ARRI ALEXA MINI LF
Combining the compact size and low weight of the popular Alexa Mini with the Large-Format Alexa LF sensor, Alexa Mini LF brings exciting new creative possibilities to ARRI’s Large-Format camera system. Featuring 16 recording formats, the Mini LF can be universally used for Large-Format and Super 35 Productions
ARRI ALEXA MINI
Compact, lightweight, and self-contained – ARRI ALEXA Mini is the small and versatile allrounder in the ARRI camera family.
The symmetrical design permits filming in any orientation, including upside-down and in portrait mode, while multiple accessory points enable highly creative mounting solutions. In addition, ALEXA Mini comes with a series of interchangeable lens mount, allowing the use of B4 video, EF mount stills lenses.
Arri Master Anamorphic Lenses
Rent ARRI Master Anamorphic in New York City
ARRI Master Anamorphics are precision-engineered ARRI/ZEISS lenses designed for maximum anamorphic performance with modern digital sensors. Featuring a 2.0x squeeze, consistent T1.9 aperture (T2.8 on the 135mm), and close-focus across the set, they deliver exceptional sharpness, controlled contrast, and uniform geometry with extremely low distortion and breathing. The optical design suppresses chromatic aberration and keeps flares tight and neutral, producing a clean, cinematic image that holds up under demanding VFX and heavy grading workflows.
ARRI ALEXA 35
ALEXA 35 is the smallest fully featured ARRI production camera ever, packing the features and processing power of a larger ALEXA into a Mini-sized body that can record native 4K at up to 120 fps. Fast and easy operation is assured through numerous usability improvements and a simple menu structure that will be intuitively familiar to crews. ALEXA 35 is the best A-camera, B-camera, and action camera on the market, all rolled into one.
ARRIFLEX 416 PLUS HS
The ARRIFLEX 416 is a lightweight, modern Super 16 film camera with a 35-style viewfinder and a very low sound level. A completely lightweight ergonomic design, integrated electronic accessories and compatibility with the same lenses and accessories used by its 35 mm siblings make the 416 a powerful, flexible and portable Super 16 camera
ARRI Codex Compact Drive Dock
The ARRI Codex Compact Drive Dock uses a single Thunderbolt 3 interface to provide high-speed access to original camera data on your Compact Capture Drives when used with a Mac or Windows system. For Macs only, it also provides on-the-fly HDE (high-density encoding) of ARRIRAW footage when paired with the free Codex Device Manager software.
This dock enables you to offload your ALEXA Mini LF quickly and quietly using a MacOS 10.14.4 or higher, or a Windows 10 system. The Compact Drive Dock features a plug-and-play setup and comes with a power supply.
Compatibility
- Provides access to original camera data on your Compact Capture Drives without additional software
- Thunderbolt 3 connection for Mac or Windows
ARRI Ensō Prime Lenses
ARRI Enso 18mm T2.1 Prime Lens
Whether on a conventionally lit set or on fast-moving, lower-tier productions shot by small crews with
minimal lighting, Ensō Prime Lenses can be relied upon to produce engaging, well-controlled
images. It is this complete dependability in any shooting environment, combined with ARRI’s
legendary build quality and climatic tolerances, that gives users the freedom to forget about
technical worries and respond to their surroundings with unfettered creativity.
ARRI Enso 21mm T2.1 Prime Lens
Whether on a conventionally lit set or on fast-moving, lower-tier productions shot by small crews with
minimal lighting, Ensō Prime Lenses can be relied upon to produce engaging, well-controlled
images. It is this complete dependability in any shooting environment, combined with ARRI’s
legendary build quality and climatic tolerances, that gives users the freedom to forget about
technical worries and respond to their surroundings with unfettered creativity.
ARRI Enso 24mm T2.1 Prime Lens
Whether on a conventionally lit set or on fast-moving, lower-tier productions shot by small crews with
minimal lighting, Ensō Prime Lenses can be relied upon to produce engaging, well-controlled
images. It is this complete dependability in any shooting environment, combined with ARRI’s
legendary build quality and climatic tolerances, that gives users the freedom to forget about
technical worries and respond to their surroundings with unfettered creativity.
ARRI Enso 28mm T2.1 Prime Lens
Whether on a conventionally lit set or on fast-moving, lower-tier productions shot by small crews with
minimal lighting, Ensō Prime Lenses can be relied upon to produce engaging, well-controlled
images. It is this complete dependability in any shooting environment, combined with ARRI’s
legendary build quality and climatic tolerances, that gives users the freedom to forget about
technical worries and respond to their surroundings with unfettered creativity.
ARRI Enso 32mm T2.1 Prime Lens
Whether on a conventionally lit set or on fast-moving, lower-tier productions shot by small crews with
minimal lighting, Ensō Prime Lenses can be relied upon to produce engaging, well-controlled
images. It is this complete dependability in any shooting environment, combined with ARRI’s
legendary build quality and climatic tolerances, that gives users the freedom to forget about
technical worries and respond to their surroundings with unfettered creativity.
ARRI Enso 47mm T2.1 Prime Lens
Whether on a conventionally lit set or on fast-moving, lower-tier productions shot by small crews with
minimal lighting, Ensō Prime Lenses can be relied upon to produce engaging, well-controlled
images. It is this complete dependability in any shooting environment, combined with ARRI’s
legendary build quality and climatic tolerances, that gives users the freedom to forget about
technical worries and respond to their surroundings with unfettered creativity.
ARRI Enso 58mm T2.1 Prime Lens
Whether on a conventionally lit set or on fast-moving, lower-tier productions shot by small crews with
minimal lighting, Ensō Prime Lenses can be relied upon to produce engaging, well-controlled
images. It is this complete dependability in any shooting environment, combined with ARRI’s
legendary build quality and climatic tolerances, that gives users the freedom to forget about
technical worries and respond to their surroundings with unfettered creativity.
ARRI Enso 75mm T2.1 Prime Lens
Whether on a conventionally lit set or on fast-moving, lower-tier productions shot by small crews with
minimal lighting, Ensō Prime Lenses can be relied upon to produce engaging, well-controlled
images. It is this complete dependability in any shooting environment, combined with ARRI’s
legendary build quality and climatic tolerances, that gives users the freedom to forget about
technical worries and respond to their surroundings with unfettered creativity.