Leica Summicron-C PL Mount

The T2.0 SUMMICRON-C prime lenses are built with high ASA/ISO digital cameras in mind, offering plenty of depth of field and performance while maintaining a compact size. Advances in cine lens design allow the SUMMICRON-C lenses to be smaller and more compact than other lenses with comparable performance. Only 4″ (101 mm) long and weighing between 2.9 and 3.4 pounds (1.3-1.6 kg), these lenses are perfect for stabilized gs, aerial cinematography, underwater cinematography, and ereoscopic 3D. The classic linear focus scale of the SUMMICRON-C lenses is miliar to camera assistants around the world. Focus rolls in ently allowing for smooth pulls without the unpleasant sudden nap of sharpness.

AVAILABLE FOCAL LENGTHS:

  • 15MM SUMMICRON-C T2.0
  • 18MM SUMMICRON-C T2.0
  • 21MM SUMMICRON-C T2.0
  • 25MM SUMMICRON-C T2.0
  • 29MM SUMMICRON-C T2.0
  • 35MM SUMMICRON-C T2.0
  • 40MM SUMMICRON-C T2.0
  • 50MM SUMMICRON-C T2.0
  • 75MM SUMMICRON-C T2.0
  • 100MM SUMMICRON-C T2.0
  • 135MM SUMMICRON-C T2.0

Leica Summilux-C

At T 1.4 and averaging only 1.7 kg per lens, the SUMMILUX-C lenses are the smallest set of fast aperture, purpose-built prime lenses available for cinematography. Their patent focus design allows for a long focus throw even on these compact lenses.

The use of exotic aspherical elements in each SUMMILUX-C lens creates a telecentric path of light from the rear element to the sensor. Telecentricity and aspheric correction not only reduce

chromatic aberrations and color fringing, but also create a more even illumination across the entire field. Add in an already large image circle and the SUMMILUX-C lenses are the perfect companions for larger digital sensors like RED’s Dragon sensor.

 

Their unique design allows these cine lenses to be far smaller than any existing lenses below T2.0. At just 5.6″ (142 mm) long and

weighing between 3.5 and 4 pounds (1.6-1.8 kg), lens changes are easier and safer than ever, which is welcome news for camera assistants and hurried productions. Smaller lenses also result in smaller, lighter camera packages and cases as well as significantly smaller rigs.

 

Available Focal Lengths

16MM SUMMILUX-C T1.4-PL MOUNT

18MM SUMMILUX-C T1 4-PL MOUNT

21MM SUMMILUX-C T1.4-PL MOUNT

25MM SUMMILUX-C T1. 4-PL MOUNT

29MM SUMMILUX-C T1.4-PL MOUNT

35MM SUMMILUX-C T1.4-PL MOUNT

40MM SUMMILUX-C T1.4-PL MOUNT

65MM SUMMILUX-C MACRO T1.4-PL MOUNT

75MM SUMMILUX-C T1.4-PL MOUNT

100MM SUMMILUX-C T1.4-PL MOUNT

135MM SUMMILUX-C T1.4-PL MOUNT

COOKE S4 I

Award winning Cooke $4 Prime Lenses were designed and developed in close technical collaboration with industry professionals. They are colour-matched and compatible with all contemporary Cooke cine lenses. Cooke $4 optics offer superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture. The cam-type focus mechanism allows for smooth focus adjustments.

AVAILABLE FOCAL LENGTHS:

  • COOKE 12MM S4/I T2.0-PL MOUNT
  • COOKE 14MM S4/I T2.0-PL MOUNT
  • COOKE 16MM S4/I T2.0-PL MOUNT
  • COOKE 18MM S4/I T2.0-PL MOUNT
  • COOKE 21MM S4/I T2.0-PL MOUNT
  • COOKE 25MM S4/I T2.0-PL MOUNT
  • COOKE 27MM S4/| T2.0-PL MOUNT
  • COOKE 32MM S4/I T2.0-PL MOUNT
  • COOKE 35MM S4/I T2.0-PL MOUNT
  • COOKE 40MM 54/1 T2.0-PL MOUNT
  • COOKE 50MM S4/I T2.0-PL MOUNT
  • COOKE 65MM S4/I T2.0-PL MOUNT
  • COOKE 75MM S4/I T2.0-PL MOUNT
  • COOKE 100MM S4/I T2.0-PL MOUNT
  • COOKE 135MM S4/I T2.0-PL MOUNT
  • COOKE 150MM S4/I T2.0-PL MOUNT
  • COOKE 180MM S4/I T2.0-PL MOUNT

MASTER PRIME

The Master Prime Lenses are both fast and have an optical performance surpassing that of all standard speed primes. There are new creative opportunities with these lenses, making shots possible that would have been considered impossible before. The Master Primes have been co-developed by ARRI and ZEISS, are manufactured by ZEISS.

 

Available Focal Lengths

12MM MASTER PRIME T1.3-PL MOUNT

14MM MASTER PRIME T1.3-PL MOUNT

16MM MASTER PRIME T1.3-PL MOUNT

18MM MASTER PRIME T1.3-PL MOUNT

21MM MASTER PRIME T1.3-PL MOUNT

25MM MASTER PRIME T1.3-PL MOUNT

27MM MASTER PRIME T1.3-PL MOUNT

32MM MASTER PRIME T1.3-PL MOUNT

35MM MASTER PRIME T1.3-PL MOUNT

40MM MASTER PRIME T1.3-PL MOUNT

50MM MASTER PRIME T1.3-PL MOUNT

65MM MASTER PRIME T1.3-PL MOUNT

75MM MASTER PRIME T1.3-PL MOUNT

100MM MASTER PRIME T1.3-PL MOUNT

135MM MASTER PRIME T1.3-PL MOUNT

150MM MASTER PRIME T1.3-PL MOUNT

ULTRA PRIME

The Ultra Prime Lenses have the widest focal range of any 35mm prime lens set available to cover every cinematic need: from the unique Ultra Prime 8R extreme wide angle lens to the best telephoto lens designed specifically for motion pictures, the Ultra Prime 180 mm, giving you the flexibility to get the coverage you want.

Ultra Prime Lenses retain their excellent image quality even at close focus across the whole Super 35 frame. They are lightweight standard speed lenses that are a perfect optical match to the high speed Master Prime Lenses.

AVAILABLE FOCAL LENGHTS 

  • 8MM (8R) ULTRA PRIME T2.8-PL MOUNT
  • 12MM ULTRA PRIME T2.0-PL MOUNT
  • 14MM ULTRA PRIME LDS T1.9-PL MOUNT
  • 16MM ULTRA PRIME LDS T1.9-PL MOUNT
  • 20MM ULTRA PRIME LDS T1.9-PL MOUNT
  • 24MM ULTRA PRIME LDS T1.9-PL MOUNT
  • 28MM ULTRA PRIME LDS T1.9-PL MOUNT
  • 32MM ULTRA PRIME LDS T1.9-PL MOUNT
  • 40MM ULTRA PRIME LDS T1.9-PL MOUNT
  • 50MM ULTRA PRIME LDS T1.9-PL MOUNT
  • 65MM ULTRA PRIME LDS T1.9-PL MOUNT
  • 85MM ULTRA PRIME LDS T1.9-PL MOUNT
  • 100MM ULTRA PRIME LDS T1.9-PL MOUNT
  • 135MM ULTRA PRIME LDS T1.9-PL MOUNT
  • 180MM ULTRA PRIME LDS T1.9-PL MOUNT

ZEISS CP.2

One of the most important aspects of a successful production is the competence and diversity of your team. Whether you’re shooting a commercial where exquisite color rendition and high contrast is important, or a tense, dramatic sequence in low light situations for a feature film, Compact Prime lenses offer you the performance you need to get the scene right.

With a wide range of focal lengths, full-frame coverage, fantastic image quality, great flare suppression and precise focusing through the large rotation angle, Compact Prime lenses give you a flexible set of tools to make your film shine.

 

Available Focal Lengths

15MM T2.9 (CP.2)-PL OR EF MOUNT

18MM T3.6 (CP.2)-PL OR EF MOUNT

21MM T2.9 (CP.2)-PL OR EF MOUNT

25MM T2.1 (CP.2)-PL OR EF MOUNT

28MM T2.1 (CP.2)-PL OR EF MOUNT

35MM T2.1 (CP.2)-PL OR EF MOUNT

50MM T2.1 (CP.2)-PL OR EF MOUNT

50MM MACRO T2.1 (CP.2)-PL OR EF MOUNT

ZEISS CP.2 SUPER SPEED

Whether you’re shooting a commercial where exquisite color rendition and high contrast is important, or a tense, dramatic sequence in low light situations for a feature film, Compact Prime CP.2 Super Speed lenses offer you the performance you need to get the scene right. They are an ideal complement to the existing range of CP.2 lenses. <br/>

The Compact Prime Super Speed lenses show less aberration which results in an overall better image quality. Images appear much sharper and show a much higher contrast. The CP.2 Super Speed lenses cover a full-frame sensor format and are equipped with the interchangeable lens mount system for use with a variety of cameras ranging from HDSLR to professional cinema cameras.

AVAILABLE FOCAL LENGHTS:

  • 35MM T2.1 (CP.2)-PL OR EF MOUNT
  • 50MM T2.1 (CP.2)-PL OR EF MOUNT
  • 85MM T2.1 (CP.2)-PL OR EF MOUNT

Zeiss Distagon/ Planar Standard

ZEISS Standard Speeds arrived between 1964 and 1975. They were designed for use with Arriflex film cameras and offer a smooth pleasing image with cool color rendition and medium contrast. Many iterations have been released through the years, with the most recent models featuring standard 0.8 gearing on the focus and iris rings.

AVAILABLE FOCAL LENGHTS:

  • 10MM T2.1 – PL MOUNT
  • 12MM T2.1 – PL MOUNT
  • 14MM T2.1 – PL MOUNT
  • 16MM T2.1 – PL MOUNT
  • 20MM T2.1 – PL MOUNT
  • 24MM T2.1 – PL MOUNT
  • 28MM T2.1 – PL MOUNT
  • 32MM T2.1 – PL MOUNT
  • 40MM T2.1 – PL MOUNT
  • 50MM T2.1 – PL MOUNT
  • 85MM T2.1 – PL MOUNT
  • 100MM T2.1 – PL MOUNT
  • 135MM T2.1 – PL MOUNT

Zeiss Distagon/ Planar Super Speed

Zeiss Super Speeds arguably the most capable and beautiful vintage lenses available. Their T1.3 maximum aperture is an obvious advantage and puts them in rare company. Whether you are wide-open or stopped down, the images they produce are magic.

AVAILABLE FOCAL LENGHTS: 

  • ZEISS 18MM DISTAGON T1.3
  • ZEISS 25MM DISTAGON T1.3
  • ZEISS 35MM DISTAGON T1.3
  • ZEISS 50MM PLANAR T1.3
  • ZEISS 65MM PLANAR T1.3
  • ZEISS 85MM PLANAR T1.3

NOTE: FOCAL LENGHTS AVAILABLE IN BOTH MKII & MKIll

FUJINON CABRIO 14-35MM T2.9

Designed using the latest proprietary optical simulation software, the PL 14-35 mm wide angle lens offers exceptional optical performance in the center of the image and in the corners of the frame. The digital servo’s 16-bit encoding assures operators that all lens data output including the position of the zoom, iris, and focus- is extremely accurate. The PL 14-35mm lens supports Lens Data System (LDS) and /i metadata formats, and can be controlled using cinema industry standard wireless controllers as well as existing FUJINON wired and wireless units.

The PL 14-35mm Cabrio lens has a detachable digital servo drive.

The Cabrio can be used as a self-contained ENG-style lens or cine style lens. Cinematographers will also be right at home with this lens. With the detachable drive removed, the lens is set to accept industry standard cine motors and matte boxes. The 14-35mm lens is lightweight and comfortable to use with today’s smaller 4K cameras. For shooters looking for a lightweight zoom that can be

used as a handheld, capturing wide angles in tight spaces, it’s ideal.

The PL 14-35 covers 31.5mm sensor size on a digital cinema style camera. While sensors on standard broadcast cameras are all the same size, sensors on digital cine cameras vary greatly. This new zoom ensures the image captured will cover large sensors for optimal, full-frame resolution. A nine- blade iris part of the design as well, creating the most natural-looking imagery possible.

 

Specs

 

Camera Format

PL Mount

 

Focal length

14 – 35 mm

 

Zoom range

2.5 ×

 

Maximum Photometric Aperture T-No.

1: 2.9

 

Iris Blades

9

 

Focus Rotation (degrees)

200

 

Zoom Rotation (degrees)

120

 

M.O.D. from image plane

0.6 m / 2′

 

Object dimensions at M.O.D. 16: 9 Aspect ratio*

14 mm 701 × 394 mm

35 mm 193 x 109 mm

 

Angular field of view 16: 9 Aspect ratio*

14mm 88°52′ x 57°45

35 mm 42°49′ × 24°53′

 

Macro

Available

 

Filter thread

M111 (Protection Filter)

 

Diameter × Length

114 × 231 mm

 

Weight

2.9 kg

 

Features

-With Detachable Digital Drive Unit<br/>

 

-Flange Focal Distance Adjustment<br/>

 

-LDS & /i Compatible<br/>

– Accepts M127 Filter<br/>

FUJINON CABRIO 19-90MM T2.9

The Fujinon ZK19-90mm T2.9 Cabrio Lens is a wide to telephoto zoom lens for Super 35mm cameras, and it features a PL mount. The focus, zoom, and iris barrels are geared with standard 0.8 film pitch, which provides an interface for the removable ENG-style digital drive unit. The rear PL mount features electrical contacts for sharing ARRI LDS and Cooke /i Technology lens data with the camera.

The detachable drive unit is an ENG-style hand grip with a zoom rocker switch, 16-bit encoding, and an interface for remote control via a wired or wireless controller from Fujinon or other compatible third-party manufacturers. When the drive unit is attached to the lens, a digital auto-aligning system quickly and accurately calibrates it to the zoom, focus, and iris gears. Power is provided by either an external connector or the PL mount’s “hot shoe” interface. Included with the lens is a 111mm clear protection filter that helps to protect the front of the lens.

T2.9 to T22 aperture with 9 iris blades for attractive bokeh
The 31.5mm diameter image circle covers up to Super 35mm sensors
Detachable, ENG-style, digital drive unit with zoom rocker switch
Industry standard 0.8 film pitch gears for focus, zoom, and iris control
Power and data/control connections to the camera via the rear PL mount “hot shoe”
16-bit encoding supports sharing LDS and /i Technology lens data with the camera
The barrel markings in metric or imperial measurements are switchable in the field
Glow-in-the-dark barrel markings make it easier to read measurements
200° focus barrel rotation and 120° zoom rotation
No shims are required to adjust the flange focal distance
Macro focus function available

FUJINON CABRIO 85-300MM T2.9

The Fujinon ZK85-300mm T2.9-4.0 Lightweight Cabrio Lens is a PL Mount lens that features a detachable servo drive unit. With the drive unit, this lens operates like a traditional ENG TV lens thanks to the same interface and accessories familiar to TV lens users. This is helpful in simplifying and reducing setup time since it is not necessary to use more complicated cine lens drive systems, and the drive seamlessly interfaces with wired and wireless cine control systems as well.

With the drive unit removed, this lens has a standard 0.8mm cine gearing, allowing for the use of traditional third-party cine accessories (sold separately). This lens features hybrid technology from both Fujifilm broadcast and cine lens technologies in a lightweight and compact body.

Detachable servo drive unit
16-bit high-resolution encoders are employed
LDS and /i Technology lens data capable through electric contacts in the mount
Back focus adjustment with macro function
Natural bokeh (blur) thanks to a newly developed round 9-blade iris
0.8mm cine gearing
200° focus rotation
Luminous barrel makings

CANON CINE SERVO 17-120MM T2.95

The CINE-SERVO 17-120mm T2.95-3.9 lens provides cinematographers and broadcast operations with a compact, lightweight design (only 6.4 lbs.) using Canon optical elements, while offering outstanding performance and reliability in professional shooting environments.

The new lens is fully 4K-ready, with a high optical resolution and support for Super35mm large-format cameras. An 11-blade aperture diaphragm helps ensure an artistic and beautiful representation of out-of-focus areas (or “Bokeh”).

The lens also features a high 7x zoom magnification, wide focal length range of 17mm to 120mm, and a 180º smooth rotating focus ring. Acknowledging that broadcasters often need to control zoom, focus and iris/aperture in different ways than filmmakers, Canon has developed this zoom lens with full external servo control for drama, documentary and other broadcast productions.

The servo drive unit is compatible with industry-standard protocols for control from a number of lens controllers including Canon’s standard broadcast lens controllers (ZSD-300D/FPD-400D) and multiple industry standard cinema lens controllers. The drive unit can be easily removed for cinema-style shoots and can be easily re-attached without any manual re-alignment. A 16-bit metadata output enables connection to virtual studio systems.

 

High Zoom Magnification 7x

4K Ready

11-Blade Iris

Designed for Cinema Style and Broadcast Applications

Enhanced Servo Drive Unit

Compact and Lightweight

Multiple Communication Capability with Compatible Cameras

16-bit Metadata Output for Virtual Studio Systems

High Durability and Ruggedness

Power Supply

Also Available in EF Mount

CANON CN-E 14.5-60MM T2.6

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Cinema Lens Care and Maintenance

The Canon CN-E 14.5-60mm T2.6 L S Cinema Zoom Lens with EF Mount is designed expressly for digital cinematography with cameras that have an APS-C or Super 35-equivalent sensor and a EF mount, including Canon’s EOS C300. Featuring advanced optical technology designed by Canon, the lens is suitable for any capturing any size HD image up to and including 4K resolution.

With a focal length range of 14.5-60mm, the 4.1x cinema zoom lens is designed to cover the wider end of the focal lengths typically required by cinematic productions, and its wide-angle length of 14.5mm puts it among the best in its class. (The other zoom lens in the line, the CN-E 30-300mm T2.95-3.7 L S, covers the telephoto end.) Maximum aperture is a very fast T2.6 through the entire range, and the 11-blade iris enables a smooth bokeh for out-of-focus areas of the frame.

The lens was designed with working professionals in mind, with easy-to-read focus, zoom, and iris markings engraved into angled surfaces on both sides of the lens, so you can read the setting from either side of a camera – or from behind it. Depending on the production’s needs, focus markings can be switched from standard to metric. The lens facilitates manual operation that’s subtle, smooth, precise, and repeatable. Control rings are designed to provide and maintain the proper amount of resistance so you can operate with a consistent torque. The focus rotation angle is about 300°; for zoom, it’s approximately 160°.

The CN-E 14.5-60mm T2.6 L S lens complements the other lens in the line in more ways than just focal length range: Their shared 136mm front diameter, gear positions, and rotation angle make them almost “hot-swappable” when they’re used with a shared matte box or follow focus.

CANON CN-E 30-105MM T2.8

Designed to fulfill contemporary 4K production standards, this phenomenal lens surpasses the performance requirements of any HD imaging system. It features advanced optical design with fluorite and large aspherical lens elements to achieve sharp, consistent images throughout their zoom range. Canon engineers also incorporated geared inner focusing to minimize focus-induced changes in the angle of view, reducing focus breathing virtually to zero. The 11-blade aperture diaphragm ensures

smooth out-of-focus areas, while innovative glass construction counteracts barrel expansion and contraction to avoid temperature-induced marking discrepancies.