Ambient Recording NanoLockit Miniature Timecode Synchronizer

General
Compatibility
Not Specified by Manufacturer
Power
Power Source
Battery (Built-In)
DC Input Power
5 VDC
Physical
Material of Construction
Aluminum
Dimensions
2.6 x 1.4 x 0.8″ / 65.5 x 36.5 x 21 mm
Weight
2.5 oz / 72 g

DZOFilm X-Tract 18-28mm T8 FF Probe Zoom Macro Lens (0° Direct View, ARRI PL)

Offering a 100 to 73° field of view, the ARRI PL-mount X-Tract 0° 18-28mm T8 FF Probe Zoom Macro Lens from DZOFilm brings innovative close-up capture to your productions. This compact probe lens measures just 16.3″ in length and has a front outside diameter of less than 1.2″, making it ideal for tight setups. It features a relatively fast T8 maximum aperture, a 2.1:1 maximum magnification, and a 0.24″ minimum focusing distance. This straight version offers a direct view; 90° and 360° periscope lens versions are available separately.
Wide 18-28mm Zoom
  • This 18-28mm zoom offers an ultrawide to more midrange reach, covering most common focal lengths.
  • The wide 100 to 73° field of view supports flexible capture.
Macro/Close Capture in Narrow Spaces
  • Craft creative macro shots using a maximum magnification ratio of 2.1:1.
  • The extremely close minimum focusing distance of around 0.24″ lets you get super tight coverage of your subject.
  • The large depth of field and wide-angle focal length combine to enable close-ups in constricted areas while maintaining a safe distance from your subject.
Low-Distortion, High-Resolution Optics
  • The optical design has both ED (extra-low dispersion) and high-refractive index elements, suppressing chromatic and spherical aberrations.
  • Advanced coatings help minimize flaring and reflections.
  • Incorporates seven HRI (high-refractive-index) lens elements, producing more natural color.
  • ±2% distortion control across the zoom range.
T8 Maximum Aperture
  • The relatively fast T8 maximum aperture is maintained throughout the zoom range.
  • Multilayer, antireflective coatings help ensure sharp, clear images even when shooting wide open.
Waterproof, Cine-Style Design
  • Focus, iris, and zoom functions all have 0.8 MOD cine-style gears for compatibility with follow focus and lens motor systems.
  • A lightweight yet rear-heavy design helps reduce vibrations while shooting.
  • The focus barrel offers a wide 300° rotation for precise focus pulls.
  • Waterproof and dustproof, this probe lens is also scratch and fog resistant.
Specs
Focal Length
18 to 28mm
Maximum Aperture
T8
Lens Mount
ARRI PL
Lens Format Coverage
Full-Frame
Filter Thread
No
Image Stabilization
No
Electronic Communication
No
Maximum Aperture
T8
Minimum Aperture
T22
Lens Mount
ARRI PL
Lens Format Coverage
Full-Frame
Angle of View
Full Frame
Horizontal: 100 to 73°
Focus Scales
Metric
Filter Thread
No
Zoom Ratio
1.56x
Minimum Focus Distance
From Front of Lens: 0.2″ / 6 mm
Magnification
2.1:1 Macro Reproduction Ratio
0.26x Magnification
Image Stabilization
No
Lens Mounting
1x 1/4″-20 (via Included Support Foot)
3x 3/8″-16 (via Included Support Foot)
Gear Standard
0.8 MOD
Gear Rotation
Focus: 300°
Electronic Communication
No
Diameter
Front: 1.2″ / 29.6 mm
Length
16.3″ / 415 mm
Weight
2.4 lb / 1.09 kg

Revar Cine 138mm Kaleidoscope-9 Filter

Filter Type
Center Spot Wide Angle
Size
138 mm via Included Adapter Ring
Front Accessory Thread / Bayonet
Unthreaded Filter Mount
Filter Material
Glass
Ring Material
Aluminum

Revar Cine 4 x 5.65 138mm Rota Wave Filter

The 4 x 5.65″ 138mm Rota Wave Filter from Revar Cine is a geared filter tray designed from aircraft-grade aluminum and poly materials to interface with the latest 4 x 5.65″ matte boxes on the market today. This geared tray allows for the use of the special effect wave filter in a rectangular 4 x 5.65″ matte box filter tray.

High-quality anodized aluminum frame.
Dual 0.8 MOD gears for fast rotation in any camera configuration including remote with a focus motor.
138mm filter allows the use of wide-angle lenses for maximum compatibility.
Featuring high-quality melted glass for a wave effect.
Drop the 4 x 5.65″ standard width tray into your matte box and use your fingers to spin the wheel to control the wave filter from the operator or the dumb side of the camera.

Specs

Filter Type
Wave
Size
4 x 5.65″ / 101.6 x 143.5 mm
Front Accessory Thread / Bayonet
138 mm
Coating
No
Filter Material
Glass
Ring Material
Aluminum

Revar Cine 138mm Wormhole Filter (30mm Center Window)

The 138mm Wormhole Filter from Revar Cine is a spiral-cut specialty filter with a 30mm polished flat window in the center. This filter creates a zooming or stretch effect where the edges of the frame have streaks of light and distortion similar to a still photo zoom rack. The large 138mm filter diameter is compatible with wide-angle lenses. It is made of Schott optical glass and has an anodized aluminum filter ring.

Specs

Filter Type
Radial Zoom
Size
138 mm (Revar Cine Rota-Tray)
Front Accessory Thread / Bayonet
No
Filter Material
Glass
Ring Material
Aluminum
This filter creates a zooming or stretch effect where the edges of the frame have streaks of light and distortion similar to a still photo zoom rack.
The 138mm Wormhole is a spiral-cut specialty filter with a 30mm polished flat window in the center.

Prism Solar Flare FX Filter

The “Solar Flare FX” is a new lineup of filters that create stunning in camera flares! The ribbon like design reacts to bright highlights / point sources in frame and creates organic looking “solar flares” that change depending on the filters rotations & orientation!

• Available in 67mm, 77mm, 82mm, and 4×5.65

• Available in 2 Color Versions (Solar Flare – Clear) + (Solar Flare – Amber)

• Creates a ribbon-like flare from highlights / point sources in frame

• Circular versions feature a rotatable frame

• Results may vary (lighting conditions / aperture / settings all play into strength and look of the effect)

Atlas Lens Co. Mercury 72mm T2.2 1.5x Anamorphic Prime Lens (PL Mount, Feet)

Designed by cinematographers for professional videographers, the Mercury 72mm T2.2 1.5x Anamorphic Prime Lens is part of the compact and lightweight Mercury Series from Atlas Lens Co. This series offers native full-frame coverage, enhanced bokeh, near-zero chromatic aberration, and a buttery vintage look that is warmer than that of the Orion series. The ARRI PL-mount Mercury series includes 36, 42, and 72mm primes plus 54 and 95mm and one telephoto focal length still in the pipeline.

1.5x Vintage Anamorphic Look
  • This lens creates 1.5x the horizontal field with the same vertical field of view as a similar spherical lens.
  • It offers a vintage anamorphic look with golden flares, pleasant barrel distortion, and almost no chromatic aberration.
Anamorphic Features in a Compact Form
Each Mercury lens provides the oval bokeh, pleasant barrel distortion, and shallow depth of field of the Atlas Orion 2x anamorphic primes but in a housing that is about half the size and weight of most pro anamorphic primes. The more compact size reduces fatigue and enables you to get closer to the action.
The lens is compatible with pro-cine ARRI PL-mount cameras.
Full-Frame Coverage
Each Mercury series lens provides coverage for up to full-frame camera sensors.
Fast T2.2 Aperture
A fast T2.2 aperture enables the Mercury anamorphics to excel at low-light capture.

Cine-Style Design

  •  The Mercury lenses feature cine-standard 0.8 MOD gearing, a 95mm front diameter, and focus marks in feet.
  • The standardized 95mm front diameter is compatible with many filters and matte boxes.
Specs
Focal Length
72mm
Maximum Aperture
T2.3
Lens Mount
ARRI PL
Lens Format Coverage
Full-Frame (36.7 x 24.54 mm Sensor)
Filter Thread
No
Image Stabilization
No
Electronic Communication
No
Maximum Aperture
T2.3
Minimum Aperture
T16
Lens Mount
ARRI PL
Horizontal Squeeze (Anamorphic)
1.5x
Flare Color
Not Specified by Manufacturer
Lens Format Coverage
Full-Frame (36.7 x 24.54 mm Sensor)
Angle of View
Full Frame
Horizontal: 44°
Focus Scales
Imperial
Filter Thread
No
Minimum Focus Distance
3′ / 91 cm
Aperture/Iris Blades
14
Image Stabilization
No
Gear Standard
0.8 MOD
Electronic Communication
No
Diameter
Front: 3.7″ / 95 mm
Length
6.4″ / 16.2 cm
Weight
3.6 lb / 1.6 kg

DJI Zenmuse X9 Focus Motor

Pull focus remotely while using your Ronin 4D 4-Axis Cinema Camera 6K or 8K Combo with this Zenmuse X9 Focus Motor from DJI. This dedicated, rod-mounted motor also enables you to add autofocus when using a manual lens and the DJI 0.8 Mod Focus Strip.

Heden M21VE-L Lens Motor Kit

The HEDEN M21VE-L 256 Lens Motor with Dual-Pin Hub is a powerful lens motor with a compact form factor suitable for gimbal and drone applications employing professional film and video broadcasting cameras. Compatible with HEDEN YMER, HEDEN CARAT, Preston, and FREEFLY MōVI lens control systems, the M21VE-L 256 features a 7-pin 0B LEMO port that uses smaller, lightweight cables to connect to the controller and comes with a dual-pin hub, together with snap-on gear with dual-pin lock mechanism for added reliability.

The M21VE-L 256 mounts vertically on an optional 19mm rod without the need for tools, and you can also mount it on an optional 15mm rod using the included 15mm insert. The unit also comes with a 0.8 MOD gear that can be mounted on either side with optional 0.4, 0.5, and 0.6 modules available separately, and it has a 1.0 Nm torque

Arri CLM-4 Motor Basic Kit

The components in this ARRI CLM-4 Motor Basic Kit are used with an ARRI motor controller to remotely control your lens’s focus, iris, or zoom function. The high-end, solidly-built CLM-4 motor features smooth, quiet control for standard lenses. This CLM-4 Motor Basic Kit can be used with ARRI’s UMC-4 Universal Motor Controller and SMC-1 Single Motor Controller. For optimal flexibility, any of the four included gears can be attached to either side of the CLM-4 Motor. The 0.8-, 0.6-, 0.5-, and 0.4-Mod Gears work with a variety of cine-style and ENG-type lenses. This kit includes a motor-to-controller cable, and a bracket with insert for mounting to a standard 19mm or 15mm rod.

Use ARRI‘s CLM-4 Motor to remotely control your lens’s focus, iris, or zoom function. The high-end, solidly-built CLM-4 motor features smooth, quiet control for standard lenses. This basic motor component of ARRI’s modular ECS (electronic control system) can be fleshed out with separately available gears, cables, and brackets compatible with the ARRI or third-party camera of your choice. The CLM-4 motor can be used with ARRI’s UMC-4 Universal Motor Controller and SMC-1 Single Motor Controller.

Arri Cforce Mini RF Motor Kit

The ARRI cforce mini RF Basic Set 2 is a compact lens control motor set with an integrated white-coded RF radio module that eliminates the need for a separate receiver unit on your camera rig. This cforce mini Basic Set is comprised of one motor, an 08.MOD 40-tooth gear, a 2400 MHz antenna, and a rod clamp. Suited for gimbal, stabilizer, handheld, and drone setups, the cforce mini RF motor can be daisy-chained with classic cforce motors and ARRI LBUS components. Power and run/stop control are supplied for ARRI and select third-party cameras through the motor’s CAM connector.

Arri Cforce Plus Motor Basic Set

ARRI‘s cforce Plus Motor is a strong, LBUS-connected motor used to remotely control your lens’s focus, iris, or zoom function. With more torque than its cforce Mini cousin, the cforce Plus has the power to control any standard lens quickly and smoothly. Directly compatible with ARRI ALEXA Mini cameras and cmotion units, the cforce Plus Motor can be paired with an AMC-1 or UMC-4 controller when working with other ARRI or third-party cameras. Up to three cforce Plus Motors may be daisy-chained together, saving the space and weight of individual controllers in your camera rig. The cforce Plus Motor offers compatibility with the same mounting options as the ARRI CLM-4 motor, including a Hill Bracket and standard rod mounts. The cforce Plus weighs about 11 ounces with a gear and bracket. This basic motor unit requires a separately available gear, cable, and bracket.

SPECS:

Connector
2 x 4-pin LBUS
Torque
0.7 Nm constant
1 Nm maximum peak (at motor axis)
Speed
210 teeth per second (60-tooth gear, 3.5 R/s)
Supply Voltage
12 to 34 VDC
Maximum Power Consumption
32 W (peak)
Operating Temperature
-4 to 122°F (-20 to 50°C)
Dimensions
Without Gear & Bracket:
5.1 x 3.5 x 1.1″ (130 x 89.1 x 28.8 mm)

Arri Cforce Mini Motor Basic Kit

ARRI‘s cforce Mini Motor is an ultracompact, lightweight motor used to remotely control your lens’ focus, iris, or zoom function. The cforce Mini Motor weighs just over six ounces with a gear and bracket (available separately). Directly compatible with ARRI ALEXA Mini cameras and cmotion units, the cforce Mini Motor can be connected to an RIA-1 (Radio Interface Adapter) to work with any camera. Up to three cforce Mini Motors may be daisy-chained together, saving space and weight in your camera rig. The cforce Mini Motor’s ultralight, compact form makes it suitable for gimbal, drone, and other lightweight camera rigs. This basic motor unit requires a separately available gear, cable, and bracket.

Inputs/Outputs

Other I/O
2 x LBUS

Wireless

Mobile App Compatible
No

Power

Power Source
Camera
DC Input Power
12 to 34 VDC
Power Consumption
20 W (Maximum)
Maximum Peak Torque
0.5 Nm
Speed
170 Teeth/Second with 40-Tooth Gear, 4.25 R/Second
Torque Constant
0.3 Nm

ANTON/BAUER TITON MICRO 90 GM LITHIUM-ION BATTERY

Power your Gold mount camera or other power-hungry pro video gear with the ultra-compact Anton Bauer Titon Micro 90 Gold Mount Lithium-Ion Battery. This lightweight battery is smaller than the original Titon series models and features lithium-ion chemistry and a Gold mount. It provides up to 10A continuous draw and has a 98Wh capacity.

Beachtek DXA-PRE Two-Channel Preamplifier for Cinema Cameras

Connect professional XLR-equipped microphones or line-level signals to your RED, ALEXA, and other cinema cameras or DSLR/mirrorless camera with the compact, rugged, and easily mountable Beachtek DXA-PRE, a two-channel preamplifier with phantom-powered XLR inputs. Its powerful preamps offer up to 60 dB of gain while delivering low noise and a wide 100 dB dynamic range. Thanks to its integrated shoe mount, the supplied brass mounting foot, and the included V-CLICK quick-release plate, the DXA-PRE accommodates an array of mounting configurations, including rail mounting with an optional third-party accessory.

Each channel features a balanced XLR mic/line input with switchable 48V phantom power for condenser mics, low/high gain settings, and a trim knob. An easy-to-read LED meter helps you keep track of your levels. Select mono or stereo for the output signal.

SPECS:

Frequency Response
20 Hz to 20 kHz (+/-1 dB)
Maximum Input Level
Lo Gain: -13 dBu (Mic Input), 17 dBu (Line Input)
Hi Gain: -33 dBu (Mic Input), -3 dBu (Line Input)
Gain
Line Out: 40 dB Lo Gain, 60 dB Hi Gain
Mic Out: 10 dB Lo Gain, 30 dB Hi Gain
Dynamic Range
100 dB
THD+N
Lo Gain: 0.013% (+4 dBu Output, 1 kHz)
Hi Gain: 0.07% (+4 dBu Output, 1 kHz)
Channel Separation
Lo Gain: 85 dB (+4 dBu Output, 1 kHz)
Hi Gain: 80 dB (+4 dBu Output, 1 kHz)