RED V-RAPTOR 8K VV
Compact, fast, and full-frame—the black V-RAPTOR 8K VV Camera is an impressive introduction to RED DIGITAL CINEMA‘s new DSMC3 platform. Sized only slightly larger than the KOMODO but boasting a new sensor, the V-RAPTOR offers multi-format capture in 8K VV, 6K Super35, 4K, 3K Super16, and anamorphic options. This versatility enables you to adapt your format from project to project to suit your choice of a variety of pro cine or still photo lenses. The V-RAPTOR’s RF lens mount can be used with numerous lens adapters, and it has a locking ring that provides additional security for use with heavier lenses and steady, wide-open capture.
SPECS:
SENSOR: V-RAPTOR™ 8K VV 35.4 Megapixel CMOS (40.96 mm x 21.60 mm (Diagonal: 46.31 mm))
EFFECTIVE PIXELS: 8192 × 4320
DYNAMIC RANGE: 17+ stops
MOUNT: Canon RF mount
MAX DATA RATES: Up to 800 MB/s using RED branded or other qualified CFexpress media cards[1]
REDCODE® RAW MAX FRAME RATES: 120 fps at 8K 17:9 (8192 x 4320), 150 fps at 8K 2.4:1 (8192 x 3456)/ 140 fps at 7K 17:9 (7168 x 3780), 175 fps at 7K 2.4:1 (7168 x 3024)/ 160 fps at 6K 17:9 (6144 x 3240), 200 fps at 6K 2.4:1 (6144 x 2592)/ 192 fps at 5K 17:9 (5120 x 2700), 240 fps at 5K 2.4:1 (5120 x 2160)/ 240 fps at 4K 17:9 (4096 x 2160), 300 fps at 4K 2.4:1 (4096 x 1728)/ 320 fps at 3K 17:9 (3072 x 1620), 400 fps at 3K 2.4:1 (3072 x 1296)/ 480 fps at 2K 17:9 (2048 x 1080), 600 fps at 2K 2.4:1 (2048 x 864)
AVAILABLE REDCODE SETTINGS: REDCODE HQ, MQ and LQ at 8K 17:9 (8192 x 4320) up to 60 fps/ REDCODE LQ at 8K 17:9 (8192 x 4320) up to 120 fps/ REDCODE HQ, MQ and LQ at 6K 17:9 (6144 x 3240) up to 96 fps/ REDCODE MQ and LQ at 6K 17:9 (6144 x 3240) up to 160 fps/ REDCODE HQ, MQ and LQ at 4K 17:9 (4096 x 2160) up to 240 fps/ REDCODE HQ, MQ and LQ at 2K 17:9 (2048 x 1080) up to 480 fps
REDCODE® RAW ACQUISITION FORMATS: 8K 17:9 (8192 x 4320), 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x, 1.5x, 1.3x, 1.25x/ 7K 17:9 (7168 x 3780), 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x/ 6K 17:9 (6144 x 3240), 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 1.5x, 1.3x, 1.25x/ 5K 17:9 (5120 x 2700), 2:1, 2.4:1, 16:9, 1:1/ 4K 17:9 (4096 x 2160), 2:1, 2.4:1, 16:9, 1:1/ 3K 17:9 (3072 x 1620), 2:1, 2.4:1, 16:9, 1:1/ 2K 17:9 (2048 x 1080), 2:1, 2.4:1, 16:9, 1:1
APPLE PRORES: Dedicated recording in ProRes 4444 XQ, ProRes 4444, ProRes 422 HQ, ProRes 422, and ProRes 422 LT with resolutions up to 4K (4096×2160)/ Proxy recording available up to ProRes 422 HQ in 2K (2048 x 1080)
WEIGHT: 4.03 lbs (without body cap and CFexpress card)
DIMENSIONS: 6″ x 4.25″ x 4.25″ (L x W x H)
BATTERY TYPE: Gold Mount
OPERATING TEMPERATURE: 0°C to 40°C (32°F to 104°F)
STORAGE TEMPERATURE: –20°C to 50°C (–4°F to 122°F)
AUDIO: Integrated dual channel digital mono microphones, uncompressed, 24-bit 48 kHz/ Integrated dual channel mic/line/+48V input via 5-pin Audio Port, uncompressed, 24-bit 48 kHz
Red Komodo
Revolutionary for RED is the creation of an extremely compact all-in-one design with the KOMODO. This means you can simply pop in a CFast 2.0 card into its media slot and you are ready to roll with data rates up to 280 MB/s. A top 2.9″ 1440 x 1440 touchscreen makes it easy to configure and monitor your footage or you can use the RED Control system for using an iOS or Android device for preview and settings. This is possible through integrated 2.4/5 GHz Wi-Fi. Wired control is also possible via the USB Type-C port and optional adapters. The RED KOMODO 6K offers an exceptionally compact form factor that sacrifices nothing in terms of image quality. This base model includes the KOMODO 6K, a 45W AC power adapter, Mini World Travel Adapter Kit, and a Canon RF-to-EF mechanical adapter.
SPECS:
SENSOR: Komodo 19.9 MP super 35MM global shutter CMOS (27.03 MM X 14.26 MM (DIAGONAL: 30.56MM))
EFFECTIVE PIXELS: 6144 X 3240
DYNAMIC RANGE: 16+ STOPS
MOUNT: RF Mount
MAX DATA RATES: Up to 280 MB/S using Red Pro CFAST or other qualified CFAST 2.0 Media Cards
WEIGHT: 2.10 LBS (WITHOUT BODY CAP AND CFAST CARD)
REDCODE® RAW MAX FRAME RATES: 40 FPS AT 6K 17:9 (6144 X 3240)/ 50 FPS AT 6K 2.4:1 (6144 X 2592)/ 48 FPS AT 5K 17:9 (5120 X 2700)/ 60 FPS AT 4K 17:9 (4096 X 2160)/ 120 FPS AT 2K 17:9 (2048 X 1080)
PLAYBACK FRAME RATES (PROJECT TIME BASE): All Resolutions – 23.98, 24, 25, 29.97, 30, 50, 59.94, 60 FPS
AVAILABLE REDCODE SETTINGS: REDCODE HQ, MQ AND LQ AT 6K 17:9 (6144 X 3240) UP TO 40 FPS/ REDCODE HQ, MQ AND LQ AT 4K 17:9 (4096 X 2160) UP TO 60 FPS/ REDCODE HQ, MQ AND LQ AT 2K 17:9 (2048 X 1080) UP TO 120 FPS
REDCODE® RAW ACQUISITION FORMATS: 6K 17:9 (6144 X 3240), 2:1, 2.4:1, 16:9 AND ANAMORPHIC 2X, 1.8X, 1.6X, 1.5X, 1.3X, 1.25X/ 5K 17:9 (5120 X 2700)/ 4K 17:9 (4096 X 2160) AND 16:9/ 2K 17:9 (2048 X 1080)
AUDIO: INTEGRATED DUAL CHANNEL DIGITAL MONO MICROPHONES, UNCOMPRESSED, 24-BIT 48 KHZ
APPLE PRORES: 4K (4096 × 2160) AT PRORES 422 HQ AND PRORES 422 UP TO 60 FPS/ 2K (2048 × 1080) AT PRORES 422 HQ AND PRORES 422 UP TO 120 FPS
BATTERY TYPE: Gold Mount
KOMODO-X 6K
KOMODO-X 6K, a digital cinema camera featuring faster frame rates, a redesigned S35 sensor, and an updated form including advanced video and audio interfaces. With built-in Wi-Fi and a USB-C connector, the KOMODO-X provides a powerful platform for smooth professional capture, multicamera setups, and IP-based workflows, including live streaming. The KOMODO-X will be complemented by pre-bundled packs and additional accessories such as RED Pro I/O V-Mount and Gold Mount Modules.
SPECS
| SENSOR SPECS | |
|---|---|
| SENSOR | KOMODO-X™ 19.9MP Super 35mm Global Shutter CMOS |
| EFFECTIVE PIXELS | 6144 × 3240 |
| SENSOR SIZE | 27.03mm x 14.26mm (Diagonal: 30.56mm) |
| DYNAMIC RANGE | 16.5+ stops |
| KEY FEATURES | |
| LENS MOUNT | Integrated locking RF mount with electronic communication
Supports /i PL lenses with RED RF to PL Adapters Supports Canon EF Adapter with communication and other adapters based on the RF mount |
| RECORDING | |
| MAX DATA RATES | Up to 560 MB/s using RED branded or other qualified CFexpress media cards1 |
| REDCODE® RAW MAX FRAME RATES |
80 fps at 6K 17:9 (6144 x 3240)
96 fps at 5K 17:9 (5120 x 2700) 120 fps at 4K 17:9 (4096 x 2160) 240 fps at 2K 17:9 (2048 x 1080) |
| PLAYBACK FRAME RATES (PROJECT TIME BASE) |
23.98, 24, 25, 29.97, 30, 50, 59.94, 60 fps, all resolutions |
| BEST AVAILABLE REDCODE® SETTINGS |
REDCODE HQ, MQ, LQ, and ELQ at 6K 17:9 (6144 x 3240) up to 80 fps
REDCODE HQ, MQ, LQ, and ELQ at 4K 17:9 (4096 x 2160) up to 120 fps REDCODE HQ, MQ, LQ, and ELQ at 2K 17:9 (2048 x 1080) up to 240 fps |
| REDCODE® RAW ACQUISITION FORMATS |
6K 17:9 (6144 x 3240), 2:1, 2.4:1, 16:9. 1:1, and Anamorphic 2x, 1.8x, 1.6x, 1.5x, 1.3x, 1.25x
5K 17:9 (5120 x 2700) and 16:9 4K 17:9 (4096 x 2160) and 16:9 2K 17:9 (2048 x 1080) |
| APPLE PRORES | Dedicated recording in 4K (4096 x 2160) ProRes 4444 XQ up to 60 fps, ProRes 4444 up to 80 fps, and ProRes 422 HQ, ProRes 422, and ProRes 422 LT up to 120 fps |
| GENERAL | |
| CONSTRUCTION | Aluminum Alloy |
| DIMENSIONS | 129.37 x 101.26 x 95.26 mm / 5.1 x 4 x 3.8 in (LxWxH, largest fixed dims.) |
| WEIGHT | 2.62lbs (without body cap and CFexpress card) |
| MEDIA TYPE | CFexpress Type B |
| BATTERY TYPE | Integrated V-Lock battery interface optimized for Micro V-Lock Batteries1 |
| DC POWER INPUT | 11-17 V via 6-Pin DC-IN |
| OPERATING TEMPERATURE | 0°C to 40°C (32°F to 104°F) |
| STORAGE TEMPERATURE | -20°C to 50°C (-4°F to 122°F) |
| STORAGE RELATIVE HUMIDITY | 0% to 85% non-condensing |
| FEATURES | |
| COLOR MANAGEMENT | Image Processing Pipeline 2 (IPP2)
Supports 33×33×33 3D LUTs Supports import and adjustment of CDLs |
| AUDIO | Integrated dual channel digital mono microphones, uncompressed, 24-bit 48 kHz
Integrated dual channel (mic/line/+48V) input via 5-Pin 00B Audio Port, uncompressed, 24-bit 48 kHz 3.5mm stereo headphone port |
| AUTOFOCUS | Phase Detect and Contrast |
| MONITOR OPTIONS | Proprietary Top Accessory Port for Monitoring and Control
Integrated 2.9″ 1440×1440 touchscreen LCD with preview and camera control Integrated 12G-SDI with 6G-SDI, 3G-SDI and 1.5G-SDI modes 12G-SDI: Up to 4096 x 2160 4:2:2 for 60p 6G-SDI: Up to 4096 x 2160 4:2:2 for 30p 3G-SDI: Up to 2048 x 1080 4:2:2 for 60p 1.5G-SDI: Up to 2048 x 1080 4:2:2 for 30p, 24p SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio |
| ADDITIONAL I/O | Tri-Level Genlock Input via 9-Pin EXT
LTC Timecode Input via 9-Pin EXT RS232 CTRL (using RCP2) via 9-Pin EXT |
| IP CONNECTED | Wi-Fi (2.4GHz/5GHz) for camera control, video preview, and media offloading
Ethernet via USB Type-C for camera control, video preview, and media offloading MJPEG 1080p live stream accessible through Wi-Fi and USB Type-C. PTP for frame level synchronization R3D live broadcasting available with RED Connect License and 5Gbps Ethernet Adapter |
| SOFTWARE | |
| RED CONTROL & RED CONTROL PRO |
Access full camera controls and live preview from iOS or Android devices.
Pro App: Operate one or multiple cameras over an IP connection to synchronize settings, manage media files locally or upload directly to FrameIO, develop custom looks with advanced CDL and LUT controls, and more. Ideal for control of multi-camera arrays, multi-cam shoots, and live events, all from one central location. Standard app available from the Apple App Store and Google Play Store. RED Control Pro available via Apple App store only and requires additional purchase. RED Control works wirelessly or wired via USB Type-C |