ARRI Enso 18mm T2.1 Prime Lens

T-stop:  T2.1

Length: 117mm/4.6”

Front Diameter: 95mm

Weight: 1.4kg/ 3.1 lb

Close Focus: 0.2/ 8″

ZERO OPTIK/ OLYMPUS OM PRIME LENSES

The Zero Optik/ Olympus OM primes are unique among vintage photo lenses for their combination of compact size. Images are clear without being sterile and the flares are warm and gentle. This set also offers the widest range of individual focal lengths between 18mm and 135mm.

AVAILABLE SET:

  • ZERO OPTIK / OLYMPUS OM 18MM T3.8 – OD 114MM
  • ZERO OPTIK / OLYMPUS OM 21MM T2.2 – OD 95MM
  • ZERO OPTIK / OLYMPUS OM 24MM T2.2 – OD 95MM
  • ZERO OPTIK / OLYMPUS OM 28MM T2.2 – OD 95MM
  • ZERO OPTIK / OLYMPUS OM 35MM T2.2 – OD 95MM
  • ZERO OPTIK / OLYMPUS OM 40MM T2.2 – OD 95MM
  • ZERO OPTIK / OLYMPUS OM 50MM T1.3 – OD 95MM
  • ZERO OPTIK / OLYMPUS OM 60MM T1.7 – OD 95MM
  • ZERO OPTIK / OLYMPUS OM 70MM T2.2 – OD 95MM
  • ZERO OPTIK / OLYMPUS OM 100MM T2.1 – OD 95MM
  • ZERO OPTIK / OLYMPUS OM 135MM T3.0 – OD 95MM
  • ZERO OPTIK / OLYMPUS OM 180MM T2.9 – OD 95MM
  • ZERO OPTIK / OLYMPUS OM 50MM MACRO T2.2 – OD 95MM
  • ZERO OPTIK / OLYMPUS OM 90MM MACRO T2.1 – OD 95MM

Atlas Lens Co. Mercury 138mm T2.6 1.5x Anamorphic Prime Lens (PL Mount, Feet)

Designed by cinematographers for professional videographers, the Mercury 138mm T2.6 1.5x Anamorphic Prime Lens is part of the compact and lightweight Mercury Series from Atlas Lens Co. This series offers native full-frame coverage, enhanced bokeh, near-zero chromatic aberration, and a buttery vintage look that is warmer than that of the Orion series. The ARRI PL-mount Mercury series includes 36, 42, 54, 72, 95, and 138mm primes.
1.5x Vintage Anamorphic Look
  • This lens creates 1.5x the horizontal field with the same vertical field of view as a similar spherical lens.
  • It offers a vintage anamorphic look with golden flares, pleasant barrel distortion, and almost no chromatic aberration.
Anamorphic Features in a Compact Form
Each Mercury lens provides the oval bokeh, pleasant barrel distortion, and shallow depth of field of the Atlas Orion 2x anamorphic primes but in a housing that is about half the size and weight of most pro anamorphic primes. The more compact size reduces fatigue and enables you to get closer to the action.
ARRI PL Mount
The lens is compatible with pro-cine ARRI PL-mount cameras.
Full-Frame Coverage
Each Mercury series lens provides coverage for up to full-frame camera sensors.
Fast T2.6 Aperture
A fast T2.6 aperture enables the Mercury anamorphics to excel at low-light capture.
Cine-Style Design
  •  The Mercury lenses feature cine-standard 0.8 MOD gearing, a 95mm front diameter, and focus marks in feet.
  • The standardized 95mm front diameter is compatible with many filters and matte boxes.

Specs

Focal Length
138mm
Maximum Aperture
T2.6
Lens Mount
ARRI PL
Lens Format Coverage
Full-Frame (36.7 x 25.54 mm Sensor)
Filter Thread
86 mm
Image Stabilization
No
Electronic Communication
No
Maximum Aperture
T2.6
Minimum Aperture
T16
Lens Mount
ARRI PL
Horizontal Squeeze (Anamorphic)
1.5x
Flare Color
Amber
Lens Format Coverage
Full-Frame (36.7 x 25.54 mm Sensor)
Angle of View
Full Frame
Horizontal: 23°
Focus Scales
Imperial
Filter Thread
86 mm
Minimum Focus Distance
3.9′ / 1.2 m
Aperture/Iris Blades
14
Image Stabilization
No
Gear Standard
0.8 MOD
Electronic Communication
No
Diameter
Front: 3.7″ / 95 mm
Length
8.1″ / 20.5 cm
Weight
4.6 lb / 2.1 kg

Atlas Lens Co. Mercury 95mm T2.2 1.5x Anamorphic Prime Lens (PL Mount, Feet)

Designed by cinematographers for professional videographers, the Mercury 95mm T2.2 1.5x Anamorphic Prime Lens is part of the compact and lightweight Mercury Series from Atlas Lens Co. This series offers native full-frame coverage, enhanced bokeh, near-zero chromatic aberration, and a buttery vintage look that is warmer than that of the Orion series. The ARRI PL-mount Mercury series includes 36, 42, 54, 72, 95, and 138mm primes.

1.5x Vintage Anamorphic Look
  • This lens creates 1.5x the horizontal field with the same vertical field of view as a similar spherical lens.
  • It offers a vintage anamorphic look with golden flares, pleasant barrel distortion, and almost no chromatic aberration.
Anamorphic Features in a Compact Form
Each Mercury lens provides the oval bokeh, pleasant barrel distortion, and shallow depth of field of the Atlas Orion 2x anamorphic primes but in a housing that is about half the size and weight of most pro anamorphic primes. The more compact size reduces fatigue and enables you to get closer to the action.
ARRI PL Mount
The lens is compatible with pro-cine ARRI PL-mount cameras.
Full-Frame Coverage
Each Mercury series lens provides coverage for up to full-frame camera sensors.
Fast T2.2 Aperture
A fast T2.2 aperture enables the Mercury anamorphics to excel at low-light capture.
Cine-Style Design
  •  The Mercury lenses feature cine-standard 0.8 MOD gearing, a 95mm front diameter, and focus marks in feet.
  • The standardized 95mm front diameter is compatible with many filters and matte boxes.

Atlas Lens Co. Mercury 72mm T2.2 1.5x Anamorphic Prime Lens (PL Mount, Feet)

Designed by cinematographers for professional videographers, the Mercury 72mm T2.2 1.5x Anamorphic Prime Lens is part of the compact and lightweight Mercury Series from Atlas Lens Co. This series offers native full-frame coverage, enhanced bokeh, near-zero chromatic aberration, and a buttery vintage look that is warmer than that of the Orion series. The ARRI PL-mount Mercury series includes 36, 42, and 72mm primes plus 54 and 95mm and one telephoto focal length still in the pipeline.

1.5x Vintage Anamorphic Look
  • This lens creates 1.5x the horizontal field with the same vertical field of view as a similar spherical lens.
  • It offers a vintage anamorphic look with golden flares, pleasant barrel distortion, and almost no chromatic aberration.
Anamorphic Features in a Compact Form
Each Mercury lens provides the oval bokeh, pleasant barrel distortion, and shallow depth of field of the Atlas Orion 2x anamorphic primes but in a housing that is about half the size and weight of most pro anamorphic primes. The more compact size reduces fatigue and enables you to get closer to the action.
The lens is compatible with pro-cine ARRI PL-mount cameras.
Full-Frame Coverage
Each Mercury series lens provides coverage for up to full-frame camera sensors.
Fast T2.2 Aperture
A fast T2.2 aperture enables the Mercury anamorphics to excel at low-light capture.

Cine-Style Design

  •  The Mercury lenses feature cine-standard 0.8 MOD gearing, a 95mm front diameter, and focus marks in feet.
  • The standardized 95mm front diameter is compatible with many filters and matte boxes.
Specs
Focal Length
72mm
Maximum Aperture
T2.3
Lens Mount
ARRI PL
Lens Format Coverage
Full-Frame (36.7 x 24.54 mm Sensor)
Filter Thread
No
Image Stabilization
No
Electronic Communication
No
Maximum Aperture
T2.3
Minimum Aperture
T16
Lens Mount
ARRI PL
Horizontal Squeeze (Anamorphic)
1.5x
Flare Color
Not Specified by Manufacturer
Lens Format Coverage
Full-Frame (36.7 x 24.54 mm Sensor)
Angle of View
Full Frame
Horizontal: 44°
Focus Scales
Imperial
Filter Thread
No
Minimum Focus Distance
3′ / 91 cm
Aperture/Iris Blades
14
Image Stabilization
No
Gear Standard
0.8 MOD
Electronic Communication
No
Diameter
Front: 3.7″ / 95 mm
Length
6.4″ / 16.2 cm
Weight
3.6 lb / 1.6 kg

Atlas Lens Co. Mercury 54mm T2.2 1.5x Anamorphic Prime Lens (PL Mount, Feet)

Designed by cinematographers for professional videographers, the Mercury 54mm T2.2 1.5x Anamorphic Prime Lens is part of the compact and lightweight Mercury Series from Atlas Lens Co. This series offers native full-frame coverage, enhanced bokeh, near-zero chromatic aberration, and a buttery vintage look that is warmer than that of the Orion series. The ARRI PL-mount Mercury series includes 36, 42, 54, 72, 95, and 138mm primes.
1.5x Vintage Anamorphic Look
  • This lens creates 1.5x the horizontal field with the same vertical field of view as a similar spherical lens.
  • It offers a vintage anamorphic look with golden flares, pleasant barrel distortion, and almost no chromatic aberration.

Anamorphic Features in a Compact Form

Each Mercury lens provides the oval bokeh, pleasant barrel distortion, and shallow depth of field of the Atlas Orion 2x anamorphic primes but in a housing that is about half the size and weight of most pro anamorphic primes. The more compact size reduces fatigue and enables you to get closer to the action.

ARRI PL Mount
The lens is compatible with pro-cine ARRI PL-mount cameras.
Full-Frame Coverage
Each Mercury series lens provides coverage for up to full-frame camera sensors.
Fast T2.2 Aperture
A fast T2.2 aperture enables the Mercury anamorphics to excel at low-light capture.
Cine-Style Design
  •  The Mercury lenses feature cine-standard 0.8 MOD gearing, a 95mm front diameter, and focus marks in feet.
  • The standardized 95mm front diameter is compatible with many filters and matte boxes.

Atlas Lens Co. Mercury 42mm T2.2 1.5x Anamorphic Prime Lens (PL Mount, Feet)

Designed by cinematographers for professional videographers, the Mercury 42mm T2.2 1.5x Anamorphic Prime Lens is part of the compact and lightweight Mercury Series from Atlas Lens Co. This series offers native full-frame coverage, enhanced bokeh, near-zero chromatic aberration, and a buttery vintage look that is warmer than that of the Orion series. The ARRI PL-mount Mercury series includes 36, 42, and 72mm primes plus 54 and 95mm and one telephoto focal length still in the pipeline.

1.5x Vintage Anamorphic Look

  • This lens creates 1.5x the horizontal field with the same vertical field of view as a similar spherical lens.
  • It offers a vintage anamorphic look with golden flares, pleasant barrel distortion, and almost no chromatic aberration.
Anamorphic Features in a Compact Form

Each Mercury lens provides the oval bokeh, pleasant barrel distortion, and shallow depth of field of the Atlas Orion 2x anamorphic primes but in a housing that is about half the size and weight of most pro anamorphic primes. The more compact size reduces fatigue and enables you to get closer to the action.

ARRI PL Mount
The lens is compatible with pro-cine ARRI PL-mount cameras.
Full-Frame Coverage
Each Mercury series lens provides coverage for up to full-frame camera sensors.
Fast T2.2 Aperture
A fast T2.2 aperture enables the Mercury anamorphics to excel at low-light capture.
Cine-Style Design
  •  The Mercury lenses feature cine-standard 0.8 MOD gearing, a 95mm front diameter, and focus marks in feet.
  • The standardized 95mm front diameter is compatible with many filters and matte boxes.

Specs

Focal Length
42mm
Maximum Aperture
T2.2
Lens Mount
ARRI PL
Lens Format Coverage
Full-Frame (36.7 x 25.54 mm Sensor)
Filter Thread
No
Image Stabilization
No
Electronic Communication
No
Maximum Aperture
T2.2
Minimum Aperture
T16
Lens Mount
ARRI PL
Horizontal Squeeze (Anamorphic)
1.5x
Flare Color
Not Specified by Manufacturer
Lens Format Coverage
Full-Frame (36.7 x 25.54 mm Sensor)
Angle of View
Full Frame
Horizontal: 78°
Focus Scales
Imperial
Filter Thread
No
Minimum Focus Distance
1.8′ / 56 cm
Aperture/Iris Blades
14
Image Stabilization
No
Gear Standard
0.8 MOD
Electronic Communication
No
Diameter
Front: 3.7″ / 95 mm
Length
4.4″ / 11.2 cm
Weight
2.4 lb / 1.1 kg

NiSi ATHENA Tuned Prime T2.4/1.9 Full-Frame 5-Lens Kit with Case (PL Mount)

Tuned Primes with a Vintage Look
Capture high-quality, full-frame images with a vintage touch using this ARRI PL-mount NiSi ATHENA Tuned Prime T2.4/1.9 Full-Frame 5-Lens Kit with Case. Each silver lens in this limited-edition kit features slightly lower contrast, softer bokeh, and subtle blue/purple flares, lending a slightly ethereal look to your footage. Please note that these tuned lenses are only available as part of this kit, not individually.
Character and Depth
By replacing select lens elements and using a dedicated coating, NiSi has given these “tuned” lenses a dreamy look reminiscent of the golden age of classic films.
Fast T1.9/2.4 Apertures
The 14mm has a maximum aperture of T2.4, while the rest of the lenses in this set open up to T1.9.
Cine-Style Design
  • Each lens features 10 aperture blades, micro-contrast control, and low chromatic aberration without distortion.
  • All lenses share an 80mm front diameter with minimal focus breathing.
  • A consistent size and weight enable you to quickly switch out lenses without spending time rebalancing your rig.
  • The focus ring is capable of rotating 300° for intuitive control. Markings on the lens are fluorescent and in both feet and meters.
  • Industry-standard 0.8 MOD focus and aperture rings are for use with lens control systems.
  • Rear filter threads are on all except on the 14mm lens.
Key Features
  • Full-Frame | T1.9/2.4 to T22
  • Tuned 14, 25, 35, 50, and 85mm Primes
  • Classic, Lower-Contrast Vintage Look
  • Softer Bokeh, Subtle Blue/Purple Flares
  • 80mm Front Outside Diameter
  • 10 Aperture Blades, Rear Filter Thread
  • 0.8 MOD Focus and Aperture Gears
  • 300° Focus Rotation
  • Lens Markings in Feet and Meters
  • Includes Hard Case

NiSi ATHENA PRIME 85mm T1.9 Full-Frame Lens (PL Mount)

Cinematic Full-Frame Imaging
Capture high-quality longer images using a full-frame camera with an ARRI PL mount with this NiSi ATHENA PRIME 85mm T1.9 Full-Frame Lens. This lens features soft bokeh, micro-contrast control, and low chromatic aberration to highlight image details without distortion. It has a 46mm image circle, a T1.9 maximum aperture for deep depth of view and an increased area of focus, an 80mm front outside diameter, and minimal focus breathing.
Rear Filter Mount
  • Designed with a rear screw-in filter mount.
  • Lets you place a filter between your camera sensor and lens body.
  • Saves the weight of a filter and frees up a space in a front matte box.
Cine-Style Capture
  • Produces soft, engaging bokeh.
  • 300° ring rotation for precise focusing.
  • Standard 0.8 MOD focus and aperture rings for use with follow focus systems.
  • Fluorescent focus marks in both feet and meters.

Specs

Focal Length
85mm
Maximum Aperture
T1.9
Lens Mount
ARRI PL
Lens Format Coverage
Full-Frame (46 mm Image Circle)
Filter Thread
77 mm
Image Stabilization
No
Electronic Communication
No
Maximum Aperture
T1.9
Minimum Aperture
T22
Lens Mount
ARRI PL
Lens Format Coverage
Full-Frame (46 mm Image Circle)
Angle of View
Full Frame
Horizontal: 24°
Diagonal: 28.6°
Focus Scales
Imperial, Metric
Filter Thread
77 mm
Minimum Focus Distance
31.5″ / 0.8 m
Aperture/Iris Blades
10
Image Stabilization
No
Gear Standard
0.8 MOD
Gear Rotation
Focus: 300°
Electronic Communication
No
Diameter
Front: 3.1″ / 80 mm
Length
3.2″ / 81.3 mm
Weight
28.2 oz / 800 g

NiSi ATHENA PRIME 50mm T1.9 Full-Frame Lens (PL Mount)

Cinematic Full-Frame Imaging
Capture high-quality images using a full-frame camera with an ARRI PL mount with this NiSi ATHENA PRIME 50mm T1.9 Full-Frame Lens. This lens features soft bokeh, micro-contrast control, and low chromatic aberration to highlight image details without distortion. It has a 46mm image circle, a T1.9 maximum aperture for deep depth of view and an increased area of focus, an 80mm front outside diameter, and minimal focus breathing.
Rear Filter Mount
  • Designed with a rear screw-in filter mount.
  • Lets you place a filter between your camera sensor and lens body.
  • Saves the weight of a filter and frees up a space in a front matte box.
Cine-Style Capture
  • Produces soft, engaging bokeh.
  • 300° ring rotation for precise focusing.
  • Standard 0.8 MOD focus and aperture rings for use with follow focus systems.
  • Fluorescent focus marks in both feet and meters.

Specs

Focal Length
50mm
Maximum Aperture
T1.9
Lens Mount
ARRI PL
Lens Format Coverage
Full-Frame (46 mm Image Circle)
Filter Thread
77 mm
Image Stabilization
No
Electronic Communication
No
Maximum Aperture
T1.9
Minimum Aperture
T22
Lens Mount
ARRI PL
Lens Format Coverage
Full-Frame (46 mm Image Circle)
Angle of View
Full Frame
Horizontal: 40.1°
Diagonal: 47.5°
Focus Scales
Imperial, Metric
Filter Thread
77 mm
Minimum Focus Distance
19.7″ / 0.5 m
Aperture/Iris Blades
10
Image Stabilization
No
Gear Standard
0.8 MOD
Gear Rotation
Focus: 300°
Electronic Communication
No
Diameter
Front: 3.1″ / 80 mm
Length
3.2″ / 81.3 mm
Weight
28.2 oz / 800 g

NiSi ATHENA PRIME 35mm T1.9 Full-Frame Lens (PL Mount)

Cinematic Full-Frame Imaging
Capture high-quality images using a full-frame camera with an ARRI PL mount with this NiSi ATHENA PRIME 35mm T1.9 Full-Frame Lens. This lens features soft bokeh, micro-contrast control, and low chromatic aberration to highlight image details without distortion. It has a 46mm image circle, a T1.9 maximum aperture for deep depth of view and an increased area of focus, an 80mm front outside diameter, and minimal focus breathing.
Rear Filter Mount
  • Designed with a rear screw-in filter mount.
  • Lets you place a filter between your camera sensor and lens body.
  • Saves the weight of a filter and frees up a space in a front matte box.
Cine-Style Capture
  • Produces soft, engaging bokeh.
  • 300° ring rotation for precise focusing.
  • Standard 0.8 MOD focus and aperture rings for use with follow focus systems.
  • Fluorescent focus marks in both feet and meters.

Specs

Focal Length
35mm
Maximum Aperture
T1.9
Lens Mount
ARRI PL
Lens Format Coverage
Full-Frame (46 mm Image Circle)
Filter Thread
77 mm
Image Stabilization
No
Electronic Communication
No
Maximum Aperture
T1.9
Minimum Aperture
T22
Lens Mount
ARRI PL
Lens Format Coverage
Full-Frame (46 mm Image Circle)
Angle of View
Full Frame
Horizontal: 55.1°
Diagonal: 64.3°
Focus Scales
Imperial, Metric
Filter Thread
77 mm
Minimum Focus Distance
11.8″ / 0.3 m
Aperture/Iris Blades
10
Image Stabilization
No
Gear Standard
0.8 MOD
Gear Rotation
Focus: 300°
Electronic Communication
No
Diameter
Front: 3.1″ / 80 mm
Length
3.2″ / 81.3 mm
Weight
28.2 oz / 800 g

NiSi ATHENA PRIME 14mm T2.4 Full-Frame Lens (PL Mount)

Focal Length
14mm
Maximum Aperture
T2.4
Lens Mount
ARRI PL
Lens Format Coverage
Full-Frame (46 mm Image Circle)
Filter Thread
No
Image Stabilization
No
Electronic Communication
No
Maximum Aperture
T2.4
Minimum Aperture
T22
Lens Mount
ARRI PL
Lens Format Coverage
Full-Frame (46 mm Image Circle)
Angle of View
Full Frame
Horizontal: 103.6°
Diagonal: 113.9°
Focus Scales
Imperial, Metric
Filter Thread
No
Minimum Focus Distance
9.84″ / 0.25 m
Aperture/Iris Blades
10
Image Stabilization
No
Gear Standard
0.8 MOD
Gear Rotation
Focus: 300°
Electronic Communication
No
Diameter
Front: 3.1″ / 80 mm
Length
3.4″ / 85.3 mm
Weight
28.2 oz / 800 g

NiSi ATHENA PRIME 25mm T1.9 Full-Frame Lens (PL Mount)

Cinematic Full-Frame Imaging
Capture high-quality images using a full-frame camera with an ARRI PL mount with this NiSi ATHENA PRIME 25mm T1.9 Full-Frame Lens. This lens features soft bokeh, micro-contrast control, and low chromatic aberration to highlight image details without distortion. It has a 46mm image circle, a T1.9 maximum aperture for deep depth of view and an increased area of focus, an 80mm front outside diameter, and minimal focus breathing.
Rear Filter Mount

  • Designed with a rear screw-in filter mount.
  • Lets you place a filter between your camera sensor and lens body.
  • Saves the weight of a filter and frees up a space in a front matte box.
Cine-Style Capture
  • Produces soft, engaging bokeh.
  • 300° ring rotation for precise focusing.
  • Standard 0.8 MOD focus and aperture rings for use with follow focus systems.
  • Fluorescent focus marks in both feet and meters.

 Specs

Focal Length
25mm
Maximum Aperture
T1.9
Lens Mount
ARRI PL
Lens Format Coverage
Full-Frame (46 mm Image Circle)
Filter Thread
77 mm
Image Stabilization
No
Electronic Communication
No
Maximum Aperture
T1.9
Minimum Aperture
T22
Lens Mount
ARRI PL
Lens Format Coverage
Full-Frame (46 mm Image Circle)
Angle of View
Full Frame
Horizontal: 71.7°
Diagonal: 82.1°
Focus Scales
Imperial, Metric
Filter Thread
77 mm
Minimum Focus Distance
11.8″ / 0.3 m
Aperture/Iris Blades
10
Image Stabilization
No
Gear Standard
0.8 MOD
Gear Rotation
Focus: 300°
Electronic Communication
No
Diameter
Front: 3.1″ / 80 mm
Length
3.2″ / 81.3 mm
Weight
28.2 oz / 800 g

NiSi ATHENA Prime T2.4/1.9 Full-Frame 5-Lens Kit (PL Mount)

Cinematic Full-Frame Imaging
Capture high-quality wide images using a full-frame camera with an ARRI PL mount with this NiSi ATHENA PRIME 14mm T2.4 Full-Frame Lens. This lens features soft bokeh, micro-contrast control, and low chromatic aberration to highlight image details without distortion. It has a 46mm image circle, a T2.4 maximum aperture for deep depth of view and an increased area of focus, an 80mm front outside diameter, and minimal focus breathing.
Rear Filter Mount
  • Designed with a rear screw-in filter mount.
  • Lets you place a filter between your camera sensor and lens body.
  • Saves the weight of a filter and frees up a space in a front matte box.
Cine-Style Capture
  • Produces soft, engaging bokeh.
  • 300° ring rotation for precise focusing.
  • Standard 0.8 MOD focus and aperture rings for use with follow focus systems.
  • Fluorescent focus marks in both feet and meters.
Cinematic Full-Frame Imaging
Capture high-quality images using a full-frame camera with an ARRI PL mount with this NiSi ATHENA PRIME 25mm T1.9 Full-Frame Lens. This lens features soft bokeh, micro-contrast control, and low chromatic aberration to highlight image details without distortion. It has a 46mm image circle, a T1.9 maximum aperture for deep depth of view and an increased area of focus, an 80mm front outside diameter, and minimal focus breathing.
Rear Filter Mount
  • Designed with a rear screw-in filter mount.
  • Lets you place a filter between your camera sensor and lens body.
  • Saves the weight of a filter and frees up a space in a front matte box.
Cine-Style Capture
  • Produces soft, engaging bokeh.
  • 300° ring rotation for precise focusing.
  • Standard 0.8 MOD focus and aperture rings for use with follow focus systems.
  • Fluorescent focus marks in both feet and meters.
Cinematic Full-Frame Imaging
Capture high-quality images using a full-frame camera with an ARRI PL mount with this NiSi ATHENA PRIME 35mm T1.9 Full-Frame Lens. This lens features soft bokeh, micro-contrast control, and low chromatic aberration to highlight image details without distortion. It has a 46mm image circle, a T1.9 maximum aperture for deep depth of view and an increased area of focus, an 80mm front outside diameter, and minimal focus breathing.
Rear Filter Mount
  • Designed with a rear screw-in filter mount.
  • Lets you place a filter between your camera sensor and lens body.
  • Saves the weight of a filter and frees up a space in a front matte box.
Cine-Style Capture
  • Produces soft, engaging bokeh.
  • 300° ring rotation for precise focusing.
  • Standard 0.8 MOD focus and aperture rings for use with follow focus systems.
  • Fluorescent focus marks in both feet and meters.
Cinematic Full-Frame Imaging
Capture high-quality images using a full-frame camera with an ARRI PL mount with this NiSi ATHENA PRIME 50mm T1.9 Full-Frame Lens. This lens features soft bokeh, micro-contrast control, and low chromatic aberration to highlight image details without distortion. It has a 46mm image circle, a T1.9 maximum aperture for deep depth of view and an increased area of focus, an 80mm front outside diameter, and minimal focus breathing.
Rear Filter Mount
  • Designed with a rear screw-in filter mount.
  • Lets you place a filter between your camera sensor and lens body.
  • Saves the weight of a filter and frees up a space in a front matte box.
Cine-Style Capture
  • Produces soft, engaging bokeh.
  • 300° ring rotation for precise focusing.
  • Standard 0.8 MOD focus and aperture rings for use with follow focus systems.
  • Fluorescent focus marks in both feet and meters.
Cinematic Full-Frame Imaging
Capture high-quality longer images using a full-frame camera with an ARRI PL mount with this NiSi ATHENA PRIME 85mm T1.9 Full-Frame Lens. This lens features soft bokeh, micro-contrast control, and low chromatic aberration to highlight image details without distortion. It has a 46mm image circle, a T1.9 maximum aperture for deep depth of view and an increased area of focus, an 80mm front outside diameter, and minimal focus breathing.
Rear Filter Mount
  • Designed with a rear screw-in filter mount.
  • Lets you place a filter between your camera sensor and lens body.
  • Saves the weight of a filter and frees up a space in a front matte box.
Cine-Style Capture
  • Produces soft, engaging bokeh.
  • 300° ring rotation for precise focusing.
  • Standard 0.8 MOD focus and aperture rings for use with follow focus systems.
  • Fluorescent focus marks in both feet and meters.

Venus Optics Laowa Sword 100mm T2.9 2x Macro Cine Lens (ARRI PL)

Designed for full-frame camera sensors, the Laowa Sword 100mm T2.9 2x Macro Cine Lens from Venus Optics captures ultra-sharp macro footage with compatible ARRI PL cameras. The 100mm lens features a T2.9 to T22 aperture range and is constructed of 12 elements in 10 groups. Create a shallow depth of field and dreamy bokeh with the 13-blade iris. This focal length has a 2x magnification ratio and a 9.7″ minimum focus distance for detailed close-ups.

The Sword series is engineered with improved chromatic aberration control to prevent color fringing while maintaining sharp and vibrant images. The focus ring rotates 220°, and the iris ring 65° for intuitive manual adjustments. A 24° angle of view ensures your subject remains in the frame. Like most of the series, the 100mm version has an 80mm outer diameter and 77mm filter thread for use with compatible matte boxes and filters. Cine-standard gearing on the lens and separately available interchangeable mounts provide wide compatibility with cameras and accessories.

Features at a Glance
  • T2.9 to T22 aperture range
  • 13-blade iris, optical construction of 12 elements in 10 groups
  • 80mm outer diameter, 77mm filter thread
  • 9.7″ minimum focus distance
  • 220° focus and 65° iris rotation
  • 43.2mm image circle, 24° angle of view

Specs

Focal Length
100mm
Maximum Aperture
T2.9
Lens Mount
Interchangeable Mount with Included ARRI PL
Lens Format Coverage
Full-Frame (43.2 mm Image Circle)
Filter Thread
77 mm
Image Stabilization
No
Electronic Communication
No
Maximum Aperture
T2.9
Minimum Aperture
T22
Lens Mount
Interchangeable Mount with Included ARRI PL
Lens Format Coverage
Full-Frame (43.2 mm Image Circle)
Angle of View
Full Frame
Horizontal: 24°
Focus Scales
Metric, Imperial
Optical Design
12 Elements in 10 Groups
Filter Thread
77 mm
Minimum Focus Distance
9.7″ / 24.7 cm
Magnification
2:1 Macro Reproduction Ratio
2x Magnification
Aperture/Iris Blades
13
Image Stabilization
No
Gear Rotation
Focus: 220°
Iris: 65°
Electronic Communication
No
Diameter
Front: 3.1″ / 80 mm
Length
5.5″ / 139.5 mm
Weight
2.1 lb / 957 g