Fujinon MK18-55mm T2.9 Lens (Sony E Mount)
The Fujinon MK18-55mm T2.9 Lens in E Mount is a lightweight cine-style zoom lens for E-mount cameras with a Super 35mm-sized sensor. It features a mechanical design with three independent lens control rings: focus, iris, and zoom. Each ring incorporates a cine-style gear with a 0.8 MOD for interfacing with standard cine -style lens accessories. The focus ring features approximately 200° of rotation, which provides room or precise focus pulls, and the iris is clickless, enabling smooth iris pulls. The lens also incorporates a macro mode for close focusing capabilities.
SPECS:
E Mount
Focal length – 18-55mm
Maximum Aperture F-No. – 1 : 2.9
Minimum Focus –
Standard: 2.8′ / 0.85 m
Macro: 1.25′ / 0.38 m
Weight – 2.16 lb / 0.98 kg
Fujinon MK50-135mm T2.9 Lens (Sony E Mount)
The Fujinon MK50-135mm T2.9 Lens in E Mount is a lightweight cine-style zoom lens for E mount cameras with a Super 35mm-sized sensor. It features a mechanical design with three independent lens control rings: focus, iris, and zoom. Each ring incorporates a cine-style gear with a 0.8 MOD for interfacing with standard cine -style lens accessories. The focus ring features approximately 200° of rotation, which provides room or precise focus pulls, and the iris is clickless, enabling smooth iris pulls. The lens also incorporates a macro mode for close focusing capabilities.
SPECS:
E Mount
Focal length – 50-135mm
Maximum Aperture F-No. – 1 : 2.9
Minimum Focus –
Standard: 3’11” / 1.2 m
Macro: 2’9″‘ / 0.85 m
Weight – 2.16 lb / 0.98 kg
Fujinon Premista Zooms
Expressly designed for large-format sensors, the Premista Large-Format Cine Zoom Lens from Fujifilm covers up to a 46.3mm image circle in addition to Super35 sensors. Its image quality is maintained from the center through the image corners, and it is color-matched to the Fujifilm cine lens line to reduce color grading in post. Compatibility with both ZEISS eXtended Data and Cooke /i Technology makes it easy to note your lens information for VFX work or matching shots.
Housed in a durable lens barrel, the Premista is designed with a 13-blade aperture for smooth bokeh. It also shares a 114mm front diameter with the other Premista line, making it simple to share accessories such as filters, a follow focus, and matte boxes. It features measurements in both feet and meters, and the index markings on the FIZ rings are in fluorescent paint so they are easily viewable in dark environments.
SPECS:
Lens Mount: PL Mount
Lenses Available: 19-45mm/ 28-100mm/ 80-250mm
Format Coverage: Large Format
Maximum Apreture: T2.9 (80-250mm – T2.9 to T3.5)
Image Stabelization: No
Image Circle: 46.3mm
Electronic Communication: Yes
Weight: 19-45mm – 7.28 lbs/ 28-100mm – 8.38 lbs/ 80-250mm – 8.38 lbs
Hawk 150-450mm T2.8
HAWK 150-450mm T2.8. High Speed Telephoto Zoom Lens – you can quickly change it from a 150-450mm T2.8 to a 100-300mm T2.2. This is the industry standard at the 450mm end of zoom range. It’s also the fastest 100-300mm available. How does this lens give you two sets of zoom ranges? – it comes with a separate optical reducer.
When you insert that, all the focal length are reduced 0.7 times.
SPECS:
Lens Mount: PL Mount
Maximum Aperture T-No.: 1:2.8
Minimum Focus: 10′
Length: 26″
Weight: 36 Ibs
IB/E OPTICS S35XVV Large-Format 1.66x Expander Mount Adapter for S35 Cine Lenses
Expand the focal length of your S35 format PL-mount lens when using it on a full-frame sensor camera with this S35XVV
Large-Format 1.66x Expander Mount Adapter for S35 Lenses from IBE OPTICS. The expander supports high-resolution imagery while scaling the image through an $35 PL mount lens on large-format sensors with up to a 46.5mm image circle. It is designed to magnify your focal length by 1.66x.
The extender features minimal optical degradation while expanding the focal length and decreasing the image brightness by 1.46 stops. To create an optimized optical design for modern lenses and digital cameras, the maximum input is T2.0. The S35XVV is designed to mount a PL lens on any digital cinema camera with a native PL mount, and the UMS lens mount system allows you to interchange the camera mount with optional Canon EF, Sony E, MFT, or other available mounts to fit a wide range of cameras. Its durable design incorporates stainless steel PL mounts and an anodized aluminum body.
IB/E Raptor Macro
The movement towards larger format sensors is still in progress. Early examples include RED Weapon 6K and 8K, Sony A7 or ARRi’s new ALEXA65. Larger sensors deliver the film-look and an interesting bokeh due to their very shallow depth of field. These new cameras require lenses that can cover the larger sensor sizes.
SPECS:
Available Focal Lengths: 60mm/ 100mm/ 150mm/ 180mm
Lens Mount: PL Mount
Maximum magnification 1:1
Maximum Aperture: T2.9
Front Diameter : 95 mm
InfiniProbe ROBUSTO-LITE™ TS-160 Universal
The TS-160 is a radically new approach to macro/micro imaging. It has a Variable Iris, but no f/stops. It focuses internally without any changes to its outer dimensions. Its front lens is a specially-calculated microscope objective or a macro auxiliary. It ranges magnification from 0 to as much as 16x and can focus anywhere from infinity down to 18mm. Almost any camera up to and including those with 35mm sensors can be used with it. It is so easy to use that it literally sets the best image for you every time you focus. It may be a “counter-intuitive” experience even to experienced photographers. Quality macro/micro imaging has become simple and easy. Recently, new accessories and the availability of a PL Arri-type mount have extended the TS- 160’s uses into advanced cinematographic capabilities. Now, a single lens can be used for imaging from micro and macro to table-top advertising, motion pictures, and wherever incredible depth of field is envisioned. Truly, the TS-160 has now advanced to the front rank of special optics.
SPECS:
Mounts Available: Canon EF & Arri PL
INNOVISION PROBE II
PROBE II
Innovision’s Probe II is developed especially for shooters whose projects require long tubular lenses and higher-resolution images.
The Probe II features high-resolution glass elements and relay optics for images with remarkable edge-to-edge sharpness, flat field, and extreme depth of field. State-of-the-art multiple coatings provide sharp, low-dispersion images. The Probe II comes in 35mm film and Video/16mm versions. The Video/16mm Probe II easily covers Super 16, as well.
Probe II lenses come with a set of five interchangeable front objectives. The Probe II for 35mm film work, rated at T5.6, provides focal lengths ranging from 9-40mm. The 16mm/video unit offers a range of focal lengths from 5-24mm with a speed of T2.8.
Interchangeable lens mounts offer simple adaptation to most professional cameras.
Probe lenses accept 40.5mm filters. For hands-off focus, Innovision offers an optional remote follow focus.
SPECS:
Speed: 35mm – T5.6, Video/16mm – T2.8
Barrel Diameter: 1.7″ (43.2mm)
Length: 35mm – 18″ (46cm), Video/16mm – 16″ (41cm)
Weight: 3.5 lbs. (1.6kg)
Housing: Constructed of aircraft aluminum with durable black anodized exterior.
Optional Accessories: Remote focus control, an assortment of 40.5mm filters, Camera mounts for all common cameras, and shipping cases.
INNOVISION PROBE II PLUS
Innovision’s Probe II is developed especially for shooters whose projects require long tubular lenses and higher resolution images.
The Probe II features high resolution glass elements and relay optics for images with remarkable edge-to-edge sharpness, flat field, and extreme depth of field. State-of-the-art multiple coatings provide sharp, low dispersion images. The Probe II comes in 35mm film and Video/16mm versions. The Video/16mm Probe II easily covers Super 16, as well.
Probe II lenses come with a set of five interchangeable front objectives. The Probe II for 35mm film work, rated at T5.6, provides focal lengths ranging from 9-40mm. The 16mm/video unit offers a range of focal lengths from 5-24mm with a speed of T2.8.
Interchangeable lens mounts offer simple adaptation to most professional cameras.
Probe lenses accept 40.5mm filters. For hands-off focus, Innovision offers an optional remote follow focus.
SPECS:
Speed: 35mm – T5.6, Video/16mm – T2.8
Barrel Diameter: 1.7″ (43.2mm)
Length: 35mm – 18″ (46cm), Video/16mm – 16″ (41cm)
Weight: 3.5 lbs. (1.6kg)
Housing: Constructed of aircraft aluminum with durable black anodized exterior.
Optional Accessories: Remote focus control, an assortment of 40.5mm filters,Camera mounts for all common cameras, shipping cases.
Kern/Switar C-Mount Lenses
Kern Switar RX Primes and Macro-Switar RX primes were made in Switzerland in the 1960s by Kern-Paillard for Bolex reflex 16mm cameras. The RX versions were designed to compensate for the addition of the prism in Bolex reflex cameras, and that is where they really shine. These are some of the most beautiful and highly regarded C-Mount primes ever made.
Specs:
Mount: C-Mount
Available Focal Lengths: 10mm/ 16mm/ 25mm/ 50mm/ 75mm/ 100mm/ 150mm
Maximum Aperture F-No: 10mm – 1 : 1.6/ 16mm – 1 : 1.8/ 25mm – 1 : 1.1/ 50mm – 1 : 1.4/ 75mm – 1 : 1.9/ 100mm -1 : 2.8/ 150mm – 1 : 3.3
Kish Optics Ultimate Director Viewfinder
The Kish Optics Ultimate Director Viewfinder is a PL mount 35mm format director viewfinder used to preview a lens’ field of view before putting it on camera, thus saving precious time in assessing the next set up on a film set.
All of our Kish viewfinders have been outfitted with an anamorphic attachment, which allow with the switch of a knob to toggle between anamorphic and spherical field of views.
SPECS:
Mount: PL Mount
Accepts Arri 35III Ground Glass
Adjustable Eyepiece Diopter
Anamorphic Attachment for use with 35mm Anamorphic prime lenses
Kowa Cine Prominar Lens TLS PL Mount
Kowa Cine Pominar Spherical Primes, are Japanese cinema lenses from the 1960s. These are impressive lenses with one of the most amazing combinations of characteristics. They are sharp on center, with medium/low contrast. So you can get sharp images, but you retain more detail on your shadows and highlights. This also makes them very flattering on your subject. Their bokeh is very special, with enough character to make the lenses stand out from modern options, but not so busy that it distracts from your subject. What really sets them apart from almost every other lens set, is their signature gold and amber lens flares, thanks to their gold single-layer coatings. They flare like nothing else. And since the lenses are slightly cool in color, when properly white balanced, their flares have a rich saturated amber tone that is beautiful, never distracting, and contrasts blue skies really well.
AVAILABLE FOCAL LENGHTS:
- KOWA CINE PMINAR / TLS 20MM T2.6
- KOWA CINE PMINAR / TLS 25MM T2.3
- KOWA CINE PMINAR / TLS 32MM T2.3
- KOWA CINE PMINAR / TLS 40MM T2.3
- KOWA CINE PMINAR / TLS 50MM T2.3
- KOWA CINE PMINAR / TLS 75MM T2.3
- KOWA CINE PMINAR / TLS 100MM T2.6
Kowa Prominar Anamorphic Lenses
The Kowa Cine Prominar anamorphic lenses were made in Japan in the 1970s and 80s. Their unique design produces a front anamorphic lens that delivers vintage anamorphic qualities but in a very compact and lightweight package. With the popularity of vintage anamorphic shooting and the need for lightweight lenses for gimbals and drones, Kowa anamorphics have become one of the most popular choices in anamorphic shooting.
SPECS:
Mount: PL Mount
Format Coverage: S35
Available Focal Lengths: 40mm/ 50mm/ 75mm/ 100mm
Maximum Aperture: 40mm & 50mm – T2.3/ 75mm – T2.5/ 100mm – T3.4
Closest Focusing Distance: 40mm & 50mm – 3’/ 75mm – 3’3”/ 100mm – 5’
Front Diameter: 80mm
Weight: 40mm – 2,2 lbs/ 50mm – 2,9 lbs/ 75mm – 3,3 lbs/ 100mm – 3,7 lbs
LAOWA 24MM T14 2X PERIPROBE PL MOUNT
The 24mm T14 2x PeriProbe not only inherits all the great features from the 24mm T14 2x Probe lens, a new tube with periscope is now also included. The new 90° Periscope tip unlocks countless new exciting movements. The 85° AoV and a very close 2cm working distance help create the bug-eye perspective. The 2x magnification allows for capturing subjects of different sizes with details. Users could poke the long and waterproof barrel into a tight space and underwater to obtain a unique perspective. The LED Ring Lite provides an extra light source. Users could also switch the 90° periscope back to the 0° straight scope. The lens could rotate 360° along the axis by unlocking the orientation ring.
SPECS:
Aperture Range: T14-40
Angle of View: 85°
Format Compatibility: Full Frame
Min. Focal Distance: 2cm
Max. Magnification: 2x
Weight: 770g/ 1.69lbs (Estimate)
Laowa Ranger S35 17-50mm T2.9 Compact Cine Lens
The Laowa Ranger 17-50mm T2.9 S35 Compact Cine Zoom Lens from Venus Optics covers Super 35 sensors and is ideal for gimbal, drone, and handheld use. When combined with the separately available 11-18mm and 50-130mm zooms, the three lenses provide an extensive 11-130mm total range. Zoom features include 0.8 MOD cine gears on focus, iris, and zoom rings, focus marks in both feet and meters, and a 77mm front filter thread.
SPECS:
Lens Mount – PL
Lens Format Coverage – Super35/APS-C
Filter Thread – 77 mm
Electronic Communication – No
Front Diameter – 80 mm