadata to a compatible camera, including focus distance, aperture and depth-of-field.
Specs
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Cooke 75mm T2.0 S7/i Full Frame Plus Prime Lens (PL Mount)
The Cooke 75mm T2.0 S7/i Full Frame Plus Prime Lens is designed to cover full frame cinema camera sensors up to at least the full sensor area of the RED Weapon 8K (46.31mm image circle). It is color-matched to other Cooke lenses to keep that well-known Cooke look, and has focus markings on both sides of the lens. A cam-type focus mechanism and a large lens barrel diameter with 270° of rotation from end-stop to end-stop allows for precision focus pulls, especially at close focus.
The lens features a PL mount, which makes it compatible with most commonly used professional motion picture film and electronic cameras, and has an aperture range of T2.0 to T22. The PL mount incorporates i/Technology contacts that feed lens information metadata to a compatible camera, including focus distance, aperture and depth-of-field.
Specs
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Cooke 50mm T2.0 S7/i Full Frame Plus Prime Lens (PL Mount)
The Cooke 50mm T2.0 S7/i Full Frame Plus Prime Lens is designed to cover full frame cinema camera sensors up to at least the full sensor area of the RED Weapon 8K (46.31mm image circle). It is color-matched to other Cooke lenses to keep that well-known Cooke look, and has focus markings on both sides of the lens. A cam-type focus mechanism and a large lens barrel diameter with 270° of rotation from end-stop to end-stop allows for precision focus pulls, especially at close focus.
The lens features a PL mount, which makes it compatible with most commonly used professional motion picture film and electronic cameras, and has an aperture range of T2.0 to T22. The PL mount incorporates i/Technology contacts that feed lens information metadata to a compatible camera, including focus distance, aperture and depth-of-field.
Specs
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| Focal Length | |
| Aperture | |
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Cooke 32mm T2.0 S7/i Full Frame Plus Prime Lens (PL Mount)
The Cooke 32mm T2.0 S7/i Full Frame Plus Prime Lens is designed to cover full frame cinema camera sensors up to at least the full sensor area of the RED Weapon 8K (46.31mm image circle). It is color-matched to other Cooke lenses to keep that well-known Cooke look, and has focus markings on both sides of the lens. A cam-type focus mechanism and a large lens barrel diameter with 270° of rotation from end-stop to end-stop allows for precision focus pulls, especially at close focus.
The lens features a PL mount, which makes it compatible with most commonly used professional motion picture film and electronic cameras, and has an aperture range of T2.0 to T22. The PL mount incorporates i/Technology contacts that feed lens information metadata to a compatible camera, including focus distance, aperture and depth-of-field.
Specs
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| Focal Length | |
| Aperture | |
| Maximum Format Size | |
| Minimum Object Distance (M.O.D.) | |
| Close Focus | |
| Scales | |
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Cooke 25mm T2.0 S7/i Full Frame Plus Prime Lens (PL Mount)
The Cooke 25mm T2.0 S7/i Full Frame Plus Prime Lens is designed to cover full frame cinema camera sensors up to at least the full sensor area of the RED Weapon 8K (46.31mm image circle). It is color-matched to other Cooke lenses to keep that well-known Cooke look, and has focus markings on both sides of the lens. A cam-type focus mechanism with a large lens barrel diameter and 270° of rotation from end-stop to end-stop allows for precision focus markings, especially at close focus.
The lens features a PL mount, which makes it compatible with most commonly used professional motion picture film and electronic cameras, and has an aperture range of T2.0 to T22. The PL mount incorporates i/Technology contacts that feed lens information metadata to a compatible camera, including focus distance, aperture and depth-of-field.
Specs
| Mount | |
| Focal Length | |
| Aperture | |
| Maximum Format Size | |
| Minimum Object Distance (M.O.D.) | |
| Close Focus | |
| Scales | |
| Drive Gear | |
| Rotation | |
| Angle of View | |
| Length | |
| Front Diameter | |
| Weight |
Cooke 18mm T2.0 S7/i Full Frame Plus Prime Lens (PL Mount)
The Cooke 18mm T2.0 S7/i Full Frame Plus Prime Lens is designed to cover full frame cinema camera sensors up to at least the full sensor area of the RED Weapon 8K (46.31mm image circle). It is color-matched to other Cooke lenses to keep that well-known Cooke look, and has focus markings on both sides of the lens. A cam-type focus mechanism with a large lens barrel diameter and 270° of rotation from end-stop to end-stop allows for precision focus markings, especially at close focus.
The lens features a PL mount, which makes it compatible with most commonly used professional motion picture film and electronic cameras, and has an aperture range of T2.0 to T22. The PL mount incorporates i/Technology contacts that feed lens information metadata to a compatible camera, including focus distance, aperture and depth-of-field.
Specs
| Mount | |
| Focal Length | |
| Aperture | |
| Maximum Format Size | |
| Minimum Object Distance (M.O.D.) | |
| Close Focus | |
| Scales | |
| Drive Gear | |
| Rotation | |
| Angle of View | |
| Length | |
| Front Diameter | |
| Weight |