Showing 31–45 of 195 resultsSorted by average rating
ARRI Enso 58mm T2.1 Prime Lens
| ARRI Ensō Primes | 58 mm | |||
| Optical Parameters | ||||
| Focal length | 58 mm | |||
| T-stop | T2.1 | |||
| Close focus | 0.36 m / 14″ | |||
| Length | 117 mm / 4.6″ | |||
| Weight | 1.5 kg / 3.3 lb | |||
| Front diameter | 95 mm | |||
| Magnification ratio at MOD | 1:4 | |||
| Entrance pupil position (related to image plane, in direction to object plane) |
115.6 mm / 4.6″ | |||
| Angle of view H-V-D for LF Open Gate | 35,12° / 24,8° / 42,1° | |||
| Physical Dimensions | ||||
| Lens barrel | Aluminum | |||
| Focus barrel rotation | 318° | |||
| Iris barrel rotation | 48° | |||
| Gear | Module 0.8 | |||
| Interfaces | ||||
| Lens mount | LPL | |||
| Lens data system | LDS-2 or Cooke/i | |||
| Electronic magnetic rear filter interface | yes | |||
ARRI Enso 47mm T2.1 Prime Lens
| ARRI Ensō Primes | 47 mm | |||
| Focal length | 47 mm | |||
| T-stop | T2.1 | |||
| Close focus | 0.32 m / 12.5″ | |||
| Length | 117 mm / 4.6″ | |||
| Weight | 1.3 kg / 2.9 lb | |||
| Front diameter | 95 mm | |||
| Magnification ratio at MOD | 1:4 | |||
| Entrance pupil position (related to image plane, in direction to object plane) |
124.5 mm / 4.9″ | |||
| Angle of view H-V-D for LF Open Gate | 42,8° / 30,5° / 51,1° | |||
| Physical Dimensions | ||||
| Lens barrel | Aluminum | |||
| Focus barrel rotation | 318° | |||
| Iris barrel rotation | 48° | |||
| Gear | Module 0.8 | |||
| Interfaces | ||||
| Lens mount | LPL | |||
| Lens data system | LDS-2 or Cooke/i | |||
| Electronic magnetic rear filter interface | yes | |||
ARRI Enso 32mm T2.1 Prime Lens
| ARRI Ensō Primes | 32 mm | |||
| Focal length | 32 mm | |||
| T-stop | T2.1 | |||
| Close focus | 0.25 m / 10″ | |||
| Length | 117 mm / 4.6″ | |||
| Weight | 1.4 kg / 3.1 lb | |||
| Front diameter | 95 mm | |||
| Magnification ratio at MOD | 1:4 | |||
| Entrance pupil position (related to image plane, in direction to object plane) |
119.5 mm / 4.7″ | |||
| Angle of view H-V-D for LF Open Gate | 59,7° / 43,6° / 69,8° | |||
| Physical Dimensions | ||||
| Lens barrel | Aluminum | |||
| Focus barrel rotation | 318° | |||
| Iris barrel rotation | 48° | |||
| Gear | Module 0.8 | |||
| Interfaces | ||||
| Lens mount | LPL | |||
| Lens data system | LDS-2 or Cooke/i | |||
| Electronic magnetic rear filter interface | yes | |||
ARRI Enso 28mm T2.1 Prime Lens
| ARRI Ensō Primes | 28 mm | |||
| Optical Parameters | ||||
| Focal length | 28 mm | |||
| T-stop | T2.1 | |||
| Close focus | 0.23 m / 9″ | |||
| Length | 117 mm / 4.6″ | |||
| Weight | 1.5 kg / 3.3 lb | |||
| Front diameter | 95 mm | |||
| Magnification ratio at MOD | 1:4 | |||
| Entrance pupil position (related to image plane, in direction to object plane) |
118.8 mm / 4.7″ | |||
| Angle of view H-V-D for LF Open Gate | 66,9° / 49,4° / 77,3° | |||
| Physical Dimensions | ||||
| Lens barrel | Aluminum | |||
| Focus barrel rotation | 318° | |||
| Iris barrel rotation | 48° | |||
| Gear | Module 0.8 | |||
| Interfaces | ||||
| Lens mount | LPL | |||
| Lens data system | LDS-2 or Cooke/i | |||
| Electronic magnetic rear filter interface | yes | |||
ARRI Enso 24mm T2.1 Prime Lens
| ARRI Ensō Primes | 24 mm | |||
| Optical Parameters | ||||
| Focal length | 24 mm | |||
| T-stop | T2.1 | |||
| Close focus | 0.23 m / 9″ | |||
| Length | 117 mm / 4.6″ | |||
| Weight | 1.4 kg / 3.1 lb | |||
| Front diameter | 95 mm | |||
| Magnification ratio at MOD | 1:4 | |||
| Entrance pupil position (related to image plane, in direction to object plane) |
131.8 mm / 5.2″ | |||
| Angle of view H-V-D for LF Open Gate | 75,2° / 56,44° / 86,1° | |||
| Physical Dimensions | ||||
| Lens barrel | Aluminum | |||
| Focus barrel rotation | 318° | |||
| Iris barrel rotation | 48° | |||
| Gear | Module 0.8 | |||
| Interfaces | ||||
| Lens mount | LPL | |||
| Lens data system | LDS-2 or Cooke/i | |||
| Electronic magnetic rear filter interface | yes | |||
ARRI Enso 21mm T2.1 Prime Lens
| ARRI Ensō Primes | 21 mm | |||
| Optical Parameters | ||||
| Focal length | 21 mm | |||
| T-stop | T2.1 | |||
| Close focus | 0.22 m / 8.5″ | |||
| Length | 117 mm / 4.6″ | |||
| Weight | 1.4 kg / 3.1 lb | |||
| Front diameter | 95 mm | |||
| Magnification ratio at MOD | 1:4 | |||
| Entrance pupil position (related to image plane, in direction to object plane) |
131.6 mm / 5.2″ | |||
| Angle of view H-V-D for LF Open Gate | 83,2° / 63,3° / 94,4° | |||
| Physical Dimensions | ||||
| Lens barrel | Aluminum | |||
| Focus barrel rotation | 318° | |||
| Iris barrel rotation | 48° | |||
| Gear | Module 0.8 | |||
| Interfaces | ||||
| Lens mount | LPL | |||
| Lens data system | LDS-2 or Cooke/i | |||
| Electronic magnetic rear filter interface | yes | |||
ARRI Enso 18mm T2.1 Prime Lens
T-stop: T2.1
Length: 117mm/4.6”
Front Diameter: 95mm
Weight: 1.4kg/ 3.1 lb
Close Focus: 0.2/ 8″
ZERO OPTIK/ OLYMPUS OM PRIME LENSES
The Zero Optik/ Olympus OM primes are unique among vintage photo lenses for their combination of compact size. Images are clear without being sterile and the flares are warm and gentle. This set also offers the widest range of individual focal lengths between 18mm and 135mm.
AVAILABLE SET:
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ZERO OPTIK / OLYMPUS OM 18MM T3.8 – OD 114MM
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ZERO OPTIK / OLYMPUS OM 21MM T2.2 – OD 95MM
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ZERO OPTIK / OLYMPUS OM 24MM T2.2 – OD 95MM
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ZERO OPTIK / OLYMPUS OM 28MM T2.2 – OD 95MM
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ZERO OPTIK / OLYMPUS OM 35MM T2.2 – OD 95MM
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ZERO OPTIK / OLYMPUS OM 40MM T2.2 – OD 95MM
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ZERO OPTIK / OLYMPUS OM 50MM T1.3 – OD 95MM
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ZERO OPTIK / OLYMPUS OM 60MM T1.7 – OD 95MM
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ZERO OPTIK / OLYMPUS OM 70MM T2.2 – OD 95MM
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ZERO OPTIK / OLYMPUS OM 100MM T2.1 – OD 95MM
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ZERO OPTIK / OLYMPUS OM 135MM T3.0 – OD 95MM
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ZERO OPTIK / OLYMPUS OM 180MM T2.9 – OD 95MM
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ZERO OPTIK / OLYMPUS OM 50MM MACRO T2.2 – OD 95MM
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ZERO OPTIK / OLYMPUS OM 90MM MACRO T2.1 – OD 95MM
DZOFilm X-Tract 18-28mm T8 FF Probe Zoom Macro Lens (90°, ARRI PL, Meters)
Offering a 100 to 73° field of view, the ARRI PL-mount, 90° X-Tract 18-28mm T8 FF Probe Zoom Macro Lens from DZOFilm brings innovative close-up capture to your productions. This compact probe lens measures just 16.3″ in length and has a front diameter of less than 1.2″, making it ideal for tight setups. It features a relatively fast T8 maximum aperture, a 2.1:1 maximum magnification, and a 0.24″ minimum focusing distance. This 90° version offers a right-angle view; 0° direct view and 360° periscope lens versions are available separately.
Wide 18-28mm Zoom
- This 18-28mm zoom offers an ultrawide to more midrange reach, covering most common focal lengths.
- The wide 100 to 73° field of view supports flexible capture.
Rotating 90° View
- This 90° probe features a right-angle design that provides creative positioning.
- A rotating ring enables even greater flexibility.
Macro/Close Capture in Narrow Spaces
- Craft creative macro shots using a maximum magnification ratio of 2.1:1.
- The extremely close minimum focusing distance of around 0.24″ lets you get super tight coverage of your subject.
- The large depth of field and wide-angle focal length combine to enable close-ups in constricted areas while maintaining a safe distance from your subject.
Low-Distortion, High-Resolution Optics
- The optical design has both ED (extra-low dispersion) and high-refractive index elements, suppressing chromatic and spherical aberrations.
- Advanced coatings help minimize flaring and reflections.
- Incorporates seven HRI (high-refractive-index) lens elements, producing more natural color.
- ±2% distortion control across the zoom range.
T8 Maximum Aperture
- The relatively fast T8 maximum aperture is maintained throughout the zoom range.
- Multilayer, antireflective coatings help ensure sharp, clear images even when shooting wide open.
Waterproof, Cine-Style Design
- Focus, iris, and zoom functions all have 0.8 MOD cine-style gears for compatibility with follow focus and lens motor systems.
- A lightweight yet rear-heavy design helps reduce vibrations while shooting.
- The focus barrel offers a wide 300° rotation for precise focus pulls.
- Waterproof and dustproof, this probe lens is also scratch and fog resistant.
- Focus is marked in meters.
Specs
| Focal Length | |
| Maximum Aperture | |
| Lens Mount | |
| Lens Format Coverage | |
| Filter Thread | |
| Image Stabilization | |
| Electronic Communication |
| Maximum Aperture | |
| Minimum Aperture | |
| Lens Mount | |
| Lens Format Coverage | |
| Angle of View | |
| Focus Scales | |
| Optical Design | |
| Filter Thread | |
| Zoom Ratio | |
| Minimum Focus Distance | |
| Magnification | |
| Aperture/Iris Blades | |
| Image Stabilization | |
| Lens Mounting | |
| Gear Standard | |
| Gear Rotation | |
| Electronic Communication | |
| Built-In Light | |
| Probe Offset | |
| Diameter | |
| Length | |
| Weight |
DZOFilm X-Tract 18-28mm T8 FF Probe Zoom Macro Lens (0° Direct View, ARRI PL)
Offering a 100 to 73° field of view, the ARRI PL-mount X-Tract 0° 18-28mm T8 FF Probe Zoom Macro Lens from DZOFilm brings innovative close-up capture to your productions. This compact probe lens measures just 16.3″ in length and has a front outside diameter of less than 1.2″, making it ideal for tight setups. It features a relatively fast T8 maximum aperture, a 2.1:1 maximum magnification, and a 0.24″ minimum focusing distance. This straight version offers a direct view; 90° and 360° periscope lens versions are available separately.
Wide 18-28mm Zoom
- This 18-28mm zoom offers an ultrawide to more midrange reach, covering most common focal lengths.
- The wide 100 to 73° field of view supports flexible capture.
Macro/Close Capture in Narrow Spaces
- Craft creative macro shots using a maximum magnification ratio of 2.1:1.
- The extremely close minimum focusing distance of around 0.24″ lets you get super tight coverage of your subject.
- The large depth of field and wide-angle focal length combine to enable close-ups in constricted areas while maintaining a safe distance from your subject.
Low-Distortion, High-Resolution Optics
- The optical design has both ED (extra-low dispersion) and high-refractive index elements, suppressing chromatic and spherical aberrations.
- Advanced coatings help minimize flaring and reflections.
- Incorporates seven HRI (high-refractive-index) lens elements, producing more natural color.
- ±2% distortion control across the zoom range.
T8 Maximum Aperture
- The relatively fast T8 maximum aperture is maintained throughout the zoom range.
- Multilayer, antireflective coatings help ensure sharp, clear images even when shooting wide open.
Waterproof, Cine-Style Design
- Focus, iris, and zoom functions all have 0.8 MOD cine-style gears for compatibility with follow focus and lens motor systems.
- A lightweight yet rear-heavy design helps reduce vibrations while shooting.
- The focus barrel offers a wide 300° rotation for precise focus pulls.
- Waterproof and dustproof, this probe lens is also scratch and fog resistant.
Specs
| Focal Length | |
| Maximum Aperture | |
| Lens Mount | |
| Lens Format Coverage | |
| Filter Thread | |
| Image Stabilization | |
| Electronic Communication |
| Maximum Aperture | |
| Minimum Aperture | |
| Lens Mount | |
| Lens Format Coverage | |
| Angle of View | |
| Focus Scales | |
| Filter Thread | |
| Zoom Ratio | |
| Minimum Focus Distance | |
| Magnification | |
| Image Stabilization | |
| Lens Mounting | |
| Gear Standard | |
| Gear Rotation | |
| Electronic Communication | |
| Diameter | |
| Length | |
| Weight |
DJI Zenmuse X9 Lens Mount Unit (E-Mount)
Expand your lens options when using your Ronin 4D 4-Axis Cinema Camera 6K or 8K Combo with the Sony E-mount Zenmuse X9 Lens Mount Unit from DJI. This dedicated unit replaces the DJI DL lens mount on your Zenmuse X9 camera.
Atlas Lens Co. Mercury 138mm T2.6 1.5x Anamorphic Prime Lens (PL Mount, Feet)
Designed by cinematographers for professional videographers, the Mercury 138mm T2.6 1.5x Anamorphic Prime Lens is part of the compact and lightweight Mercury Series from Atlas Lens Co. This series offers native full-frame coverage, enhanced bokeh, near-zero chromatic aberration, and a buttery vintage look that is warmer than that of the Orion series. The ARRI PL-mount Mercury series includes 36, 42, 54, 72, 95, and 138mm primes.
1.5x Vintage Anamorphic Look
- This lens creates 1.5x the horizontal field with the same vertical field of view as a similar spherical lens.
- It offers a vintage anamorphic look with golden flares, pleasant barrel distortion, and almost no chromatic aberration.
Anamorphic Features in a Compact Form
Each Mercury lens provides the oval bokeh, pleasant barrel distortion, and shallow depth of field of the Atlas Orion 2x anamorphic primes but in a housing that is about half the size and weight of most pro anamorphic primes. The more compact size reduces fatigue and enables you to get closer to the action.
ARRI PL Mount
The lens is compatible with pro-cine ARRI PL-mount cameras.
Full-Frame Coverage
Each Mercury series lens provides coverage for up to full-frame camera sensors.
Fast T2.6 Aperture
A fast T2.6 aperture enables the Mercury anamorphics to excel at low-light capture.
Cine-Style Design
- The Mercury lenses feature cine-standard 0.8 MOD gearing, a 95mm front diameter, and focus marks in feet.
- The standardized 95mm front diameter is compatible with many filters and matte boxes.
Specs
| Focal Length | |
| Maximum Aperture | |
| Lens Mount | |
| Lens Format Coverage | |
| Filter Thread | |
| Image Stabilization | |
| Electronic Communication |
| Maximum Aperture | |
| Minimum Aperture | |
| Lens Mount | |
| Horizontal Squeeze (Anamorphic) | |
| Flare Color | |
| Lens Format Coverage | |
| Angle of View | |
| Focus Scales | |
| Filter Thread | |
| Minimum Focus Distance | |
| Aperture/Iris Blades | |
| Image Stabilization | |
| Gear Standard | |
| Electronic Communication | |
| Diameter | |
| Length | |
| Weight |
Atlas Lens Co. Mercury 95mm T2.2 1.5x Anamorphic Prime Lens (PL Mount, Feet)
Designed by cinematographers for professional videographers, the Mercury 95mm T2.2 1.5x Anamorphic Prime Lens is part of the compact and lightweight Mercury Series from Atlas Lens Co. This series offers native full-frame coverage, enhanced bokeh, near-zero chromatic aberration, and a buttery vintage look that is warmer than that of the Orion series. The ARRI PL-mount Mercury series includes 36, 42, 54, 72, 95, and 138mm primes.
1.5x Vintage Anamorphic Look
- This lens creates 1.5x the horizontal field with the same vertical field of view as a similar spherical lens.
- It offers a vintage anamorphic look with golden flares, pleasant barrel distortion, and almost no chromatic aberration.
Anamorphic Features in a Compact Form
Each Mercury lens provides the oval bokeh, pleasant barrel distortion, and shallow depth of field of the Atlas Orion 2x anamorphic primes but in a housing that is about half the size and weight of most pro anamorphic primes. The more compact size reduces fatigue and enables you to get closer to the action.
ARRI PL Mount
The lens is compatible with pro-cine ARRI PL-mount cameras.
Full-Frame Coverage
Each Mercury series lens provides coverage for up to full-frame camera sensors.
Fast T2.2 Aperture
A fast T2.2 aperture enables the Mercury anamorphics to excel at low-light capture.
Cine-Style Design
- The Mercury lenses feature cine-standard 0.8 MOD gearing, a 95mm front diameter, and focus marks in feet.
- The standardized 95mm front diameter is compatible with many filters and matte boxes.
Atlas Lens Co. Mercury 72mm T2.2 1.5x Anamorphic Prime Lens (PL Mount, Feet)
Designed by cinematographers for professional videographers, the Mercury 72mm T2.2 1.5x Anamorphic Prime Lens is part of the compact and lightweight Mercury Series from Atlas Lens Co. This series offers native full-frame coverage, enhanced bokeh, near-zero chromatic aberration, and a buttery vintage look that is warmer than that of the Orion series. The ARRI PL-mount Mercury series includes 36, 42, and 72mm primes plus 54 and 95mm and one telephoto focal length still in the pipeline.
1.5x Vintage Anamorphic Look
- This lens creates 1.5x the horizontal field with the same vertical field of view as a similar spherical lens.
- It offers a vintage anamorphic look with golden flares, pleasant barrel distortion, and almost no chromatic aberration.
Anamorphic Features in a Compact Form
Each Mercury lens provides the oval bokeh, pleasant barrel distortion, and shallow depth of field of the Atlas Orion 2x anamorphic primes but in a housing that is about half the size and weight of most pro anamorphic primes. The more compact size reduces fatigue and enables you to get closer to the action.
The lens is compatible with pro-cine ARRI PL-mount cameras.
Full-Frame Coverage
Each Mercury series lens provides coverage for up to full-frame camera sensors.
Fast T2.2 Aperture
A fast T2.2 aperture enables the Mercury anamorphics to excel at low-light capture.
Cine-Style Design
- The Mercury lenses feature cine-standard 0.8 MOD gearing, a 95mm front diameter, and focus marks in feet.
- The standardized 95mm front diameter is compatible with many filters and matte boxes.
Specs
| Focal Length | |
| Maximum Aperture | |
| Lens Mount | |
| Lens Format Coverage | |
| Filter Thread | |
| Image Stabilization | |
| Electronic Communication |
| Maximum Aperture | |
| Minimum Aperture | |
| Lens Mount | |
| Horizontal Squeeze (Anamorphic) | |
| Flare Color | |
| Lens Format Coverage | |
| Angle of View | |
| Focus Scales | |
| Filter Thread | |
| Minimum Focus Distance | |
| Aperture/Iris Blades | |
| Image Stabilization | |
| Gear Standard | |
| Electronic Communication | |
| Diameter | |
| Length | |
| Weight |
Atlas Lens Co. Mercury 54mm T2.2 1.5x Anamorphic Prime Lens (PL Mount, Feet)
Designed by cinematographers for professional videographers, the Mercury 54mm T2.2 1.5x Anamorphic Prime Lens is part of the compact and lightweight Mercury Series from Atlas Lens Co. This series offers native full-frame coverage, enhanced bokeh, near-zero chromatic aberration, and a buttery vintage look that is warmer than that of the Orion series. The ARRI PL-mount Mercury series includes 36, 42, 54, 72, 95, and 138mm primes.
1.5x Vintage Anamorphic Look
- This lens creates 1.5x the horizontal field with the same vertical field of view as a similar spherical lens.
- It offers a vintage anamorphic look with golden flares, pleasant barrel distortion, and almost no chromatic aberration.
Anamorphic Features in a Compact Form
Each Mercury lens provides the oval bokeh, pleasant barrel distortion, and shallow depth of field of the Atlas Orion 2x anamorphic primes but in a housing that is about half the size and weight of most pro anamorphic primes. The more compact size reduces fatigue and enables you to get closer to the action.
ARRI PL Mount
The lens is compatible with pro-cine ARRI PL-mount cameras.
Full-Frame Coverage
Each Mercury series lens provides coverage for up to full-frame camera sensors.
Fast T2.2 Aperture
A fast T2.2 aperture enables the Mercury anamorphics to excel at low-light capture.
Cine-Style Design
- The Mercury lenses feature cine-standard 0.8 MOD gearing, a 95mm front diameter, and focus marks in feet.
- The standardized 95mm front diameter is compatible with many filters and matte boxes.