Showing 1–15 of 77 resultsSorted by price: low to high
ZEISS CP.2 SUPER SPEED
Whether you’re shooting a commercial where exquisite color rendition and high contrast is important, or a tense, dramatic sequence in low light situations for a feature film, Compact Prime CP.2 Super Speed lenses offer you the performance you need to get the scene right. They are an ideal complement to the existing range of CP.2 lenses. <br/>
The Compact Prime Super Speed lenses show less aberration which results in an overall better image quality. Images appear much sharper and show a much higher contrast. The CP.2 Super Speed lenses cover a full-frame sensor format and are equipped with the interchangeable lens mount system for use with a variety of cameras ranging from HDSLR to professional cinema cameras.
AVAILABLE FOCAL LENGHTS:
- 35MM T2.1 (CP.2)-PL OR EF MOUNT
- 50MM T2.1 (CP.2)-PL OR EF MOUNT
- 85MM T2.1 (CP.2)-PL OR EF MOUNT
ZEISS CP.2
One of the most important aspects of a successful production is the competence and diversity of your team. Whether you’re shooting a commercial where exquisite color rendition and high contrast is important, or a tense, dramatic sequence in low light situations for a feature film, Compact Prime lenses offer you the performance you need to get the scene right.
With a wide range of focal lengths, full-frame coverage, fantastic image quality, great flare suppression and precise focusing through the large rotation angle, Compact Prime lenses give you a flexible set of tools to make your film shine.
Available Focal Lengths
15MM T2.9 (CP.2)-PL OR EF MOUNT
18MM T3.6 (CP.2)-PL OR EF MOUNT
21MM T2.9 (CP.2)-PL OR EF MOUNT
25MM T2.1 (CP.2)-PL OR EF MOUNT
28MM T2.1 (CP.2)-PL OR EF MOUNT
35MM T2.1 (CP.2)-PL OR EF MOUNT
50MM T2.1 (CP.2)-PL OR EF MOUNT
50MM MACRO T2.1 (CP.2)-PL OR EF MOUNT
Canon CN-E Primes
Intended for the working professional, the EF Cinema prime T1.5 LF lenses have markings on angled surfaces on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera. Focus markings can even be switched from standard labeling to metric. The control rings are engineered to maintain the proper amount of resistance with consistent operating torque. Designed to fulfill contemporary 4K production standards, it features a full-frame imaging circle in a lightweight, compact design-this phenomenal lens is also perfect for any number of applications. It also features an 11-blade aperture diaphragm for beautiful background blur and innovative glass construction that counteracts barrel expansion and contraction to avoid temperature induced marking discrepancies.
SPECS:
Lens Mount: EF Mount
Available Focal Lengths:
- 14MM – T3.1
- 20MM – T1.5
- 24MM – T1.5
- 35MM – T1.5
- 50MM – T1.3
- 85MM – T1.3
- 135MM – T2.2
Leica Thalia
The THALIA prime lenses offer a consistently cinematic look and feel throughout the range of 9 lenses from 24 mm to 180 mm with an image circle of 60 mm. The unique always-round iris design creates a bokeh that is smooth, distinct and full of character. Although these are not vintage lenses, the THALIA’s offer many of the characteristics that have led cinematographers to pair older lenses with digital sensors. They are smooth, forgiving, and clear without being overly sharp. Images captured can appear to have an added depth and dimensionality, especially on larger sensors, due to a gradual focus fall off curve. Rather than even, flat layers of focus across the frame, the THALIA lenses have a sharp and focused center with gradual and pleasing fall off of contrast and light towards the edges leading the view to the image center as well as adding dimensionality to the scene.
AVAILABLE FOCAL LENGHTS:
- 24MM THALIA FF T3.6
- 30MM THALIA FF T2.9
- 35MM THALIA FF T2.6
- 45MM THALIA FF T2.9
- 55MM THALIA FF T2.8
- 70MM THALIA FF T2.6
- 100MM THALIA FF T2.2
- 120MM THALIA FF T2.6
- 180MM THALIA FF T3.6
Zeiss Supreme Primes
The ZEISS Supreme Prime lenses are designed for cinematic large-format sensor coverage, making them the ideal choice for current and future camera systems. At T1.5 the ZEISS Supreme Primes demonstrate their unsurpassed craftsmanship in tricky low-light environments. Aesthetic focus fall-off and elegant bokeh -a very smooth transition between in-focus and out of focus areas characterize the unique look of the ZEISS Supreme Prime lenses. This adds richer texture and greater depth to the image. A versatile look and gentle sharpness -the ZEISS Supreme Primes possess a look, which ensures freedom in creating the look you want to achieve. Especially when capturing crucial textures such as skin tones, the unique quality of the ZEISS Supreme Prime lenses is a gentle sharpness that renders a crisp but organic look.
AVAILABLE FOCAL LENGHTS:
- ZEISS 25MM SUPREME FF PRIME T1.5
- ZEISS 29MM SUPREME FF PRIME T1.5
- ZEISS 35MM SUPREME FF PRIME T1.5
- ZEISS 50MM SUPREME FF PRIME T1.5
- ZEISS 85MM SUPREME FF PRIME T1.5
- ZEISS 100MM SUPREME FF PRIME T1.5
ZIESS CZ.2 15-30mm
The newest addition to the Zeiss CZ.2 line, the 15-30mm offers excellent image quality with a respectable aperture of T2.9 and an impressive 35mm Full Frame (Vista Vision) coverage. Combine these features with Zeiss’ interchangeable mount system and the new 15-30mm CZ.2 is one of the most future-proof zoom lenses available
today.
SPECS:
Lens Mount: PL Mount
Focal length: 15-30mm
Maximum Aperture T-No.: 1:2.9
Minimum Focus: 1’10”
Length: 10″
Weight: 5.7 Ibs
ZIESS CZ.2 28-80mm
A zoom range familiar to photographers and cinematographers alike, the Zeiss 28-80mm T2.9 CZ.2 is a powerful tool with plenty of staying power. With it’s interchangeable mount system, 35mm Full Frame (Vista Vision) coverage, compact size and weight, and standardized feature set, the Zeiss 28-80mm is an classic lens for a wide range of production environments.
SPECS:
Lens Mount: PL Mount
Focal length: 28-80mm
Maximum Aperture T-No.: 1: 2.9
Minimum Focus: 2′ 8″
Length: 7.7″
Weight: 5.5 Ibs
ZIESS CZ.2 70-200mm
A classic telephoto zoom range familiar to photographers and cinematographers alike, the Zeiss 70-200mm T2.9 CZ.2 is a powerful tool with plenty of staying power. With its interchangeable mount system, 35mm Full Frame (Vista Vision) coverage, compact size and weight, and standardized feature set, the Zeiss 70-200mm is an excellent lens for a wide range of production environments.
SPECS:
Lens Mount: PL Mount
Maximum Aperture T-No.: T2.9
Minimum Focus: 1′ 10″
Length: 10″
Weight: 6.2 lbs
Angenieux Type EZ-1 FF 45-135mm T3
The Angénieux Type EZ 1 for FF/VistaVision format is a standard zoom lens with a zoom factor of 3x. Its focal range and aperture are set to 45-135mm F2.8/T3, covering an image circle up to 46mm diagonal. By exchanging the rear lens group, the lens becomes a 30-90mm F21.9/T2 for S35mm format, covering an image circle up to 30mm diagonal.
SPECS:
Lens Mount: PL Mount/ EF Mount
Focal length: 45-135mm
Maximum Aperture T-No.”: 1 : 3
Minimum Focus: 2ft – 0,6m
Length: 226mm
Weight: 4,5lb – 2,05k
Angenieux Type EZ-2 FF 22-60mm T3
The Angénieux Type EZ-2 for FF/VistaVision format is a wide zoom lens with a zoom factor of 2.7x. Its focal range and aperture are set to 22-60mm F2.8/T3. By exchanging the rear lens group, the lens becomes a 15-40mm F1.9/T2 covering an image circle up to 30mm diagonal.
SPECS:
Lens Mount: PL Mount/ EF Mount
Focal length: 22-60mm
Maximum Aperture T-No.: 1 : 3
Minimum Focus: 2ft – 0,6m
Length: 210mm
Weight: 4,6lb – 2,07k
Venus Optics Laowa 12mm Zero-D
The PL mount Laowa 12mm T2.9 Zero-D Cine Lens from Venus Optics provides a wide, 122° angle of view well suited for outdoor and landscape shots and in tight interior locations, and it is optimized for digital cinematography. It is so lightweight and compact that it can be used not only with handheld shooting, it is also light enough for use on gimbals. The lens produces an image circle that will cover full-frame, VistaVision, and ARRI ALEXA LF sized sensors or smaller.
SPECS:
Lens Mount: PL Mount Lens
Maximum Aperture: T2.9
Format Coverage: Full Frame
Minimum Focus Distance: From Unspecified Point in Lens: 7″ / 17.8 cm
Image Stabilization: No
Weight: 1.49 lb / 675 g
NOTE: LENS COMES WITH 114MM TO 100MM ADAPTER RING
ARRI Signature Primes
Designed for use with full-frame, large-format sensors, the versatile ARRI Signature Primes also cover Super 35. Dedicated LF Open Gate, and Super 35 Open Gate magnetic format masks enable you to switch between formats, and are included with the lens. Stockings, nets, and voile can be used for diffusion when mounted in the Signature Prime’s rear net holder. Eleven iris blades produce smooth, rounded bokeh effects, and a telecentric design minimizes breathing. The LDS-2 lens data system is backwards-compatible with ARRI’s LDS-1, and communicates with Cooke’s /i Technology.
Constructed with magnesium housings and aluminum gear rings, each Signature Prime is lightweight, water-resistant, and features focus marks in feet. Anti-reflective coatings, light baffles, and light traps help to minimize any internal barrel flare
SPECS:
Lens Mount: LPL Mount
Maximum Aperture: T1.8 (200mm – T2.5)
Front Diameter: 114mm
Lenses Available: 12mm/ 15mm/ 18mm/ 21 mm/ 25 mm/ 29mm/ 35mm/ 40mm/ 47mm/ 58mm/ 75mm/ 95mm/ 125mm/ 150mm/ 200mm
Fujinon Premista Zooms
Expressly designed for large-format sensors, the Premista Large-Format Cine Zoom Lens from Fujifilm covers up to a 46.3mm image circle in addition to Super35 sensors. Its image quality is maintained from the center through the image corners, and it is color-matched to the Fujifilm cine lens line to reduce color grading in post. Compatibility with both ZEISS eXtended Data and Cooke /i Technology makes it easy to note your lens information for VFX work or matching shots.
Housed in a durable lens barrel, the Premista is designed with a 13-blade aperture for smooth bokeh. It also shares a 114mm front diameter with the other Premista line, making it simple to share accessories such as filters, a follow focus, and matte boxes. It features measurements in both feet and meters, and the index markings on the FIZ rings are in fluorescent paint so they are easily viewable in dark environments.
SPECS:
Lens Mount: PL Mount
Lenses Available: 19-45mm/ 28-100mm/ 80-250mm
Format Coverage: Large Format
Maximum Apreture: T2.9 (80-250mm – T2.9 to T3.5)
Image Stabelization: No
Image Circle: 46.3mm
Electronic Communication: Yes
Weight: 19-45mm – 7.28 lbs/ 28-100mm – 8.38 lbs/ 80-250mm – 8.38 lbs
CANON K35
Rehoused by TLS, the Canon K35s are the perfect combination of amazing performance and unique character. They are low contrast, have a gentle focus fall-off, and produce gorgeous pastel skin-tones. It is made up of some of the oldest K35’5 produced, therefore they are quite warm, and flares are a beautiful mix of gold, amber and magenta. Covering Full Frame, these high speed lenses have excellent close-focus and their 15-blade iris means your bokeh is always a soft circular shape. They are one of the best performing vintage super speed lenses when shot wide-open thanks in a large part to their aspherical designs.
SPECS:
Available Sizes: 18mm/ 24mm/ 35mm/ 55mm/ 85mm
T-stop: 18mm, 24mm – T1.5/ 34mm, 55mm, 85mm – T1.4
Close Focus: 18mm, 24mm, 34mm – 12″/ 55mm – 22”/ 85mm – 2’9”
Front Diameter: 110mm
Cooke 18mm T2.0 S7/i Full Frame Plus Prime Lens (PL Mount)
The Cooke 18mm T2.0 S7/i Full Frame Plus Prime Lens is designed to cover full frame cinema camera sensors up to at least the full sensor area of the RED Weapon 8K (46.31mm image circle). It is color-matched to other Cooke lenses to keep that well-known Cooke look, and has focus markings on both sides of the lens. A cam-type focus mechanism with a large lens barrel diameter and 270° of rotation from end-stop to end-stop allows for precision focus markings, especially at close focus.
The lens features a PL mount, which makes it compatible with most commonly used professional motion picture film and electronic cameras, and has an aperture range of T2.0 to T22. The PL mount incorporates i/Technology contacts that feed lens information metadata to a compatible camera, including focus distance, aperture and depth-of-field.
Specs
| Mount | |
| Focal Length | |
| Aperture | |
| Maximum Format Size | |
| Minimum Object Distance (M.O.D.) | |
| Close Focus | |
| Scales | |
| Drive Gear | |
| Rotation | |
| Angle of View | |
| Length | |
| Front Diameter | |
| Weight |