DJI Ronin 4D Flex Extension Unit
Ideal for solo operators or tight spaces, the DJI Ronin 4D Flex Extension Unit allows you to detach your Ronin 4D’s Zenmuse X9 gimbal camera and expand its filming possibilities. One end of the Flex attaches to the main Ronin 4D body while the other secures the X9 camera, reducing your handheld operation weight to just 4 lb. A 6.6′ cable maintains communication between the two units for remote head configurations and supports transmission of up to 8K video. You can easily attach your Ronin 4D handgrips to the Flex thanks to the included adapters. Even the main monitor can be secured to the Flex using its cold shoe mounting point. Other mounting threads allow you to secure the attached X9 to extension rods or tripods.
| Compatibility |
Freefly Ember S5K Camera
The camera captures 10-bit ProRes format video onto the internal 4TB NVMe SSD, which can capture up to 36 minutes of video in 5K600 mode and up to 45 minutes of video in 4K800 mode, and the storage is upgradeable. You can control the camera via Wi-Fi via an iOS app workflow, and there is also a 6-pin GPIO port to remotely control start/stop/sync functions. The HDMI output allows you to preview your image using a 1080p monitor.
| Lens Mount | |
| Sensor Resolution | |
| Image Stabilization | |
| ISO Sensitivity Range | |
| Internal Recording Modes | |
| Video I/O | |
| Mobile App Compatible |
GoPro HERO12
- Star Trails uses Earth’s rotation to create light trails with the stars in the sky.
- Light Painting converts moving light into brushstrokes.
- Vehicle Light Trails records the movement of nighttime traffic lights.
- Choose between capturing 8-bit or 10-bit color for smoother gradations in your footage.
- GoPro exclusive HyperView digital lens takes the 8:7 aspect ratio footage captured by the new image sensor and delivers it as a wide-angle 16:9 shot for immersive POV video.
- Plug your HERO12 in when connected to your home Wi-Fi and automatically upload your footage to the cloud. A highlight video is sent to your phone and can then be edited with beat-synced music and effects.
Specs
| Image Sensor | |
| Effective Sensor Resolution | |
| Image Stabilization |
| Focal Length | |
| Maximum Aperture | |
| Field of View | |
| Zoom |
| Internal Recording | |
| Still Image Support | |
| Audio Recording | |
| Built-In Mic | |
| IP Streaming | |
| Internal Storage |
| Shutter Speed | |
| ISO/Gain Sensitivity | |
| Exposure Modes | |
| White Balance |
| Wireless | |
| Mobile App Compatible | |
| Media/Memory Card Slot | |
| Inputs/Outputs |
| Battery Type | |
| Charging Time | |
| Estimated Battery Life |
| Environmental Resistance | |
| Operating Conditions | |
| Impact Resistance |
| Display Type | |
| Built-In Light | |
| Built-In Speaker | |
| Creative Effects | |
| Tripod Mounting Thread | |
| Dimensions (W x D x H) | |
| Weight |
| Package Weight | |
| Box Dimensions (LxWxH) |
GoPro MAX2 360 Action Camera
Swap between panoramic 360° images and high-resolution single-lens images with a single device using the GoPro MAX2 360 Action Camera. With opposite side lenses that can be toggled between single- and dual-lens modes, the MAX2 can record up to 8K30 360° video and 4K60 single-lens video. The camera can also take 29MP 360° photos and 12MP single-lens photos. An upgraded Enduro battery with a 1960mAh capacity keeps the camera running for longer shoot days. Built-in Wi-Fi 6 and Bluetooth 5.3 connectivity make for fast file transfer directly to your smartphone using the GoPro Quik app.
Specs
| Image Sensor | |
| Effective Sensor Resolution | |
| Image Stabilization |
| Focal Length | |
| Maximum Aperture | |
| Field of View | |
| Zoom |
| Stitching Method | |
| 360 Video Recording | |
| Single-Lens Recording | |
| Still Image Support | |
| Audio Recording | |
| Built-In Mic | |
| IP Streaming | |
| Internal Storage |
| Shutter Speed | |
| ISO/Gain Sensitivity | |
| Exposure Modes | |
| White Balance |
| Wireless | |
| Mobile App Compatible | |
| Media/Memory Card Slot | |
| Inputs/Outputs |
| Battery Type |
| Environmental Resistance | |
| Operating Conditions | |
| Impact Resistance |
| Display Type | |
| Built-In Light | |
| Built-In Speaker | |
| Creative Effects | |
| Tripod Mounting Thread | |
| Dimensions (W x D x H) | |
| Weight |
| Package Weight | |
| Box Dimensions (LxWxH) |
KOMODO-X 6K
KOMODO-X 6K, a digital cinema camera featuring faster frame rates, a redesigned S35 sensor, and an updated form including advanced video and audio interfaces. With built-in Wi-Fi and a USB-C connector, the KOMODO-X provides a powerful platform for smooth professional capture, multicamera setups, and IP-based workflows, including live streaming. The KOMODO-X will be complemented by pre-bundled packs and additional accessories such as RED Pro I/O V-Mount and Gold Mount Modules.
SPECS
| SENSOR SPECS | |
|---|---|
| SENSOR | KOMODO-X™ 19.9MP Super 35mm Global Shutter CMOS |
| EFFECTIVE PIXELS | 6144 × 3240 |
| SENSOR SIZE | 27.03mm x 14.26mm (Diagonal: 30.56mm) |
| DYNAMIC RANGE | 16.5+ stops |
| KEY FEATURES | |
| LENS MOUNT | Integrated locking RF mount with electronic communication
Supports /i PL lenses with RED RF to PL Adapters Supports Canon EF Adapter with communication and other adapters based on the RF mount |
| RECORDING | |
| MAX DATA RATES | Up to 560 MB/s using RED branded or other qualified CFexpress media cards1 |
| REDCODE® RAW MAX FRAME RATES |
80 fps at 6K 17:9 (6144 x 3240)
96 fps at 5K 17:9 (5120 x 2700) 120 fps at 4K 17:9 (4096 x 2160) 240 fps at 2K 17:9 (2048 x 1080) |
| PLAYBACK FRAME RATES (PROJECT TIME BASE) |
23.98, 24, 25, 29.97, 30, 50, 59.94, 60 fps, all resolutions |
| BEST AVAILABLE REDCODE® SETTINGS |
REDCODE HQ, MQ, LQ, and ELQ at 6K 17:9 (6144 x 3240) up to 80 fps
REDCODE HQ, MQ, LQ, and ELQ at 4K 17:9 (4096 x 2160) up to 120 fps REDCODE HQ, MQ, LQ, and ELQ at 2K 17:9 (2048 x 1080) up to 240 fps |
| REDCODE® RAW ACQUISITION FORMATS |
6K 17:9 (6144 x 3240), 2:1, 2.4:1, 16:9. 1:1, and Anamorphic 2x, 1.8x, 1.6x, 1.5x, 1.3x, 1.25x
5K 17:9 (5120 x 2700) and 16:9 4K 17:9 (4096 x 2160) and 16:9 2K 17:9 (2048 x 1080) |
| APPLE PRORES | Dedicated recording in 4K (4096 x 2160) ProRes 4444 XQ up to 60 fps, ProRes 4444 up to 80 fps, and ProRes 422 HQ, ProRes 422, and ProRes 422 LT up to 120 fps |
| GENERAL | |
| CONSTRUCTION | Aluminum Alloy |
| DIMENSIONS | 129.37 x 101.26 x 95.26 mm / 5.1 x 4 x 3.8 in (LxWxH, largest fixed dims.) |
| WEIGHT | 2.62lbs (without body cap and CFexpress card) |
| MEDIA TYPE | CFexpress Type B |
| BATTERY TYPE | Integrated V-Lock battery interface optimized for Micro V-Lock Batteries1 |
| DC POWER INPUT | 11-17 V via 6-Pin DC-IN |
| OPERATING TEMPERATURE | 0°C to 40°C (32°F to 104°F) |
| STORAGE TEMPERATURE | -20°C to 50°C (-4°F to 122°F) |
| STORAGE RELATIVE HUMIDITY | 0% to 85% non-condensing |
| FEATURES | |
| COLOR MANAGEMENT | Image Processing Pipeline 2 (IPP2)
Supports 33×33×33 3D LUTs Supports import and adjustment of CDLs |
| AUDIO | Integrated dual channel digital mono microphones, uncompressed, 24-bit 48 kHz
Integrated dual channel (mic/line/+48V) input via 5-Pin 00B Audio Port, uncompressed, 24-bit 48 kHz 3.5mm stereo headphone port |
| AUTOFOCUS | Phase Detect and Contrast |
| MONITOR OPTIONS | Proprietary Top Accessory Port for Monitoring and Control
Integrated 2.9″ 1440×1440 touchscreen LCD with preview and camera control Integrated 12G-SDI with 6G-SDI, 3G-SDI and 1.5G-SDI modes 12G-SDI: Up to 4096 x 2160 4:2:2 for 60p 6G-SDI: Up to 4096 x 2160 4:2:2 for 30p 3G-SDI: Up to 2048 x 1080 4:2:2 for 60p 1.5G-SDI: Up to 2048 x 1080 4:2:2 for 30p, 24p SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio |
| ADDITIONAL I/O | Tri-Level Genlock Input via 9-Pin EXT
LTC Timecode Input via 9-Pin EXT RS232 CTRL (using RCP2) via 9-Pin EXT |
| IP CONNECTED | Wi-Fi (2.4GHz/5GHz) for camera control, video preview, and media offloading
Ethernet via USB Type-C for camera control, video preview, and media offloading MJPEG 1080p live stream accessible through Wi-Fi and USB Type-C. PTP for frame level synchronization R3D live broadcasting available with RED Connect License and 5Gbps Ethernet Adapter |
| SOFTWARE | |
| RED CONTROL & RED CONTROL PRO |
Access full camera controls and live preview from iOS or Android devices.
Pro App: Operate one or multiple cameras over an IP connection to synchronize settings, manage media files locally or upload directly to FrameIO, develop custom looks with advanced CDL and LUT controls, and more. Ideal for control of multi-camera arrays, multi-cam shoots, and live events, all from one central location. Standard app available from the Apple App Store and Google Play Store. RED Control Pro available via Apple App store only and requires additional purchase. RED Control works wirelessly or wired via USB Type-C |
PHANTOM FLEX 4K
The Phantom Flex4K delivers low noise, high resolution 4K imaging at super 35mm format. The full- size images are delivered via 9.4 Gpx throughput in the Cine Raw file format. With up to 1,000 fps in 4K the images are compatible with major color grading and video editing applications and support standard sync-sound frame rates.
Lens mount options increase the operator flexibility and are interchangeable between PL, Canon EF (with electronic control), and Nikon F. The ability to change mounts encourages shot variety and decreases workflow difficulty between shots.
The Flex4K features a complete on-camera control interface view a menu system. 100% un-tethered operation is possible through battery mounts and remote-control options.
9 Gpx/second.
Max speed at full resolution of 4096 x 2304 is 938 fps
At 4096 x 2160 max speed is 1000 fps
At 2048 x 1080 max speed is 1977 fps
Red Komodo
Revolutionary for RED is the creation of an extremely compact all-in-one design with the KOMODO. This means you can simply pop in a CFast 2.0 card into its media slot and you are ready to roll with data rates up to 280 MB/s. A top 2.9″ 1440 x 1440 touchscreen makes it easy to configure and monitor your footage or you can use the RED Control system for using an iOS or Android device for preview and settings. This is possible through integrated 2.4/5 GHz Wi-Fi. Wired control is also possible via the USB Type-C port and optional adapters. The RED KOMODO 6K offers an exceptionally compact form factor that sacrifices nothing in terms of image quality. This base model includes the KOMODO 6K, a 45W AC power adapter, Mini World Travel Adapter Kit, and a Canon RF-to-EF mechanical adapter.
SPECS:
SENSOR: Komodo 19.9 MP super 35MM global shutter CMOS (27.03 MM X 14.26 MM (DIAGONAL: 30.56MM))
EFFECTIVE PIXELS: 6144 X 3240
DYNAMIC RANGE: 16+ STOPS
MOUNT: RF Mount
MAX DATA RATES: Up to 280 MB/S using Red Pro CFAST or other qualified CFAST 2.0 Media Cards
WEIGHT: 2.10 LBS (WITHOUT BODY CAP AND CFAST CARD)
REDCODE® RAW MAX FRAME RATES: 40 FPS AT 6K 17:9 (6144 X 3240)/ 50 FPS AT 6K 2.4:1 (6144 X 2592)/ 48 FPS AT 5K 17:9 (5120 X 2700)/ 60 FPS AT 4K 17:9 (4096 X 2160)/ 120 FPS AT 2K 17:9 (2048 X 1080)
PLAYBACK FRAME RATES (PROJECT TIME BASE): All Resolutions – 23.98, 24, 25, 29.97, 30, 50, 59.94, 60 FPS
AVAILABLE REDCODE SETTINGS: REDCODE HQ, MQ AND LQ AT 6K 17:9 (6144 X 3240) UP TO 40 FPS/ REDCODE HQ, MQ AND LQ AT 4K 17:9 (4096 X 2160) UP TO 60 FPS/ REDCODE HQ, MQ AND LQ AT 2K 17:9 (2048 X 1080) UP TO 120 FPS
REDCODE® RAW ACQUISITION FORMATS: 6K 17:9 (6144 X 3240), 2:1, 2.4:1, 16:9 AND ANAMORPHIC 2X, 1.8X, 1.6X, 1.5X, 1.3X, 1.25X/ 5K 17:9 (5120 X 2700)/ 4K 17:9 (4096 X 2160) AND 16:9/ 2K 17:9 (2048 X 1080)
AUDIO: INTEGRATED DUAL CHANNEL DIGITAL MONO MICROPHONES, UNCOMPRESSED, 24-BIT 48 KHZ
APPLE PRORES: 4K (4096 × 2160) AT PRORES 422 HQ AND PRORES 422 UP TO 60 FPS/ 2K (2048 × 1080) AT PRORES 422 HQ AND PRORES 422 UP TO 120 FPS
BATTERY TYPE: Gold Mount
Red V-Raptor
Compact, fast, and full-frame—the black V-RAPTOR 8K VV Camera is an impressive introduction to RED DIGITAL CINEMA‘s new DSMC3 platform. Sized only slightly larger than the KOMODO but boasting a new sensor, the V-RAPTOR offers multi-format capture in 8K VV, 6K Super35, 4K, 3K Super16, and anamorphic options. This versatility enables you to adapt your format from project to project to suit your choice of a variety of pro cine or still photo lenses. The V-RAPTOR’s RF lens mount can be used with numerous lens adapters, and it has a locking ring that provides additional security for use with heavier lenses and steady, wide-open capture.
SPECS:
SENSOR: V-RAPTOR™ 8K VV 35.4 Megapixel CMOS (40.96 mm x 21.60 mm (Diagonal: 46.31 mm))
EFFECTIVE PIXELS: 8192 × 4320
DYNAMIC RANGE: 17+ stops
MOUNT: Canon RF mount
MAX DATA RATES: Up to 800 MB/s using RED branded or other qualified CFexpress media cards[1]
REDCODE® RAW MAX FRAME RATES: 120 fps at 8K 17:9 (8192 x 4320), 150 fps at 8K 2.4:1 (8192 x 3456)/ 140 fps at 7K 17:9 (7168 x 3780), 175 fps at 7K 2.4:1 (7168 x 3024)/ 160 fps at 6K 17:9 (6144 x 3240), 200 fps at 6K 2.4:1 (6144 x 2592)/ 192 fps at 5K 17:9 (5120 x 2700), 240 fps at 5K 2.4:1 (5120 x 2160)/ 240 fps at 4K 17:9 (4096 x 2160), 300 fps at 4K 2.4:1 (4096 x 1728)/ 320 fps at 3K 17:9 (3072 x 1620), 400 fps at 3K 2.4:1 (3072 x 1296)/ 480 fps at 2K 17:9 (2048 x 1080), 600 fps at 2K 2.4:1 (2048 x 864)
AVAILABLE REDCODE SETTINGS: REDCODE HQ, MQ and LQ at 8K 17:9 (8192 x 4320) up to 60 fps/ REDCODE LQ at 8K 17:9 (8192 x 4320) up to 120 fps/ REDCODE HQ, MQ and LQ at 6K 17:9 (6144 x 3240) up to 96 fps/ REDCODE MQ and LQ at 6K 17:9 (6144 x 3240) up to 160 fps/ REDCODE HQ, MQ and LQ at 4K 17:9 (4096 x 2160) up to 240 fps/ REDCODE HQ, MQ and LQ at 2K 17:9 (2048 x 1080) up to 480 fps
REDCODE® RAW ACQUISITION FORMATS: 8K 17:9 (8192 x 4320), 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x, 1.5x, 1.3x, 1.25x/ 7K 17:9 (7168 x 3780), 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x/ 6K 17:9 (6144 x 3240), 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 1.5x, 1.3x, 1.25x/ 5K 17:9 (5120 x 2700), 2:1, 2.4:1, 16:9, 1:1/ 4K 17:9 (4096 x 2160), 2:1, 2.4:1, 16:9, 1:1/ 3K 17:9 (3072 x 1620), 2:1, 2.4:1, 16:9, 1:1/ 2K 17:9 (2048 x 1080), 2:1, 2.4:1, 16:9, 1:1
APPLE PRORES: Dedicated recording in ProRes 4444 XQ, ProRes 4444, ProRes 422 HQ, ProRes 422, and ProRes 422 LT with resolutions up to 4K (4096×2160)/ Proxy recording available up to ProRes 422 HQ in 2K (2048 x 1080)
WEIGHT: 4.03 lbs (without body cap and CFexpress card)
DIMENSIONS: 6″ x 4.25″ x 4.25″ (L x W x H)
BATTERY TYPE: Gold Mount
OPERATING TEMPERATURE: 0°C to 40°C (32°F to 104°F)
STORAGE TEMPERATURE: –20°C to 50°C (–4°F to 122°F)
AUDIO: Integrated dual channel digital mono microphones, uncompressed, 24-bit 48 kHz/ Integrated dual channel mic/line/+48V input via 5-pin Audio Port, uncompressed, 24-bit 48 kHz
Sony Burano 8K
The Sony BURANO 8K Digital Cinema Camera offers up to 8.6K video capture in a compact, full-frame form. Unique in-camera stabilization for both E- and PL-mount lenses, Fast Hybrid Autofocus, and an easily adjustable ND filter enhance single-user capture and seamless image matching, making the CineAlta BURANO camera ideal for use as your VENICE B or C camera.
| Lens Mount | |
| Sensor Resolution | |
| Image Sensor | |
| Image Stabilization | |
| ISO Sensitivity Range | |
| Internal Recording Modes | |
| Media/Memory Card Slot | |
| Video I/O | |
| Mobile App Compatible | |
| Battery Type |
| Lens Mount | |
| Lens Communication | |
| Sensor Resolution | |
| Image Sensor | |
| Image Stabilization | |
| Built-In ND Filter | |
| Internal Filter Holder | |
| Capture Type |
| Shutter Type | |
| Shutter Type | |
| Shutter Speed | |
| ISO Sensitivity Range | |
| Gain | |
| Advertised Dynamic Range | |
| White Balance |
| Internal Recording Modes | |
| Recording Sensor Crop | |
| Fast-/Slow-Motion Support | |
| Built-In Microphone | |
| Audio Recording | |
| IP Streaming |
| Media/Memory Card Slot | |
| Video I/O | |
| Audio I/O | |
| Power I/O | |
| Other I/O | |
| Wireless | |
| Mobile App Compatible | |
| Global Positioning (GPS, GLONASS, etc.) |
| Display Type | |
| Display Size | |
| Resolution |
| Type |
| Focus Type | |
| Focus Mode | |
| Autofocus Points |
| Operating Temperature | |
| Storage Temperature |
| Battery Type | |
| Power Consumption | |
| Shoe Mount | |
| Tripod Mounting Thread | |
| Accessory Mounting Thread | |
| Material of Construction | |
| Dimensions (W x H x D) | |
| Weight |
SONY FX3
Sony’s FX3 Cinema Line camera brings the visions of passionate content creators to life. Cinematic expression is matched with reliable performance and streamlined operation to serve the needs of today’s creative community. Compact and lightweight, it’s easy to carry and handle.
Specs
Pixels:
Approx. 10.2 megapixels (effective) for movies, Approx. 12.1 megapixels (effective) for Still images, Approx. 12.9 megapixels (total)
Sensor Type:
35 mm full frame (35.6 x 23.8 mm), Exmor R CMOS sensor
Shutter Speed:
Movie: 1/8000 to 1/4 (1/3 steps), up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode) Still image: 1/8000 to 30 s, Bulb
File System:
FAT12, 16, 32, exFAT
Focus Features :
Eye AF ([Movie] Human (Right/Left Eye Select), ([Still image] Human (Right/Left Eye Select) / Animal), Face detection (Face Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority), [Movie] AF Subj. Shift Sensitivity, [Movie] AF Transition Speed, [Still image] Focus Magnifier (35 mm full frame: 2.1x / 4.1x, APS-C: 1.5x / 3.0x)
Gamma Curve :
Off / PP1–PP10, Parameters: Black level, Gamma (Movie, Still, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset
Media Type:
CFexpress Type A / SD card (x2), Simult. Rec, Sort, Auto Switch Media, Copy
Power:
[Movie] Approx. 7.3 W (with FE 28–70 mm F3.5–5.6 OSS lens attached), [Still image] Approx. 3.4 W (with FE 28–70 mm F3.5–5.6 OSS lens attached)
RAW Output:
HDMI: 4264 x 2408 (60p / 50p / 30p / 25p / 24p), 16 bit
Image Size:
Image size [3:2] 35 mm full frame L: 12M, M: 5.1M, S: 3.0M, APS-C L: 5.1M, M: 3.0M, S: 1.3M, Image size [4:3] 35 mm full frame L: 11M, M: 4.6M, S: 2.7M, APS-C L: 4.6M, M: 2.7M, S: 1.1M Image size, [16:9] 35 mm full frame L: 10M, M: 4.3M, S: 2.6M, APS-C L: 4.3M, M: 2.6M, S: 1.1M, Image size [1:1] 35 mm full frame L: 8M, M: 3.4M, S: 2.0M, APS-C L: 3.4M, M: 2.0M, S: 0.8M
Recording Format:
XAVC HS
[XAVC HS 4K] 59.94p/50p 200 Mbps/150 Mbps/100 Mbps/75 Mbps/45 Mbps, MPEG-H HEVC / H.265, 23.98p 100 Mbps/100 Mbps/50 Mbps/50 Mbps/30 Mbps, MPEG-H HEVC / H.265, 119.88p/100p 280 Mbps/200 Mbps, MPEG-H HEVC / H.265
XAVC S
[XAVC S 4K] 59.94p/50p 200 Mbps/150 Mbps, MPEG-4 AVC / H.264, 29.97p/25p 140 Mbps/100 Mbps/60 Mbps, MPEG-4 AVC / H.264, 23.98p 100 Mbps/100 Mbps/60 Mbps, MPEG-4 AVC / H.264, [XAVC S HD] 59.94p/50p 50 Mbps/50 Mbps/25 Mbps, MPEG-4 AVC / H.264, 29.97p/25p 50 Mbps/50 Mbps/16 Mbps, MPEG-4 AVC / H.264, 23.98p 50 Mbps/50 Mbps, MPEG-4 AVC / H.264, 119.88p/100p 100 Mbps/60 Mbps, MPEG-4 AVC / H.264
XAVC S-I
[XAVC S-I 4K] 59.94p/50p 600 Mbps/500 Mbps, MPEG-4 AVC / H.264, 29.97p/25p 300 Mbps/250 Mbps, MPEG-4 AVC / H.264, 23.98p 240 Mbps, MPEG-4 AVC / H.264, [XAVC S-I HD] 59.94p/50p 222 Mbps/185 Mbps, MPEG-4 AVC / H.264, 29.97p/25p 111 Mbps/93 Mbps, MPEG-4 AVC / H.264, 23.98p 100 Mbps/100 Mbps/60 Mbps, MPEG-4 AVC / H.264, 119.88p/100p 280 Mbps/200 Mbps, MPEG-4 AVC / H.264
Slow & Quick Motion:
XAVC HS 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps
XAVC S 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, XAVC S HD: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps
XAVC S-I 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, XAVC S-I HD: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps
Size & Weight:
WEIGHT (MAIN UNIT ONLY) (approx.) – Approx. 1 lb 9.3 oz (715 g) (with battery and memory card included), Approx. 1 lb 6.6 oz (640 g) (body only)
Lens Mount:
E-mount
SONY FX6
The FX6 Cinema Line Camera puts revolutionary compactness and performance in the hands of creators, with its full-frame image sensor and breathtaking sensitivity. Leading-edge movie functions deliver game-changing performance and a library of cinematic looks, alongside pro interfaces and an electronic Variable ND Filter.
SPECS:
Lens Mount: Sony E Mount
Sensor Resolution Actual: 12.9 Megapixel Effective/ 10.2 Megapixel
Image Sensor: Full-Frame CMOS
Image Stabilization: Supplies Stabilization Metadata
ISO Sensitivity Range: 800 to 12,800 (Extended: 409,600)
Internal Recording Modes:
XAVC-I
DCI 4K (4096 x 2160) up to 59.94 fps [240 to 600 Mb/s VBR]
UHD 4K (3840 x 2160) up to 59.94/100/120 fps [240 to 600 Mb/s VBR]
1920 x 1080p up to 59.94/100/120/150/200/240 fps [89 to 223 Mb/s VBR]
XAVC-L
UHD 4K (3840 x 2160) up to 59.94/100/120 fps [100 to 150 Mb/s]
1920 x 1080p up to 59.94/100/120/150/200/240 fps [35 to 50 Mb/s]
External Recording Modes:
Raw 16-Bit via SDI/BNC
4096 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps
3840 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps
Raw 16-Bit via HDMI
4264 x 2408 at 23.98/25/29.97/50/59.94 fps
4240 x 2385 at 23.98/25/29.97/50/59.94 fps
Media/Memory Card Slot: Dual Slot: CFexpress Type A / SD
Video I/O: 1x BNC (12G-SDI) Output/ 1x HDMI 1.0 Output
SONY PXW-FX9
Whether you’re shooting documentaries, events, reality TV, education, or corporate productions, the PXW-FX9 XDCAM 6K Full-Frame Camera System from Sony has you covered with its powerful and flexible 4K interchangeable lens camera system. The PXW-FX9 features a full-frame, oversampled 6K Exmor R CMOS sensor that allows you to capture 4K images with cinematic depth of field. The camera’s E-mount is machined from stainless steel and allows you to use E-mount lenses.
• 4K recording oversampled by 6K resolution to deliver superb smoothness and detail
• Newly developed “Exmor R” 6K sensor with lower noise and 15+ stops of latitude, wide dynamic range, and high sensitivity
• 4K 4:2:2 10bit internal recording to XQD memory cards
• Cinematic color science with S-Cinetone™. Developed with the same expertise as Sony’s world-leading VENICE digital cinema camera. This advanced default look delivers pleasing skin tones and a softer tonal look
• Dual base ISO (ISO 800 / ISO 4000)
• Electronic Variable Neutral Density filter / Auto ND
• Fast Hybrid Autofocus System (Phase-detection AF + Contrast AF) with fast and intelligent AF response, high-speed subject tracking, and accurate and customizable AF settings
• Genlock and Timecode In / Out on the camera body
• Improved ergonomics and usability improvements from FS7M2
Sony Rialto
Unparalleled flexibility with uncompromised image quality
The VENICE Extension System (CBK-3610XS) enables cabled separation of the VENICE camera body and image sensor block by up to 5.5m with no degradation in image quality.
The kit consists of a front panel cover, image sensor block case and a 2.7m (9 ft) cable with an additional 2.7m (9 ft) extension cable. (VENICE camera is not included.)
The Extension System also has an HD-SDI output and a 24V output for powering accessories such as lens servo motors and monitoring. Multiple screw holes on all surfaces make it easy to affix additional accessories and fit with a wide variety of rigs. The Extension System is fully compatible with all existing and future VENICE cameras upgraded to V3 or higher firmware.
SONY VENICE
Sony proudly introduces its next-generation motion picture camera system with forward-thinking full frame sensor, phenomenal color science and user-friendly operation. Usability and reliability of the camera is one of the major concerns for operators, especially in tough or time-critical filming conditions. With a user-friendly design, clear and simple menu navigation, and a highly durable, reliable construction, VENICE lets you simply concentrate on filming, and not the camera.
Imaging Device Pixel Count:
24.7M (total), 24.4M (effective)
Imaging Device Size:
36.2×24.1mm. 43.5mm (diagonal).
Imaging Device:
Full-Frame CMOS
ISO Sensitivity:
ISO500
Latitude:
15+ Stop
Lens Mount:
PL Mount
E-mount (lever lock type, without supplied PL lens mount adaptor)
Built-In ND Filters:
Clear, 0.3(1/2), 0.6(1/4), 0.9(1/8), 1.2(1/16), 1.5(1/32), 1.8(1/64), 2.1(1/128), 2.4(1/256)
Recording:
Recording Format (Video)
XAVC 4K Class480: 23.98p, 24p, 25p, 29.97p
XAVC 4K Class300: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
XAVC QFHD Class480: 23.98p, 25p, 29.97p
XAVC QFHD Class300: 23.98p, 25p, 29.97p, 50p, 59.94p
MPEG HD422(1920×1080): 23.98p, 24p, 25p, 29.97p, 50i, 59.94i
HD ProRes 422HQ*: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 60i
HD ProRes 422*: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 59.94i
HD ProRes 422 Proxy*: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 59.94i
Recording Format (RAW/X-OCN) *required AXS-R7
RAW SQ:
4K 17:9 (4096 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
3.8K 16:9 (3840 x 2160): 23.98p, 25p, 29.97p, 50p, 59.94p
X-OCN ST/LT:
6K 3:2(6048 x 4032)*: 23.98p, 24p,
6K 2.39:1 (6048 x 2530)*: 23.98p, 24p, 25p, 29.97p
6K 1.85:1 (6048 x 3270)*: 23.98p, 24p, 25p, 29.97p
6K 17:9 (6048 x 3190)*: 23.98p, 24p, 25p, 29.97p
5.7K 16:9 (5672 x 3190)*: 23.98p, 25p, 29.97p
4K 6:5(4096×3432)*:23.98p, 24p, 25p, 29.97p
4K 4:3(4096×3024) :23.98p, 24p, 25p*, 29.97p*
4K 17:9 (4096 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
3.8K 16:9 (3840 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
Recording Format (Audio):
LPCM 4ch , 24-bit 48-kHz
DC Output:
12V: Hirose 4pin x1
24V: Fischer 3pin x2
SDI Output:
BNC×4, (12G, 3G, 1.5G-SDI)
HD MONI Output:
BNCx1 (1.5G-SDI)
HDMI Output:
Type A ×1
VF:
LEMO 26pin
Audio Input:
XLR-type 5pin (female) x1 (LINE/ AES/EBU / MIC / MIC+48V selectable)
Timecode Input:
BNC x1
Genlock Input:
BNC x1
AUX:
LEMO 5pin (female) x1 (Timecode Output)
Media type:
ExpressCard/34 slot×2
SD card slot ×1
Operating Temperature:
0 ～ 40℃
Sony VENICE 2 Digital Motion Picture Camera
Featuring an impressive 16-stop dynamic range, internal recording onto a high-speed ASX card, internal recording formats up to ProRes 4K 4444 and 422, and an interchangeable sensor with updated usability and body design, the 8K Sony VENICE 2 Digital Motion Picture Camera is a step up for DPs, camera assistants, colorists, VR, and VFX departments thanks to its high-resolution capture and filmlike imagery.
SPECS
Lens Mount: Sony E/ ARRI PL with Included Adapter
Sensor Resolution: Actual- 49.76 Megapixel (8640 x 5760)/ Effective: 49.76 Megapixel
Image Sensor: 36.2 x 24.1 mm (Full-Frame) CMOS
Image Stabilization: No
ISO Sensitivity Range: 800/ 3200
Internal Recording Modes: ProRes 422 HQ-ProRes 4444: 4096 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps
3840 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps
X-OCN LT/X-OCN ST/X-OCN XT: 8640 x 5760 from 1 to 29.97 fps/ 8192 x 4320 from 1 to 59.94 fps/ 7680 x 4320 from 1 to 59.94 fps/ 5792 x 4854 from 1 to 47.95 fps/ 5792 x 3056 from 1 to 59.94/66/72/75/88/90 fps/ 5452 x 3056 from 1 to 59.94/66/72/75/88/90 fps
External Recording Modes: No
Media/Memory Card Slot: Dual Slot: AXS/ Single Slot: SD/SDHC
Video I/O: 4 x BNC (12G-SDI) Output/ 1 x BNC (HD-SDI) Output/ 1 x HDMI (Unspecified Signal) Output