ARRI 435 Xtreme
The ARRIFLEX 435 family is the workhorse of the film industry, the golden standard for 35 mm MOS camera work to be found on sets all over the world. Combining robust construction with a super steady movement, high speed and special in-camera effects, the ARRIFLEX 435 Xtreme is the most versatile MOS camera ever built. It is ideal for features, commercials, music videos, Steadicam or special effects work alike.
ARRI 535B
The 535B is characterized by a compact and lightweight design and ideal both as a main camera or as a second unit with the advantage of being able to use the complete 535 accessory range. The light-weight and modular viewfinder system with an exceptionally bright image is the main feature of the camera. The viewfinder can be pivoted in two axes. Viewing from each camera side is possible, with an upright image in all positions.
ARRI SR-III Advanced
The ARRIFLEX 16SR 3/ SR 3 Advanced is designed to meet all modern production requirements. With the advanced model the viewfinder brightness has been improved through the removal of the lightmeter. The newly designed film guide with sapphire rollers on both sides reduces film dust development and enhances image steadiness dramatically in telecine transfer. The Integrated Video System (IVS) offers maximum video quality. With its off-set PL lens mount it is easy to change the recording format from Regular 16 to Super 16.
ARRICAM LT
The Arricam Lite (LT) is the compact, lightweight film camera that represents the pinnacle of analog 35mm sync sound cameras developed with dependable Arri precision and reliability. This line of Arri cameras is equipped with features such as: an electronic mirror shutter, the best and brightest optical viewfinders, a 5-link movement for optimum image steadiness, and modular accessories to meet your unique shooting needs.
ARRIFLEX 416 PLUS HS
The ARRIFLEX 416 is a lightweight, modern Super 16 film camera with a 35-style viewfinder and a very low sound level. A completely lightweight ergonomic design, integrated electronic accessories and compatibility with the same lenses and accessories used by its 35 mm siblings make the 416 a powerful, flexible and portable Super 16 camera
Bolex RX5
With quality Bolex cameras becoming harder to find these days, we decided to make one available for rent for your next 16mm project. This RX5 model camera has been refurbished, so it is in top mechanical and optical condition.
Specs:
OVERALL DIMENSIONS: 9″ x 6″ x 3″
WEIGHT: 6 lbs. 12 oz.; Approximately 8 1/2 lbs with magazine.
OUTER CASE: Highly polished duraluminium body, covered in genuine Morocco leather. Metal parts are chrome-plated.
FILM CAPACITY: 100ft (30m) daylight loading spools of 16mm film. Saddle accepts 400ft (120m) magazine.
THREADING: Automatic threading and loop forming. The end of the film is simply placed in a channel leading to the feed sprocket. The release is pressed and the film is then automatically threaded throughout the entire mechanism.
MOTOR: Constant speed, spring motor mechanism; governor controlled. Large winding handle folds downward and attaches to camera when not in use. Spring cannot be over-wound. 8:1 and 1:1 external drive shaft permits the attachment of an electric motor.
TURRET: Rotating turret with folding lever; Accommodates three interchangeable RX type C mount lenses; Built-in turret lock lever.
VIEWFINDER: 10x magnification; Reflex viewing with semi-reflecting prism system; Groundglass focusing; Adjustable to eyesight. An Octometer viewfinder is available by request.
FILTER SLOT: Built-in slot holds a gelatin filter behind the taking lens and in front of the shutter.
VARIABLE SPEED: 12, 16, 18, 24, 32, 48 and 64 frames per second
RELEASE BUTTON: provides for the making of continuous exposures by a finger-tip release on the front of the camera. A side release allows for locked, hands-free running or single frame exposures.
VARIABLE SHUTTER: 133 degree variable shutter; Operated manually to decrease exposure time, or with accessory Rexofader to accomplish fade-ins and fade-outs.
FOOTAGE COUNTER: adds and subtracts accurately in forward or reverse motion and automatically returns to zero when film is reloaded into the camera.
AUDIBLE FOOTAGE INDICATOR: A distinct click announces the passing of each 10 inches of film through the gate. This mechanism may be disengaged, if desired, by simply moving a lever.
FRAME COUNTER: Twin dial counts frames individually and in total; Adds frames in forward motion and subtracts when film is wound backwards. Dial may be reset manually at any time.
SINGLE FRAME: Time lapse and animation is possible by using the side release button or an accessory cable release and adapter; I-T lever allows for timed or instantaneous single exposures.
MANUAL REWIND: Clutch disengages spring motor and permits forward movement and backwind without running down the spring; allows for dissolves and superimposition.
FLAT BASE: Contains three tripod sockets: Two 3/8″ thread and one 1/4″ thread. Front of the base is removable for easy mounting of the Bolex Matte Box.
Available C-Mount lenses
Canon 1014XLS
As 8mm movie cameras became increasingly computerized, this model became the world’s first 8mm movie camera to use a one-chip CPU. The CPU allowed electronic sequence control of the camera. The lens, a newly developed zoom lens with a wider-angle orientation, achieved both high performance and compactness. The world’s first superimposed viewfinder display showed superimposed information in the viewfinder only when necessary. Multiple functions and safety mechanisms, such as automatic lap dissolve or interval shooting, were applied to satisfy the needs of advanced amateurs. SPC (Silicon Photo Cell) was used for the photocell and it, together with a five-blade iris diaphragm, produced highly precise images with beautiful bokeh (pleasing out-of-focus highlights). This model could be called “the pinnacle of Canon 8mm movie cameras.”
The design stressed the mechanical, with an all-metal folding-type grip. It was very well accepted as a high end 8mm movie camera.