Showing 151–165 of 195 resultsSorted by average rating
Sigma 18-35mm T2 High Speed Zoom
The 9-bladed iris provides round out-of-focus highlights for a natural-looking bokeh. The lens barrel features 180° of rotation from close focus to infinity, the zoom barrel rotates 160°, and the clickless iris ring features 60° of rotation. All three lens control rings are geared with cine-standard 0.8 Mod gears, and the focus scale is marked in feet. The front of the lens is 95mm in diameter with a removable 1/4″-20 support foot that helps support the lens with the aid of a 1/4″-20 rod-mounted lens support (not included).
SPECS:
Lens Mount: EF Mount
Format Coverage: S35
Filter Thread: 82 mm
Maximum Aperture T-No.: 1:2
Minimum Focus: 11″
Length: 5.2″
Weight: 3.2 Ibs
Cinemagic Revolution
Cine Magic International’s new Revolution Lens System, is the world’s first snorkel lens system that allows live panning of the objective lens while maintaining a level horizon. The built in image orientation optics allow the image to be rotated to any position within a 360 degree circle. Spinning images can also be accomplished by continuously rotating the image rotation ring.
Kit Includes:
9.8MM PRIME-MINI LENS – PL MOUNT W/ (2) CAPS
12MM PRIME-MINI LENS – PL MOUNT W/ (2) CAPS
16MM PRIME-MINI LENS – PL MOUNT W/ (2) CAPS
20MM PRIME-MINI LENS – PL MOUNT W/ (2) CAPS
24MM PRIME-MINI LENS – PL MOUNT W/ (2) CAPS
32MM PRIME-MINI LENS – PL MOUNT W/ (2) CAPS
40MM PRIME-MINI LENS – PL MOUNT W/ (2) CAPS
60 MM PRIME-MINI LENS – PL MOUNT W/ (2) CAPS
Hawk 150-450mm T2.8
HAWK 150-450mm T2.8. High Speed Telephoto Zoom Lens – you can quickly change it from a 150-450mm T2.8 to a 100-300mm T2.2. This is the industry standard at the 450mm end of zoom range. It’s also the fastest 100-300mm available. How does this lens give you two sets of zoom ranges? – it comes with a separate optical reducer.
When you insert that, all the focal length are reduced 0.7 times.
SPECS:
Lens Mount: PL Mount
Maximum Aperture T-No.: 1:2.8
Minimum Focus: 10′
Length: 26″
Weight: 36 Ibs
Cooke 25-250mm
The Cooke 18-100mm Varotal T3 and the Cooke Cinetal 25-250mm T3.7 are classic Cooke zooms lenses released in the late
1980s and are legendary industry standard zooms. The 25-250mm offers a great range from a wide 25mm to a long 250mm, making it a workhorse for both wide and telephoto work. The lens is designed for Academy 35, and for large sensor coverage a simple 1.2x expander is used to retain the Cooke Look. The lens is organic and sharp but handles the image without feeling harsh. It is solidly built, ergonomic, and has flattering character. Cooke designed the lenses to naturally emphasize skin tones. Hence part of the Cooke Look.
SPECS:
Lens Mount: PL Mount
Maximum Aperture: T3.9
Front Diameter: 121mm
Minimum Focus: 5′ 6″
Length: 1″ 1″
Weight: 10.5 lbs
Cooke 20-100mm
Lens designer Gordon H. Cook designed the 35mm Cooke 20-100mm, T3.1 Varotal zoom lens, released in 1971. It was the first high quality zoom designed for professional motion picture photography that incorporated a totally new design concept that has remained the basis for all Cooke zoom lenses subsequently produced. It was produced through the late 1980s.
SPECS:
Lens Mount: PL Mount
Maximum Aperture: T3.1
Front Diameter: 144mm
Minimum Focus: 2′ 4″
Length: 13″
Weight: 13.6 Ibs
Canon K35 25-120mm Macro T2.8
This lens is a great compliment to the K35 prime set because of the vintage coatings and fast aperature. Extreme close focus ability makes the lens handy in many situations.
SPECS:
Lens Mount: PL Mount
Maximum Aperture T-No.: 1:2.8
Minimum Focus: 4′ (13″ w/Macro)
Length: 10″
Weight: 11.5 Ibs
Canon CN-E 30-300mm T2.95-3.7
The Cinema Zoom lens 30-300mm T2.95-3.7 L rivals best-in-class zoom magnification and telephoto focal length for the Super 35mm format, and is engineered to offer unrivaled optical performance for demanding high-end productions, meeting and exceeding industry standards. Intended for the working professional, the 30-300mm T2.95-3.7 L lens has markings on angled surfaces on both sides of the barrel, making it easy to read settings from behind, or from either side of the camera. Focus markings can even be switched from standard labeling to metric, depending on production need. This lens is equipped with control rings designed to maintain the proper amount of resistance with consistent operating torque, and a covered flange-back adjustment mechanism to meet numerous production application needs.
SPECS:
Lens Mount: PL Mount
Maximum Aperture T-No.: 1:2.95 – 3.7
Minimum Focus: 5′
Length: 13.78″
Weight: 12.8 Ibs
Kowa Prominar Anamorphic Lenses
The Kowa Cine Prominar anamorphic lenses were made in Japan in the 1970s and 80s. Their unique design produces a front anamorphic lens that delivers vintage anamorphic qualities but in a very compact and lightweight package. With the popularity of vintage anamorphic shooting and the need for lightweight lenses for gimbals and drones, Kowa anamorphics have become one of the most popular choices in anamorphic shooting.
SPECS:
Mount: PL Mount
Format Coverage: S35
Available Focal Lengths: 40mm/ 50mm/ 75mm/ 100mm
Maximum Aperture: 40mm & 50mm – T2.3/ 75mm – T2.5/ 100mm – T3.4
Closest Focusing Distance: 40mm & 50mm – 3’/ 75mm – 3’3”/ 100mm – 5’
Front Diameter: 80mm
Weight: 40mm – 2,2 lbs/ 50mm – 2,9 lbs/ 75mm – 3,3 lbs/ 100mm – 3,7 lbs
Cooke Anamorphic Lenses
The Anamorphic /i lenses offer superb optical and mechanical performance. Distortion, veiling glare, flares, and all aberrations are controlled at all apertures over the whole field of view. Like our S4/, 5/i and miniS4/ prime lenses, the cam focus mechanism allows for smooth focus adjustments.
SPECS:
Mount: PL Mount or LPL Mount
Format Coverage: Full Frame
Available Focal Lengths: 25mm, 40mm, 50mm, 65mm (Macro), 75mm, 100mm, 135mm, 180mm, 300mm
Maximum Aperture: 25mm – 300mm; T2.3 (65mm Macro; T2.6)
Arri Master Anamorphic Lenses
| Name: | Master Anamorphic MA 28/T1.9 | Master Anamorphic MA 35/T1.9 | Master Anamorphic MA 40/T1.9 | Master Anamorphic MA 50/T1.9 | Master Anamorphic MA 60/T1.9 |
| Lens Mount(1): | PL LDS | PL LDS | PL LDS | PL LDS | PL LDS |
| Aperture: | T1.9 – T22 | T1.9 – T22 | T1.9 – T22 | T1.9 – T22 | T1.9 – T22 |
| Close Focus(2): | 0.65 m / 2’3″ | 0.75 m / 2’6″ | 0.70 m / 2’4″ | 0.75 m / 2’6″ | 0.90 m / 3′ |
| Magnification Ratio(3): | H: 1:32.3 V: 1:16.4 | H: 1:32.3, V: 1: 16.1 | H: 1:25.6, V: 1: 12.8 | H: 1:22.2, V: 1: 11.1. | H: 1:24.3, V: 1: 12.2 |
| Length(4): | 183 mm / 7.2″ | 183 mm / 7.2″ | 183 mm / 7.2″ | 183 mm / 7.2″ | 183 mm / 7.2″ |
| Length(12): | 235 mm / 9.3″ | 235 mm / 9.3″ | 235 mm / 9.3″ | 235 mm / 9.3″ | 235 mm / 9.3″ |
| Entrance Pupil(6)(mm): | -188 | -179 | -177 | -171 | -152 |
| Entrance Pupil(6)(inch): | -7.04 | -7.04 | -6.96 | -6.75 | -5.99 |
| Angle of view H – V
Super 35 Cinemascop(8) ID = 29.26 mm(7) |
78° – 36° | 65° – 30° | 59° – 26° | 48° – 21° | 41° – 18° |
| Maximum Housing Diameter: | 114 mm / 4.5″ | 114 mm / 4.5″ | 114 mm / 4.5″ | 114 mm / 4.5″ | 114 mm / 4.5″ |
| Front Diameter(5): | 114 mm / 4.5″ | 95 mm / 3.7″ | 95 mm / 3.7″ | 95 mm / 3.7″ | 95 mm / 3.7″ |
| Weight: | 2,5 kg / 5,5lb | 2,6 kg / 5,7lb | 2,7 kg / 6lb | 2,6 kg / 5,7lb |
| Name: | Master Anamorphic MA 75/T1.9 | Master Anamorphic MA 100/T1.9 | Master Anamorphic MA 135/T1.9 | Master Anamorphic MA 180/T2.8 |
| Lens Mount(1): | PL LDS | PL LDS | PL LDS | |
| Aperture: | T1.9 – T22 | T1.9 – T22 | T1.9 – T22 | T2.8 – T22 |
| Close Focus(2): | 0.90 m / 3′ | 0.95 m / 3’1” | 1.20 m / 3’11” | 1.5 m / 5′ |
| Magnification Ratio(3): | H: 1:19.6, V: 1: 9.8 | H: 1:14.7, V: 1: 7.4 | H: 1:15.6, V: 1: 7.8 | H: 1:15.9 V: 1:7.9 |
| Length(4): | 183 mm / 7.2″ | 210 mm / 8.1” | 226 mm / 9.1″ | 226 mm / 9.1” |
| Length(12): | 235 mm / 9.3″ | 262 mm / 10.2” | 278 mm / 10.7″ | 278 mm / 10.7” |
| Entrance Pupil(6)(mm) | -137 | -146 | -129 | -98 |
| Entrance Pupil(6)(inch) | -5.38 | -5.74 | -5.09 | -3.86 |
| Angle of view H – V
Super 35 Cinemascope(8) ID = 29.26 mm(7) |
33° – 14° | 25° – 11° | 19° – 8° | 14° – 6° |
| Maximum Housing Diameter: | 114 mm / 4.5″ | 114 mm / 4.5″ | 114 mm / 4.5″ | 114 mm / 4.5″ |
| Front Diameter(5): | 95 mm / 3.7″ | 95 mm / 3.7″ | 95 mm / 3.7″ | 95 mm / 3.7″ |
| Weight | 2,6 kg / 5,7lb | 3,1 kg / 6,8lb | 3,8 kg / 8,4lb | 3,2 kg / 7,1lb |
Cooke S2 Panchros TLS
The growing demand for vintage Cooke Speed Panchro lenses from the 1920s to 1960s prompted us to introduce a modern redesign of the vintage classic. We are pleased to introduce Cooke Panchro/i Classic, T2.2 to T3.2 Prime lenses.
AVAILABLE FOCAL LENGHTS:
- COOKE S2 / TLS 18MM T2.2-PL MOUNT
- COOKE S2 / TLS 25MM T2.2-PL MOUNT
- COOKE S2 / TLS 32MM T2.3-PL MOUNT
- COOKE S2 / TLS 40MM T2.3-PL MOUNT
- COOKE S2 / TLS 50MM T2.3-PL MOUNT
- COOKE S2 / TLS 75MM T2.3-PL MOUNT
- COOKE S2 / TLS 100MM T2.3-PL MOUNT
Zeiss Supreme Primes
The ZEISS Supreme Prime lenses are designed for cinematic large-format sensor coverage, making them the ideal choice for current and future camera systems. At T1.5 the ZEISS Supreme Primes demonstrate their unsurpassed craftsmanship in tricky low-light environments. Aesthetic focus fall-off and elegant bokeh -a very smooth transition between in-focus and out of focus areas characterize the unique look of the ZEISS Supreme Prime lenses. This adds richer texture and greater depth to the image. A versatile look and gentle sharpness -the ZEISS Supreme Primes possess a look, which ensures freedom in creating the look you want to achieve. Especially when capturing crucial textures such as skin tones, the unique quality of the ZEISS Supreme Prime lenses is a gentle sharpness that renders a crisp but organic look.
AVAILABLE FOCAL LENGHTS:
- ZEISS 25MM SUPREME FF PRIME T1.5
- ZEISS 29MM SUPREME FF PRIME T1.5
- ZEISS 35MM SUPREME FF PRIME T1.5
- ZEISS 50MM SUPREME FF PRIME T1.5
- ZEISS 85MM SUPREME FF PRIME T1.5
- ZEISS 100MM SUPREME FF PRIME T1.5
Leica Thalia
The THALIA prime lenses offer a consistently cinematic look and feel throughout the range of 9 lenses from 24 mm to 180 mm with an image circle of 60 mm. The unique always-round iris design creates a bokeh that is smooth, distinct and full of character. Although these are not vintage lenses, the THALIA’s offer many of the characteristics that have led cinematographers to pair older lenses with digital sensors. They are smooth, forgiving, and clear without being overly sharp. Images captured can appear to have an added depth and dimensionality, especially on larger sensors, due to a gradual focus fall off curve. Rather than even, flat layers of focus across the frame, the THALIA lenses have a sharp and focused center with gradual and pleasing fall off of contrast and light towards the edges leading the view to the image center as well as adding dimensionality to the scene.
AVAILABLE FOCAL LENGHTS:
- 24MM THALIA FF T3.6
- 30MM THALIA FF T2.9
- 35MM THALIA FF T2.6
- 45MM THALIA FF T2.9
- 55MM THALIA FF T2.8
- 70MM THALIA FF T2.6
- 100MM THALIA FF T2.2
- 120MM THALIA FF T2.6
- 180MM THALIA FF T3.6
IB/E Raptor Macro
The movement towards larger format sensors is still in progress. Early examples include RED Weapon 6K and 8K, Sony A7 or ARRi’s new ALEXA65. Larger sensors deliver the film-look and an interesting bokeh due to their very shallow depth of field. These new cameras require lenses that can cover the larger sensor sizes.
SPECS:
Available Focal Lengths: 60mm/ 100mm/ 150mm/ 180mm
Lens Mount: PL Mount
Maximum magnification 1:1
Maximum Aperture: T2.9
Front Diameter : 95 mm
Canon CN-E Primes
Intended for the working professional, the EF Cinema prime T1.5 LF lenses have markings on angled surfaces on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera. Focus markings can even be switched from standard labeling to metric. The control rings are engineered to maintain the proper amount of resistance with consistent operating torque. Designed to fulfill contemporary 4K production standards, it features a full-frame imaging circle in a lightweight, compact design-this phenomenal lens is also perfect for any number of applications. It also features an 11-blade aperture diaphragm for beautiful background blur and innovative glass construction that counteracts barrel expansion and contraction to avoid temperature induced marking discrepancies.
SPECS:
Lens Mount: EF Mount
Available Focal Lengths:
- 14MM – T3.1
- 20MM – T1.5
- 24MM – T1.5
- 35MM – T1.5
- 50MM – T1.3
- 85MM – T1.3
- 135MM – T2.2