CAMERAS
ARRI 435 Xtreme
The ARRIFLEX 435 family is the workhorse of the film industry, the golden standard for 35 mm MOS camera work to be found on sets all over the world. Combining robust construction with a super steady movement, high speed and special in-camera effects, the ARRIFLEX 435 Xtreme is the most versatile MOS camera ever built. It is ideal for features, commercials, music videos, Steadicam or special effects work alike.
ARRI 535B
The 535B is characterized by a compact and lightweight design and ideal both as a main camera or as a second unit with the advantage of being able to use the complete 535 accessory range. The light-weight and modular viewfinder system with an exceptionally bright image is the main feature of the camera. The viewfinder can be pivoted in two axes. Viewing from each camera side is possible, with an upright image in all positions.
ARRI ALEXA 35
ALEXA 35 is the smallest fully featured ARRI production camera ever, packing the features and processing power of a larger ALEXA into a Mini-sized body that can record native 4K at up to 120 fps. Fast and easy operation is assured through numerous usability improvements and a simple menu structure that will be intuitively familiar to crews. ALEXA 35 is the best A-camera, B-camera, and action camera on the market, all rolled into one.
SPECS:
Lens Mount: ARRI LPL/ ARRI PL with Included Adapter
Sensor Type: Super 35 format ARRI ALEV 4 CMOS sensor with Bayer pattern color filter array
Sensor Frame Rates: 0.75 – 120 fps
Dynamic Range: 17 stops
Exposure Index:: Adjustable from EI 160 – 6400 in 1/3 stops
Shutter:: Electronic shutter, 5.0°- 356° or 1s – 1/8000’s
Recording Media: Codex Compact Drive 1TB & 2TB
Recording Formats: MXF – ARRIRAW/ MXF – Apple ProRes 4444 XQ/ MXF – Apple ProRes 4444/ MXF – Apple ProRes 422 HQ
Color Output: Rec 709/ Rec 2020/ Rec 2100 PQ / Rec 2100 HLG/ LogC4/ Custom Look (ARRI Look File ALF-4)
Measurements (HxWxL): 147 x 152.5 x 203 mm / 5.8 x 6.0 x 8.0″ (camera body with LPL lens mount)
Recording Frame Rates: ARRIRAW 4.6K 3:2 Open Gate: 35 – 75 fps/ ARRIRAW 4.6K 16:9 – 4.6K: 45 – 75 fps/ ARRIRAW 4K 16:9 – 4K: 55 – 120 fps/ ARRIRAW 4K 2:1 – 4K: 65 – 120 fps/ ARRIRAW 3.3K 6:5 – 3.3K: 55 – 100 fps/ ARRIRAW 3K 1:1 – 3K: 55 – 100 fps/ ProRes 4.6K 3:2 Open Gate: 60 fps/ ProRes 4.6K 16:9 – 4K: 75 fps/ 4K 16:9 – 4K: 100 fps/ ProRes 4K 16:9 – UHD: 120 fps/ ProRes 4K 16:9 – 2K: 120 fps/ ProRes 4K 16:9 – HD: 120 fps/ ProRes 4K 2:1 – 4K: 120 fps/ ProRes 3.3K 6:5 – 3.3K: 75 fps/ ProRes 3.3K 6:5 – 4K 2.39:1/ Ana. 2x: 90/ 90 fps/ ProRes 3K 1:1 – 3K: 90 fps/ ProRes 3K 1:1 – 3.8K 2:1/ Ana. 2x: 100 fps/ ProRes 2.7K 8:9 – UHD 16:9/ Ana. 2x: 100fps/ ProRes 2K 16:9 S16 – 2K: 120 fps
ARRI ALEXA MINI
Compact, lightweight, and self-contained – ARRI ALEXA Mini is the small and versatile allrounder in the ARRI camera family.
The symmetrical design permits filming in any orientation, including upside-down and in portrait mode, while multiple accessory points enable highly creative mounting solutions. In addition, ALEXA Mini comes with a series of interchangeable lens mount, allowing the use of B4 video, EF mount stills lenses.
Specs
Sensor Type:
Super 35 format ARRI ALEV III CMOS sensor with Bayer pattern color filter array
Sensor Maximum Number of Photosites and Size:
3424 x 2202
28.25 x 18.17 mm / 1.112 x 0.715″
⌀ 33.59 mm / 1.322″
Sensor Frame Rates:
0.75 – 200 fps
Weight:
∼2.3 kg / ∼5 lbs
(camera body with titanium PL lens mount)
Photosite Pitch:
8.25 μm
Sensor Active Image Area (photosites):
S16 HD: 1600 x 900
HD: 2880 x 1620
2K: 2868 x 1612
3.2K: 3200 x 1800
4K UHD: 3200 x 1800
4:3 2.8K: 2880 x 2160
2.39:1 2K Ana.: 2560 x 2145
HD Ana.: 1920 x 2160
ARRIRAW 16:9 2.8K: 2880 x 1620
Open Gate 3.4K: 3424 x 2202
Sensor Active Image Area (dimensions):
S16 HD: 13.20 x 7.43 mm / 0.520 x 0.292″
HD: 23.76 x 13.37 mm / 0.935 x 0.526″
2K: 23.66 x 13.30 mm / 0.932 x 0.524″
3.2K: 26.40 x 14.85 mm / 1.039 x 0.585″
4K UHD: 26.40 x 14.85 mm / 1.039 x 0.585″
4:3 2.8K: 23.76 x 17.82 mm / 0.935 x 0.702″
2.39:1 2K Ana.: 21.12 x 17.70 mm / 0.831 x 0.697″
HD Ana.: 15.84 x 17.82 mm / 0.624 x 0.702″
ARRIRAW 16:9 2.8K: 23.76 x 13.37 mm / 0.935 x 0.526″
Open Gate 3.4K: 28.25 x 18.17 mm / 1.112 x 0.715″
Recording File Container Size (pixel):
S16 HD: 1920 x 1080
HD: 1920 x 1080
2K: 2048 x 1152
3.2K: 3200 x 1800
4K UHD: 3840 x 2160
4:3 2.8K: 2944 x 2160
2.39:1 2K Ana.: 2048 x 858
HD Ana.: 1920 x 1080
ARRIRAW 16:9 2.8K: 2880 x 1620
Open Gate 3.4K: 3424 x 2202
Recording File Image Content (pixel):
ProRes S16 HD: 1920 x 1080
ProRes HD: 1920 x 1080
ProRes 2K: 2048 x 1152
ProRes 3.2K: 3200 x 1800
ProRes 4K UHD: 3840 x 2160
ProRes 4:3 2.8K: 2880 x 2160
ProRes HD Anamorphic: 1920 x 1080
ProRes 2.39:1 2K Anamorphic: 2048 x 858
ARRIRAW 16:9 2.8K: 2880 x 1620
ARRIRAW Open Gate 3.4K: 3424 x 2202
ARRIRAW 4:3 2.8K (OG 3.4K): 3424 x 2202
ARRIRAW 2.39:1 2K Ana. (OG 3.4K): 3424 x 2202
ARRIRAW 16:9 HD Ana. (OG 3.4K): 3424 x 2202
Dynamic Range:
14+ stops over the entire sensitivity range from EI 160 to EI 3200 as measured with the ARRI Dynamic Range Test Chart (DRTC-1)
Exposure Index:
Adjustable from EI 160-3200 in 1/3 stops
EI 800 base sensitivity
Shutter:
Electronic shutter, 5.0°- 356° or 1s – 1/8000s
Recording Formats:
MXF/ARRIRAW
Apple ProRes 4444 XQ
Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422
Apple ProRes 422 LT
Recording Media:
CFast 2.0 Cards
Recording Frame Rates:
ProRes HD: 0.75 – 200 fps
ProRes S16 HD: 0.75 – 200 fps
ProRes 2K: 0.75 – 200 fps
ProRes 3.2K: 0.75 – 60 fps
ProRes UHD: 0.75 – 60 fps
ProRes 4:3 2.8K: 0.75 – 50 fps
ProRes 2:39:1 2K Ana.: 0.75 – 120 fps
ProRes HD Ana.: 0.75 – 120 fps
MFX/ARRIRAW 16:9 2.8K: 0.75 – 48 fps
MFX/ARRIRAW 3.4K Open Gate: 0.75 – 30 fps
Recording Modes:
Standard real-time recording
Pre-recording
Intervalometer
Stop Motion
Viewfinder Type:
Multi Viewfinder MVF-1 with 3,2″ flip-out monitor
Camera Control Panel (CCP-1) with option to daisy-chain MVF-1
Viewfinder Technology:
OLED viewfinder display
LCD fold out monitor
Viewfinder Resolution (pixel):
1280 x 720
Viewfinder Diopter:
Adjustable from -5 to +5 diopters
Color Output:
Rec 709/ Rec 2020/ Log C/ Custom Look (ARRI Look File ALF-2)
Look Control:
Import of custom 3D LUT
ASC CDL parameters (slope, offset, power, saturation)
Knee, gamma, saturation, black gamma, saturation by hue
Support of ARRI Look Library
White Balance:
Manual and auto white balance, adjustable from 2000K to 11000K in 10K steps
Color correction adjustable range from -16 to +16 CC
1 CC corresponds to 035 Kodak CC values or 1/8 Rosco values
Filters:
Built-in motorized ND filters 0.6, 1.2, 2.1
Fixed optical low pass, UV, IR filter
Image Outputs:
1x proprietary signal output for MVF-1 viewfinder
2x SDI Out: 1,5G (SMPTE ST292-1), 3G (SMPTE ST425-1, ST425-3), 6G & DL 6G (SMPTE ST2081-10, ST2081-11)
uncompressed video with embedded audio and metadata
Lens Squeeze Factors:
1.00, 1.30, 2.00
Exposure and Focus Tools:
False Color/ Zebra/ Zoom/ Waveform/ Aperture and Color Peaking
Audio Input:
1x LEMO 5pin balanced stereo line in
(Line input max. level +24dBu correlating to 0dBFS)
Audio Output:
SDI (embedded)
Audio Recording:
2 channel linear PCM, 24 bit 48 kHz
Remote Control Options:
Web-based remote control from phones, tablets and laptops via WiFi & Ethernet
Camera Access Protocol via Ethernet & WiFi
GPIO interface for integration with custom control interfaces
WCU-4 hand-unit with control over lens motors and operational parameters via built-in white radio
Interfaces:
1x LEMO 5pin LTC Timecode In/Out
1x LEMO 10pin Ethernet for remote control and service
1x BNC Sync In (optional activation through ARRI Service)
1x LEMO 7pin EXT multi purpose accessory interface w. RS pin and unregulated power output (outputs battery voltage)
1x LEMO 4pin LBUS (on lens mount) for lens motors, daisy chainable
1x USB 2.0 (for user setups, look files etc)
Wireless Interfaces:
Built-in WiFi module (IEEE 802.11b/g)
Built-in White Radio for ARRI lens and camera remote control
Lens Mounts:
Titanium PL lens mount with LBUS connector
LPL lens mount with LBUS connector
PL lens mount with Hirose connector
EF Mount (LBUS)
EF lens mount
B4 lens mount with Hirose connector
Leitz Cine Wetzlar M lens mount
Flange Focal Depth:
PL mount – 52 mm
LPL mount – 44 mm
Power Input:
LEMO 8pin (10.5-34 V DC)
Power Consumption:
min. 43 W
max. 84 W
(Camera body with MVF-1)
Power Outputs:
LEMO 7pin EXT unregulated power output (outputs battery voltage) with max. 1.1 A
Measurements (HxWxL):
140 x 125 x 185 mm / 5.5 x 4.9 x 7.3″
(camera body with PL lens mount)
Operating Temperature:
-20° C to +45° C / -4° F to +113° F @ 95% relative humidity max, non condensing, splash and dust proof through sealed electronics
Storage Temperature:
-30° C to +70° C / -22° F to +158° F
Sound Level:
< 20 dB(A) at 24fps
Software Licenses:
ALEXA Mini 4:3 License Key
ALEXA Mini ARRIRAW License Key
ARRI Look Library License Key
ARRI ALEXA MINI LF
Combining the compact size and low weight of the popular Alexa Mini with the Large-Format Alexa LF sensor, Alexa Mini LF brings exciting new creative possibilities to ARRI’s Large-Format camera system. Featuring 16 recording formats, the Mini LF can be universally used for Large-Format and Super 35 Productions
Specs
Sensor Type:
Large Format ARRI ALEV III (A2X)
CMOS sensor with Bayer pattern color filter array
Frame Rates:
0.75 – 90 fps
Dynamic Range:
14+ stops over the entire sensitivity range from EI 160 to EI 3200 as measured with the ARRI Dynamic Range Test Chart (DRTC-1)
Exposure Index:
Adjustable from EI 160-3200 in 1/3 stops EI 800 base sensitivity
Shutter:
Electronic shutter 1s – 1/8000s
Recording Media:
Codex Compact Drive 1TB
(CA08-1024)
Codex Compact Drive 2TB
(CB16-2048)
Recording Formats:
MXF/ARRIRAW
MXF/Apple ProRes 4444 XQ
MXF/Apple ProRes 4444
MXF/Apple ProRes 422 HQ
Recording Frame Rates:
ARRIRAW 4.5K LF 3:2 Open Gate-4.5K: 0.75-40 fps
ARRIRAW 4.5K LF 2.39:1-4.5K:
0.75-60 fps
ARRIRAW 3.8K LF 16:9-UHD: 0.75-60 fps
ARRIRAW 2.8K LF 1:1-2.8K: 0.75-60 fps
ARRIRAW 3.4K S35 3:2-3.4K:
0.75-60 fps
ProRes 4.5K LF 3:2 Open Gate-4.5K: 0.75-40 fps
ProRes 4.5K LF 2.39:1-4.5K: 0.75-60 fps
ProRes 4.3K LF 16:9-UHD: 0.75-48 fps
ProRes 4.3K LF 16:9-HD: 0.75-75 fps
ProRes 3.8K LF 16:9-UHD: 0.75-60 fps
ProRes 3.8K LF 16:9-2K: 0.75-90 fps
ProRes 3.8K LF 16:9-HD: 0.75-90 fps
ProRes 2.8K LF 1:1-2.8K: 0.75-60 fps
ProRes 3.2K S35 16:9-3.2K: 0.75-75 fps
ProRes 2.8K S35 4:3-2.8K: 0.75-75 fps
ProRes 2.8K S35 16:9-HD: 0.75-100 fps
ARRICAM LT
The Arricam Lite (LT) is the compact, lightweight film camera that represents the pinnacle of analog 35mm sync sound cameras developed with dependable Arri precision and reliability. This line of Arri cameras is equipped with features such as: an electronic mirror shutter, the best and brightest optical viewfinders, a 5-link movement for optimum image steadiness, and modular accessories to meet your unique shooting needs.
