Ambient Recording ACL 203 Tri-Level Sync Lockit
ACL 203 Tri-Level Sync Lockit Set from Ambient Recording is a time code device designed for use with HDV cameras. It supports a variety of HD video formats, as well as sample-rate-based synching for audio recorders in world clock and black audio up to 192KHz. The unit features (3) rotary encoders that control function blocks, sync format, sync frequency, and time-code frame rate. These controls allow for simple dialing even with exotic variants of pull-up/pull-down or cross jam modes.
Ambient Recording ACL 204 – Lockit Sync Box
The ACL204 from Ambient Recording is a portable synchronizer and the first in a new generation of Clockit products which fully utilizes the Ambient Clockit Network System (ACN). The company hopes that ACN becomes an industry standard, a system that is as open as possible, and which simultaneously merges real-time and file embedded metadata from various camera manufacturers along with a global time code reference.
Beachtek DXA-ALEXA Low-Noise Preamplifier for ARRI ALEXA Mini Camera
Designed primarily for the ALEXA Mini, but compatible with cameras such as the RED DSMC2, the Beachtek DXA-ALEXA is a low-noise preamplifier which connects directly to your camera, capturing audio through its transformer-balanced inputs and obviates the need for external syncing. The preamp itself sports a 100 dB dynamic range, and the construction of its inputs ensure galvanic isolation, as well as high common mode rejection in the face of common obstacles, such as electromagnetic interference.
Beachtek DXA-PRE Two-Channel Preamplifier for Cinema Cameras
Connect professional XLR-equipped microphones or line-level signals to your RED, ALEXA, and other cinema cameras or DSLR/mirrorless camera with the compact, rugged, and easily mountable Beachtek DXA-PRE, a two-channel preamplifier with phantom-powered XLR inputs. Its powerful preamps offer up to 60 dB of gain while delivering low noise and a wide 100 dB dynamic range. Thanks to its integrated shoe mount, the supplied brass mounting foot, and the included V-CLICK quick-release plate, the DXA-PRE accommodates an array of mounting configurations, including rail mounting with an optional third-party accessory.
Each channel features a balanced XLR mic/line input with switchable 48V phantom power for condenser mics, low/high gain settings, and a trim knob. An easy-to-read LED meter helps you keep track of your levels. Select mono or stereo for the output signal.
SPECS:
| Frequency Response | |
| Maximum Input Level | |
| Gain | |
| Dynamic Range | |
| THD+N | |
| Channel Separation |
Eartec UltraLITE Single-Ear Remote Headset Kit
The UltraLITE Single-Ear Remote Headset with Rechargeable Lithium Battery from Eartec is a self-contained, replacement full-duplex wireless intercom headset. It can be used to provide simultaneous talk and two-way voice communication for users that need to work with their hands, yet also require one ear free to listen to what is going on around them.
HME WH200 Wireless Intercom
The digital all-in-one WH200 ComLink headset is revolutionizing communication, style and function for pro audio applications requiring clear, wireless communications. Events are often chaotic, teeming with people of all roles and a veritable array of equipment. This in turn calls for streamlined, comfortable, wireless headsets like ComLink which satisfies all of these needs with less hassle and more refinement.
K-TEK K-202CCR 5-SECTION GRAPHITE FIBER BOOM POLE
The K-TEK K-202CCR is a very lightweight, superbly engineered, and meticulously crafted 5 section boompole made from a graphite fiber derivative in a black matte finish. It is used primarily for feature film location sound recording.
SPECS:
4.1′ (124.96cm) to 16.1′ (490.72cm)
3-pin XLR Connection
Coiled Cable
Side Exit XLR Connection
5 Telescoping Sections
High-Density Graphite Construction
Soft-Touch Dimpled Collars
Rode NTG-2 Shotgun Microphone
Capture quality sound indoors or outside for your next indie film, TV shoot, or documentary project with the Rode NTG2 shotgun microphone. With low handling noise, the ability to endure loud sound sources before distortion, and support for battery or phantom power, the NTG2 offers a versatile, cost-effective solution for recording clean dialogue and sound effects.
SPECS:
Form Factor – Stand/Boom Mount
Intended Sound Sources – Vocals
Sound Field – Mono
Operating Principle – Line Gradient
Element Type – Condenser
Polar Pattern – Supercardioid
Frequency Range – 20 Hz to 20 kHz
Maximum SPL – 131 dB SPL (1 kHz, 1% THD, 1-Kilohm Load)
Off-Axis Rejection – 14 dB at 60°/ 16 dB at 120°/ 12 dB at 180°
Sensitivity – -36 dBV/Pa at 1 kHz
Dynamic Range – 113 dB
Signal-to-Noise Ratio – 76 dB A-Weighted (1 kHz)
Power Sources – Battery/ Phantom Power
Operating Current Consumption – 2 mA (Phantom Power)/ 0.18 mA (Battery Power)
Rode VideoMic Pro Camera-Mount Shotgun Microphone
Offering lower noise, higher sensitivity, and more adjustable settings than the VideoMic, the Rode VideoMic Pro camera-mount shotgun microphone is ideal for mobile journalists, vloggers, budget filmmakers, and run-and-gun shooters looking for a cost-effective way to step up to the next level in quality.
SPECS:
Form Factor – Stand/Boom Mount
Sound Field – Mono
Operating Principle – Line Gradient
Element Type – Electret Condenser
Polar Pattern – Supercardioid
Orientation – End Address
Circuitry – Solid-State (JFET)
On-Board Controls – Gain/Sensitivity, High-Pass Filter, On/Off
Frequency Range – 40 Hz to 20 kHz
Maximum SPL – 134 dB SPL
Off-Axis Rejection – 2 dB at 60°/ 18 dB at 120°/ 10 dB at 180°
Sensitivity – -32 dBV/Pa at 1 kHz
Dynamic Range – 120 dB
Signal-to-Noise Ratio – 80 dB
Power Sources – Battery
Approximate Battery Life – 70 Hours
SENNHEISER EW 112P G4 WIRELESS MIC KIT
The Sennheiser EW 112P G4 camera-mount wireless lavalier microphone system features the proven combination of reliability, flexible control, and broadcast-quality sound that has made the EW Series an industry standard for videographers, journalists, and content creators all over the world.
Sennheiser EW100 G2 Wireless Mic Kit
The Evolution G2 Series is a UHF wireless microphone system featuring 1440 tunable frequencies and 4 frequency presets. This system includes the EK100G2 camera mountable receiver, SK100G2 body-pack transmitter and ME2 omnidirectional lavalier microphone.
The EK100G2 receiver is made of a durable metal enclosure and features a full functional LED display. The receiver features a 1/8″ unbalanced TRS mini output for quick connection to camcorders. The receiver features 4 preset memory locations that can be reassigned to any of the 1,440 available frequencies, within the 32MHz tuning range.
The SK100G2 body-pack transmitter features an identically designed enclosure as the receiver. It also features an LCD display and 4 preset memory locations that can be reassigned to any of the available 1,440 frequencies. The transmitter features an 1/8″ locking-mini input for compatible lavalier microphones.
The ME2 omni-directional lavalier microphone features a sensitivity and frequency response suitable for capturing in the most demanding environments.
FEATURES:
UHF Transmission
The Sennheiser Evolution series operates on UHF frequencies allowing longer range and few drop-outs and interference.
Flexible Frequency Options
The system is pre-configured with 4 preset channels, however the channels can be reconfigured with any of the available 1,440 frequencies within the 32MHz range.
Comprehensive Display
A comprehensive LED display provides channels and frequency information as well as battery life, usage time, signal status and more.
Rugged Metal Design
Both transmitter and receiver feature a rugged, metal enclosure designed to withstand the rigors of road use and the elements.
SENNHEISER MKH 8060 SHOTGUN MIC
The microphone exhibits a supercardioid polar pattern at low to midrange frequencies and transitions to a lobar pattern in high frequencies, providing uniform attenuation of 10 to 20 dB from 125 Hz to 1 kHz between 90° and 120° off axis. The rejection pattern for high frequencies is also consistent, further contributing to the mic’s transparent, undistorted off-axis tone. Your dialogue, foley, and sound effects can be recorded with full dynamics and clarity, thanks to the MKH 8060’s wide frequency response, transformerless output, and high SPL handling.
For Pro Film, TV & Location Recording
Moisture-Resistant for Humid Conditions
No Switches, Buttons, or Dials
50 Hz to 25 kHz Frequency Response
Supercardioid at Low & Mid Frequencies
Lobar Pattern at High Frequencies
Low 11 dBA Self-Noise
Ultrahigh Sensitivity of -24 dB
Transparent, Undistorted Off-Axis Tone
Windscreen Reduces Wind Noise
Sony ECM-XM1 Onboard Mic
With an ultra lightweight body and smooth tone, the Sony ECM-VG1 shotgun microphone offers strong, clean output signal for event video shoots, indie film production, TV and documentary shooting, court room depositions, and more. Plus, at a mere 2.3 ounces, it can be placed atop a camcorder or mounted on a boompole with virtually no impact on the weight of the rig.
SPECS:
Form Factor – Stand/Boom Mount
Intended Sound Sources – Vocals, Room Ambiance
Sound Field – Mono
Element Type – 1 x Electret Condenser
Polar Pattern – Supercardioid
Frequency Range – 40 Hz to 20 kHz
Maximum SPL – 127 dB SPL (1 kHz, 1% THD)
Off-Axis Rejection – >3 dB at 60°/ >15 dB at 120°/ 20 dB at 180°
Sensitivity – -33 dBV/Pa at 1 kHz
Dynamic Range – 109 dB
Signal-to-Noise Ratio – 76 dB A-Weighted (1 kHz)
Power Sources – Phantom Power
Operating Voltage – 40 to 52 V (Phantom Power)
Tentacle Sync E MKII Timecode Generator with Bluetooth 5.0
The Tentacle Sync E mkII Timecode Generator dual set pairs two lightweight, super-compact Sync E mk2 timecode generators with two downloadable Tentacle Sync Studio software licenses (macOS). These updates to the Tentacle Sync E feature Bluetooth 5.0 setup and battery management improvements. Designed for vlogging, events, multicamera setups, and post-syncing, the Sync E MKII can generate any SMPTE timecode or jam-sync to an external timecode source.
ZOOM H6 PORTABLE AUDIO RECORDER
The Zoom H6 All Black portable handheld recorder features a sleek black finish and a single mic capsule, making ideal for bands, multi-instrumentalists, and podcasters who don’t immediately need the extras. With its X/Y stereo microphone capsule, six versatile mic/line inputs, and up to 6-track recording, the H6 All Black is both user-friendly and easily expandable.
Like other H-Series Handy recorders such as the H4n Pro and H5, you can hold it in your hand, attach it to a mic stand or tripod, or mount it to a camera (shoe mount available separately); the H6 All Black packs an impressive array of features into a rugged, rubberized body that’s more than ready to meet the varied demands of musicians, content creators, videographers, and sound designers.
SPECS:
Live/Location Recording & Podcasting
Swappable X/Y Stereo Mic Capsule
4 x XLR-1/4″ Mic/Line Inputs with Pads
Fast, User-Friendly Operability
Records in WAV up to 96 kHz
3.5mm Line & Headphone Outputs
Onboard Compressor & Low-Cut Filter
Powered via Batteries, AC, or USB
Supports SDXC Cards up to 128GB
Stereo Safety Track Recording