Arri Master Anamorphic Lenses

The Master Anamorphic series, a range of nine high-performance prime lenses, represents a significant step forward in the echnology and practicality of anamorphic cinematography for 35 ormat digital and film cameras.

A perfect combination of compact size, minimal weight, very high speed and exceptional optical design with minimal distortion has been achieved in a set of anamorphics. With beautiful out of-focus backgrounds and a smooth, cinematic look, the Master Anamorphic lenses are as fast and easy to use on set as other modern cine lenses.

The Master Anamorphic Lenses have been co-developed by ARRI and ZEISS, are manufactured by ZEISS.

SPECS:

Lens Mount: PL Mount

Format Coverage: S35

Available Focal Lengths: 28mm/35mm/ 40mm/ 60mm/ 75mm/ 100mm/ 135mm/ 180mm

Maximum Aperture: T1.9 (180mm – T2.8)

Front Diameter: 95mm (28mm – 114mm)

Weight: 28mm – 2.5 kg/ 5.5lb, 35mm – 2.6 kg/ 5.7lb, 40mm – 2.7 kg/ 6lb, 60mm – 2.6 kg/ 5.7lb, 75mm 2.6 kg/ 5. 7lb, 100mm – 3.1 kg/ 6.8lb, 135mm – 3.8 kg/ 8.4lb, 180mm – 3.2 kg/ 7.1lb

Atlas Lens Co. Mercury 138mm T2.6 1.5x Anamorphic Prime Lens (PL Mount, Feet)

Designed by cinematographers for professional videographers, the Mercury 138mm T2.6 1.5x Anamorphic Prime Lens is part of the compact and lightweight Mercury Series from Atlas Lens Co. This series offers native full-frame coverage, enhanced bokeh, near-zero chromatic aberration, and a buttery vintage look that is warmer than that of the Orion series. The ARRI PL-mount Mercury series includes 36, 42, 54, 72, 95, and 138mm primes.
1.5x Vintage Anamorphic Look
  • This lens creates 1.5x the horizontal field with the same vertical field of view as a similar spherical lens.
  • It offers a vintage anamorphic look with golden flares, pleasant barrel distortion, and almost no chromatic aberration.
Anamorphic Features in a Compact Form
Each Mercury lens provides the oval bokeh, pleasant barrel distortion, and shallow depth of field of the Atlas Orion 2x anamorphic primes but in a housing that is about half the size and weight of most pro anamorphic primes. The more compact size reduces fatigue and enables you to get closer to the action.
ARRI PL Mount
The lens is compatible with pro-cine ARRI PL-mount cameras.
Full-Frame Coverage
Each Mercury series lens provides coverage for up to full-frame camera sensors.
Fast T2.6 Aperture
A fast T2.6 aperture enables the Mercury anamorphics to excel at low-light capture.
Cine-Style Design
  •  The Mercury lenses feature cine-standard 0.8 MOD gearing, a 95mm front diameter, and focus marks in feet.
  • The standardized 95mm front diameter is compatible with many filters and matte boxes.

Specs

Focal Length
138mm
Maximum Aperture
T2.6
Lens Mount
ARRI PL
Lens Format Coverage
Full-Frame (36.7 x 25.54 mm Sensor)
Filter Thread
86 mm
Image Stabilization
No
Electronic Communication
No
Maximum Aperture
T2.6
Minimum Aperture
T16
Lens Mount
ARRI PL
Horizontal Squeeze (Anamorphic)
1.5x
Flare Color
Amber
Lens Format Coverage
Full-Frame (36.7 x 25.54 mm Sensor)
Angle of View
Full Frame
Horizontal: 23°
Focus Scales
Imperial
Filter Thread
86 mm
Minimum Focus Distance
3.9′ / 1.2 m
Aperture/Iris Blades
14
Image Stabilization
No
Gear Standard
0.8 MOD
Electronic Communication
No
Diameter
Front: 3.7″ / 95 mm
Length
8.1″ / 20.5 cm
Weight
4.6 lb / 2.1 kg

Atlas Lens Co. Mercury 42mm T2.2 1.5x Anamorphic Prime Lens (PL Mount, Feet)

Designed by cinematographers for professional videographers, the Mercury 42mm T2.2 1.5x Anamorphic Prime Lens is part of the compact and lightweight Mercury Series from Atlas Lens Co. This series offers native full-frame coverage, enhanced bokeh, near-zero chromatic aberration, and a buttery vintage look that is warmer than that of the Orion series. The ARRI PL-mount Mercury series includes 36, 42, and 72mm primes plus 54 and 95mm and one telephoto focal length still in the pipeline.

1.5x Vintage Anamorphic Look

  • This lens creates 1.5x the horizontal field with the same vertical field of view as a similar spherical lens.
  • It offers a vintage anamorphic look with golden flares, pleasant barrel distortion, and almost no chromatic aberration.
Anamorphic Features in a Compact Form

Each Mercury lens provides the oval bokeh, pleasant barrel distortion, and shallow depth of field of the Atlas Orion 2x anamorphic primes but in a housing that is about half the size and weight of most pro anamorphic primes. The more compact size reduces fatigue and enables you to get closer to the action.

ARRI PL Mount
The lens is compatible with pro-cine ARRI PL-mount cameras.
Full-Frame Coverage
Each Mercury series lens provides coverage for up to full-frame camera sensors.
Fast T2.2 Aperture
A fast T2.2 aperture enables the Mercury anamorphics to excel at low-light capture.
Cine-Style Design
  •  The Mercury lenses feature cine-standard 0.8 MOD gearing, a 95mm front diameter, and focus marks in feet.
  • The standardized 95mm front diameter is compatible with many filters and matte boxes.

Specs

Focal Length
42mm
Maximum Aperture
T2.2
Lens Mount
ARRI PL
Lens Format Coverage
Full-Frame (36.7 x 25.54 mm Sensor)
Filter Thread
No
Image Stabilization
No
Electronic Communication
No
Maximum Aperture
T2.2
Minimum Aperture
T16
Lens Mount
ARRI PL
Horizontal Squeeze (Anamorphic)
1.5x
Flare Color
Not Specified by Manufacturer
Lens Format Coverage
Full-Frame (36.7 x 25.54 mm Sensor)
Angle of View
Full Frame
Horizontal: 78°
Focus Scales
Imperial
Filter Thread
No
Minimum Focus Distance
1.8′ / 56 cm
Aperture/Iris Blades
14
Image Stabilization
No
Gear Standard
0.8 MOD
Electronic Communication
No
Diameter
Front: 3.7″ / 95 mm
Length
4.4″ / 11.2 cm
Weight
2.4 lb / 1.1 kg

Atlas Lens Co. Mercury 54mm T2.2 1.5x Anamorphic Prime Lens (PL Mount, Feet)

Designed by cinematographers for professional videographers, the Mercury 54mm T2.2 1.5x Anamorphic Prime Lens is part of the compact and lightweight Mercury Series from Atlas Lens Co. This series offers native full-frame coverage, enhanced bokeh, near-zero chromatic aberration, and a buttery vintage look that is warmer than that of the Orion series. The ARRI PL-mount Mercury series includes 36, 42, 54, 72, 95, and 138mm primes.
1.5x Vintage Anamorphic Look
  • This lens creates 1.5x the horizontal field with the same vertical field of view as a similar spherical lens.
  • It offers a vintage anamorphic look with golden flares, pleasant barrel distortion, and almost no chromatic aberration.

Anamorphic Features in a Compact Form

Each Mercury lens provides the oval bokeh, pleasant barrel distortion, and shallow depth of field of the Atlas Orion 2x anamorphic primes but in a housing that is about half the size and weight of most pro anamorphic primes. The more compact size reduces fatigue and enables you to get closer to the action.

ARRI PL Mount
The lens is compatible with pro-cine ARRI PL-mount cameras.
Full-Frame Coverage
Each Mercury series lens provides coverage for up to full-frame camera sensors.
Fast T2.2 Aperture
A fast T2.2 aperture enables the Mercury anamorphics to excel at low-light capture.
Cine-Style Design
  •  The Mercury lenses feature cine-standard 0.8 MOD gearing, a 95mm front diameter, and focus marks in feet.
  • The standardized 95mm front diameter is compatible with many filters and matte boxes.

Atlas Lens Co. Mercury 72mm T2.2 1.5x Anamorphic Prime Lens (PL Mount, Feet)

Designed by cinematographers for professional videographers, the Mercury 72mm T2.2 1.5x Anamorphic Prime Lens is part of the compact and lightweight Mercury Series from Atlas Lens Co. This series offers native full-frame coverage, enhanced bokeh, near-zero chromatic aberration, and a buttery vintage look that is warmer than that of the Orion series. The ARRI PL-mount Mercury series includes 36, 42, and 72mm primes plus 54 and 95mm and one telephoto focal length still in the pipeline.

1.5x Vintage Anamorphic Look
  • This lens creates 1.5x the horizontal field with the same vertical field of view as a similar spherical lens.
  • It offers a vintage anamorphic look with golden flares, pleasant barrel distortion, and almost no chromatic aberration.
Anamorphic Features in a Compact Form
Each Mercury lens provides the oval bokeh, pleasant barrel distortion, and shallow depth of field of the Atlas Orion 2x anamorphic primes but in a housing that is about half the size and weight of most pro anamorphic primes. The more compact size reduces fatigue and enables you to get closer to the action.
The lens is compatible with pro-cine ARRI PL-mount cameras.
Full-Frame Coverage
Each Mercury series lens provides coverage for up to full-frame camera sensors.
Fast T2.2 Aperture
A fast T2.2 aperture enables the Mercury anamorphics to excel at low-light capture.

Cine-Style Design

  •  The Mercury lenses feature cine-standard 0.8 MOD gearing, a 95mm front diameter, and focus marks in feet.
  • The standardized 95mm front diameter is compatible with many filters and matte boxes.
Specs
Focal Length
72mm
Maximum Aperture
T2.3
Lens Mount
ARRI PL
Lens Format Coverage
Full-Frame (36.7 x 24.54 mm Sensor)
Filter Thread
No
Image Stabilization
No
Electronic Communication
No
Maximum Aperture
T2.3
Minimum Aperture
T16
Lens Mount
ARRI PL
Horizontal Squeeze (Anamorphic)
1.5x
Flare Color
Not Specified by Manufacturer
Lens Format Coverage
Full-Frame (36.7 x 24.54 mm Sensor)
Angle of View
Full Frame
Horizontal: 44°
Focus Scales
Imperial
Filter Thread
No
Minimum Focus Distance
3′ / 91 cm
Aperture/Iris Blades
14
Image Stabilization
No
Gear Standard
0.8 MOD
Electronic Communication
No
Diameter
Front: 3.7″ / 95 mm
Length
6.4″ / 16.2 cm
Weight
3.6 lb / 1.6 kg

Atlas Lens Co. Mercury 95mm T2.2 1.5x Anamorphic Prime Lens (PL Mount, Feet)

Designed by cinematographers for professional videographers, the Mercury 95mm T2.2 1.5x Anamorphic Prime Lens is part of the compact and lightweight Mercury Series from Atlas Lens Co. This series offers native full-frame coverage, enhanced bokeh, near-zero chromatic aberration, and a buttery vintage look that is warmer than that of the Orion series. The ARRI PL-mount Mercury series includes 36, 42, 54, 72, 95, and 138mm primes.

1.5x Vintage Anamorphic Look
  • This lens creates 1.5x the horizontal field with the same vertical field of view as a similar spherical lens.
  • It offers a vintage anamorphic look with golden flares, pleasant barrel distortion, and almost no chromatic aberration.
Anamorphic Features in a Compact Form
Each Mercury lens provides the oval bokeh, pleasant barrel distortion, and shallow depth of field of the Atlas Orion 2x anamorphic primes but in a housing that is about half the size and weight of most pro anamorphic primes. The more compact size reduces fatigue and enables you to get closer to the action.
ARRI PL Mount
The lens is compatible with pro-cine ARRI PL-mount cameras.
Full-Frame Coverage
Each Mercury series lens provides coverage for up to full-frame camera sensors.
Fast T2.2 Aperture
A fast T2.2 aperture enables the Mercury anamorphics to excel at low-light capture.
Cine-Style Design
  •  The Mercury lenses feature cine-standard 0.8 MOD gearing, a 95mm front diameter, and focus marks in feet.
  • The standardized 95mm front diameter is compatible with many filters and matte boxes.

Atlas Orion Anamorphic

At the heart of Atlas Lens Co. Orion Series is a true Front Anamorphic Group. Orion Series lenses deliver the striking beauty of painterly waterfall bokeh, disproportionate breathing, and signature but controlled flare. These optical characteristics are now available as part of your cinematic storytelling toolkit with a mechanical functionality that won’t leave you feeling confounded by compromise.

SPECS:

  • Lens Mount: PL Mount
  • Format Coverage: s35
  • Lenses Available: 32mm/ 40mm/ 50mm/ 65mm/ 80mm/ 100mm
  • Maximum Aperture: T2.0
  • Minimum Focus Distance: 1.75 FT/ 2 FT/ 2.5 FT/ 2.75 FT/ 3 FT/ 3.5 FT
  • Front Diameter: 114mm
  • Anamorphic Coefficient: 2x across the range
  • Aperture: T2 – T16

Cooke Anamorphic Lenses

The Anamorphic /i lenses offer superb optical and mechanical performance. Distortion, veiling glare, flares, and all aberrations are controlled at all apertures over the whole field of view. Like our S4/, 5/i and miniS4/ prime lenses, the cam focus mechanism allows for smooth focus adjustments.

SPECS:

Mount: PL Mount or LPL Mount

Format Coverage: Full Frame 

Available Focal Lengths: 25mm, 40mm, 50mm, 65mm (Macro), 75mm, 100mm, 135mm, 180mm, 300mm

Maximum Aperture: 25mm – 300mm; T2.3 (65mm Macro; T2.6)

Cooke Anamorphic SF

The Cooke SF Full Frame Anamorphic finally brings the anamorphic look you have been looking for to the full range of large format digital cameras. Coverage circle covers a full 24 x 36 still size sensor with 1.8 squeeze. Cooke’s /i Technology enables cameras to automatically record key lens data for every frame shot, allowing post-production teams to access it digitally. Featuring key information on lens setting, focusing distance, aperture and depth-of-field, hyperfocal distance, serial number and more, it streamlines production and post and saves time and cost to eliminate guesswork.

Sizes Available: 32mm/ 40mm/  50mm/  75mm/  100mm/ 135mm

Maximum Aperture: T2.3

Format Coverage: Full frame

Kowa Prominar Anamorphic Lenses

The Kowa Cine Prominar anamorphic lenses were made in Japan in the 1970s and 80s. Their unique design produces a front anamorphic lens that delivers vintage anamorphic qualities but in a very compact and lightweight package. With the popularity of vintage anamorphic shooting and the need for lightweight lenses for gimbals and drones, Kowa anamorphics have become one of the most popular choices in anamorphic shooting.

SPECS:

Mount: PL Mount

Format Coverage: S35

Available Focal Lengths: 40mm/ 50mm/ 75mm/ 100mm 

Maximum Aperture: 40mm &  50mm – T2.3/ 75mm – T2.5/ 100mm – T3.4

Closest Focusing Distance: 40mm &  50mm – 3’/ 75mm – 3’3”/  100mm – 5’

Front Diameter: 80mm

Weight: 40mm – 2,2 lbs/ 50mm – 2,9 lbs/ 75mm – 3,3 lbs/ 100mm – 3,7 lbs

 

Meru Anamorphic Lenses

These lenses are reminiscent of JDC Cooke Crystal (Xtal) Express Anamorphic Lenses, Todd AO and Cooke Technovision Anamorphic lenses, but with better mechanics and optics.

Top Quality Anamorphic lenses for your narrative or commercial project!

SPECS:

Available Sizes: 40mm/ 50mm/ 80mm/ 135mm

T stop: 40mm, 50mm – T2.3/ 80mm – T1.7/ 135mm – T3.5

Close Focus: 40mm – 3’4″/ 50mm – 24”/ 80mm – 3’/ 135mm – 2’3”

Length: 40mm – 4.75″/ 50mm – 5.75″/ 80mm, 135mm – 11.5”

Weight: 40mm – 4.25 lbs/ 50mm – 5.0 lbs/ 80mm, 135mm – 6.5 lbs

Front Diameter 134mm