ARRI has produced a range of Macro Prime lenses for cinema use. Each is capable of extreme close focus with the 50mm and 100mm lenses achieving 1:1 magnification. The unique ARRI design also offers an auto compensating iris function, eliminating stop loss guess work.

SPECS:

Lens Mount: PL Mount

Format Coverage: Super 35

Focal Lengths Available: 16mm/ 24mm/ 32mm/ 40mm/ 50mm/ 60mm/ 100mm/ 200mm

Maximum Aperture F-No. 16mm – 40mm; T2.1/ 50mm – 100mm; T3.0/ 200mm; T4.3

Minimum Focus: 16mm – 6″/ 24mm – 7″/ 32mm – 9″/ 40mm – 10″/ 50mm – 8″/ 60mm – 11″/ 100mm – 1’2″/ 200mm – 1’11”

Front Diameter: 80mm

For those who want the ultimate in image quality for table top cinematography, product shots, close-up inserts on feature films or any other applications that require a macro lens, the ARRI Master Macro 100 delivers images of breathtaking beauty. Designed for the ANSI Super 35 image format, the ARRI Master Macro 100 can be used on any PL mount 35 mm film and single sensor digital camera.

SPECS:

Mount: PL Mount

Maximum Aperture F-No.: T2

Minimum Focus: 13.75″ (1:1 ratio)

Weight: 5.7 lbs.