Venus Optics Laowa Sword 100mm T2.9 2x Macro Cine Lens (ARRI PL)
Designed for full-frame camera sensors, the Laowa Sword 100mm T2.9 2x Macro Cine Lens from Venus Optics captures ultra-sharp macro footage with compatible ARRI PL cameras. The 100mm lens features a T2.9 to T22 aperture range and is constructed of 12 elements in 10 groups. Create a shallow depth of field and dreamy bokeh with the 13-blade iris. This focal length has a 2x magnification ratio and a 9.7″ minimum focus distance for detailed close-ups.
The Sword series is engineered with improved chromatic aberration control to prevent color fringing while maintaining sharp and vibrant images. The focus ring rotates 220°, and the iris ring 65° for intuitive manual adjustments. A 24° angle of view ensures your subject remains in the frame. Like most of the series, the 100mm version has an 80mm outer diameter and 77mm filter thread for use with compatible matte boxes and filters. Cine-standard gearing on the lens and separately available interchangeable mounts provide wide compatibility with cameras and accessories.
- T2.9 to T22 aperture range
- 13-blade iris, optical construction of 12 elements in 10 groups
- 80mm outer diameter, 77mm filter thread
- 9.7″ minimum focus distance
- 220° focus and 65° iris rotation
- 43.2mm image circle, 24° angle of view
Specs
| Focal Length | |
| Maximum Aperture | |
| Lens Mount | |
| Lens Format Coverage | |
| Filter Thread | |
| Image Stabilization | |
| Electronic Communication |
| Maximum Aperture | |
| Minimum Aperture | |
| Lens Mount | |
| Lens Format Coverage | |
| Angle of View | |
| Focus Scales | |
| Optical Design | |
| Filter Thread | |
| Minimum Focus Distance | |
| Magnification | |
| Aperture/Iris Blades | |
| Image Stabilization | |
| Gear Rotation | |
| Electronic Communication | |
| Diameter | |
| Length | |
| Weight |
Venus Optics Laowa Sword 25mm T2.9 1x Macro Cine Lens (ARRI PL)
Designed for full-frame camera sensors, the Laowa Sword 25mm T2.9 1x Macro Cine Lens from Venus Optics captures ultra-sharp macro footage with compatible ARRI PL cameras. The 25mm lens features a T2.9 to T22 aperture range and is constructed of 13 elements in 10 groups. Create a shallow depth of field and dreamy bokeh with the 7-blade iris. This focal length has a 1x magnification ratio and a 6.6″ minimum focus distance for detailed close-ups.
The Sword series is engineered with improved chromatic aberration control to prevent color fringing while maintaining sharp and vibrant images. The focus ring rotates 100°, and the iris ring 40° for intuitive manual adjustments. An 82° angle of view ensures your subject remains in the frame. Like most of the series, the 25mm version has an 80mm outer diameter and 77mm filter thread for use with compatible matte boxes and filters. Cine-standard gearing on the lens and separately available interchangeable mounts provide wide compatibility with cameras and accessories.
| Focal Length | |
| Maximum Aperture | |
| Lens Mount | |
| Lens Format Coverage | |
| Filter Thread | |
| Image Stabilization | |
| Electronic Communication |
| Maximum Aperture | |
| Minimum Aperture | |
| Lens Mount | |
| Lens Format Coverage | |
| Angle of View | |
| Focus Scales | |
| Optical Design | |
| Filter Thread | |
| Minimum Focus Distance | |
| Magnification | |
| Aperture/Iris Blades | |
| Image Stabilization | |
| Gear Rotation | |
| Electronic Communication | |
| Diameter | |
| Length | |
| Weight |
Venus Optics Laowa Sword 35mm T2.9 1x Macro Cine Lens (ARRI PL)
Designed for full-frame camera sensors, the Laowa Sword 35mm T2.9 1x Macro Cine Lens from Venus Optics captures ultra-sharp macro footage with compatible ARRI PL cameras. The 35mm lens features a T2.9 to T22 aperture range and is constructed of 13 elements in 10 groups. Create a shallow depth of field and dreamy bokeh with the 13-blade iris. This focal length has a 1x magnification ratio and a 7″ minimum focus distance for detailed close-ups.
The Sword series is engineered with improved chromatic aberration control to prevent color fringing while maintaining sharp and vibrant images. The focus ring rotates 270°, and the iris ring 59° for intuitive manual adjustments. A 63° angle of view ensures your subject remains in the frame. Like most of the series, the 35mm version has an 80mm outer diameter and 77mm filter thread for use with compatible matte boxes and filters. Cine-standard gearing on the lens and separately available interchangeable mounts provide wide compatibility with cameras and accessories.
- T2.9 to T22 aperture range
- 13-blade iris, optical construction of 13 elements in 10 groups
- 80mm outer diameter, 77mm filter thread
- 7″ minimum focus distance
- 270° focus and 59° iris rotation
- 43.2mm image circle, 63° angle of view
Specs
| Focal Length | |
| Maximum Aperture | |
| Lens Mount | |
| Lens Format Coverage | |
| Filter Thread | |
| Image Stabilization | |
| Electronic Communication |
| Maximum Aperture | |
| Minimum Aperture | |
| Lens Mount | |
| Lens Format Coverage | |
| Angle of View | |
| Focus Scales | |
| Optical Design | |
| Filter Thread | |
| Minimum Focus Distance | |
| Magnification | |
| Aperture/Iris Blades | |
| Image Stabilization | |
| Gear Rotation | |
| Electronic Communication | |
| Diameter | |
| Length | |
| Weight |
Venus Optics Laowa Sword 60mm T2.9 2x Macro Cine Lens (ARRI PL)
Designed for full-frame camera sensors, the Laowa Sword 60mm T2.9 2x Macro Cine Lens from Venus Optics captures ultra-sharp macro footage with compatible ARRI PL cameras. The 60mm lens features a T2.9 to T22 aperture range and is constructed of 14 elements in 11 groups. Create a shallow depth of field and dreamy bokeh with the 13-blade iris. This focal length has a 2x magnification ratio and an 8.3″ minimum focus distance for detailed close-ups.
The Sword series is engineered with improved chromatic aberration control to prevent color fringing while maintaining sharp and vibrant images. The focus ring rotates 160°, and the iris ring 73° for intuitive manual adjustments. A 40° angle of view ensures your subject remains in the frame. Like most of the series, the 60mm version has an 80mm outer diameter and 77mm filter thread for use with compatible matte boxes and filters. Cine-standard gearing on the lens and separately available interchangeable mounts provide wide compatibility with cameras and accessories.
- T2.9 to T22 aperture range
- 13-blade iris, optical construction of 14 elements in 11 groups
- 80mm outer diameter, 77mm filter thread
- 8.3″ minimum focus distance
- 160° focus and 73° iris rotation
- 43.2mm image circle, 40° angle of view
Specs
| Focal Length | |
| Maximum Aperture | |
| Lens Mount | |
| Lens Format Coverage | |
| Filter Thread | |
| Image Stabilization | |
| Electronic Communication |
| Maximum Aperture | |
| Minimum Aperture | |
| Lens Mount | |
| Lens Format Coverage | |
| Angle of View | |
| Focus Scales | |
| Optical Design | |
| Filter Thread | |
| Minimum Focus Distance | |
| Magnification | |
| Aperture/Iris Blades | |
| Image Stabilization | |
| Gear Rotation | |
| Electronic Communication | |
| Diameter | |
| Length | |
| Weight |
Venus Optics Laowa Sword Macro Cine 4-Lens Set
Designed for full-frame camera sensors, the Laowa Sword 25mm T2.9 1x Macro Cine Lens from Venus Optics captures ultra-sharp macro footage with compatible ARRI PL cameras. The 25mm lens features a T2.9 to T22 aperture range and is constructed of 13 elements in 10 groups. Create a shallow depth of field and dreamy bokeh with the 7-blade iris. This focal length has a 1x magnification ratio and a 6.6″ minimum focus distance for detailed close-ups.
The Sword series is engineered with improved chromatic aberration control to prevent color fringing while maintaining sharp and vibrant images. The focus ring rotates 100°, and the iris ring 40° for intuitive manual adjustments. An 82° angle of view ensures your subject remains in the frame. Like most of the series, the 25mm version has an 80mm outer diameter and 77mm filter thread for use with compatible matte boxes and filters. Cine-standard gearing on the lens and separately available interchangeable mounts provide wide compatibility with cameras and accessories.
- T2.9 to T22 aperture range
- 7-blade iris, optical construction of 13 elements in 10 groups
- 80mm outer diameter, 77mm filter thread
- 6.6″ minimum focus distance
- 100° focus and 40° iris rotation
- 43.2mm image circle, 82° angle of view
Designed for full-frame camera sensors, the Laowa Sword 35mm T2.9 1x Macro Cine Lens from Venus Optics captures ultra-sharp macro footage with compatible ARRI PL cameras. The 35mm lens features a T2.9 to T22 aperture range and is constructed of 13 elements in 10 groups. Create a shallow depth of field and dreamy bokeh with the 13-blade iris. This focal length has a 1x magnification ratio and a 7″ minimum focus distance for detailed close-ups.
The Sword series is engineered with improved chromatic aberration control to prevent color fringing while maintaining sharp and vibrant images. The focus ring rotates 270°, and the iris ring 59° for intuitive manual adjustments. A 63° angle of view ensures your subject remains in the frame. Like most of the series, the 35mm version has an 80mm outer diameter and 77mm filter thread for use with compatible matte boxes and filters. Cine-standard gearing on the lens and separately available interchangeable mounts provide wide compatibility with cameras and accessories.
- T2.9 to T22 aperture range
- 13-blade iris, optical construction of 13 elements in 10 groups
- 80mm outer diameter, 77mm filter thread
- 7″ minimum focus distance
- 270° focus and 59° iris rotation
- 43.2mm image circle, 63° angle of view
Designed for full-frame camera sensors, the Laowa Sword 60mm T2.9 2x Macro Cine Lens from Venus Optics captures ultra-sharp macro footage with compatible ARRI PL cameras. The 60mm lens features a T2.9 to T22 aperture range and is constructed of 14 elements in 11 groups. Create a shallow depth of field and dreamy bokeh with the 13-blade iris. This focal length has a 2x magnification ratio and an 8.3″ minimum focus distance for detailed close-ups.
The Sword series is engineered with improved chromatic aberration control to prevent color fringing while maintaining sharp and vibrant images. The focus ring rotates 160°, and the iris ring 73° for intuitive manual adjustments. A 40° angle of view ensures your subject remains in the frame. Like most of the series, the 60mm version has an 80mm outer diameter and 77mm filter thread for use with compatible matte boxes and filters. Cine-standard gearing on the lens and separately available interchangeable mounts provide wide compatibility with cameras and accessories.
- T2.9 to T22 aperture range
- 13-blade iris, optical construction of 14 elements in 11 groups
- 80mm outer diameter, 77mm filter thread
- 8.3″ minimum focus distance
- 160° focus and 73° iris rotation
- 43.2mm image circle, 40° angle of view
Designed for full-frame camera sensors, the Laowa Sword 100mm T2.9 2x Macro Cine Lens from Venus Optics captures ultra-sharp macro footage with compatible ARRI PL cameras. The 100mm lens features a T2.9 to T22 aperture range and is constructed of 12 elements in 10 groups. Create a shallow depth of field and dreamy bokeh with the 13-blade iris. This focal length has a 2x magnification ratio and a 9.7″ minimum focus distance for detailed close-ups.
The Sword series is engineered with improved chromatic aberration control to prevent color fringing while maintaining sharp and vibrant images. The focus ring rotates 220°, and the iris ring 65° for intuitive manual adjustments. A 24° angle of view ensures your subject remains in the frame. Like most of the series, the 100mm version has an 80mm outer diameter and 77mm filter thread for use with compatible matte boxes and filters. Cine-standard gearing on the lens and separately available interchangeable mounts provide wide compatibility with cameras and accessories.
- T2.9 to T22 aperture range
- 13-blade iris, optical construction of 12 elements in 10 groups
- 80mm outer diameter, 77mm filter thread
- 9.7″ minimum focus distance
- 220° focus and 65° iris rotation
- 43.2mm image circle, 24° angle of view
Wooden Camera Canon RF to PL Mount
WOODEN CAMERA CANON RF TO PL MOUNT:
The Canon RF to PL Mount Pro Lens Adapter from Wooden Camera enables you to use pro cine-style PL mount lenses on your RF-mount RED KOMODO or V-RAPTOR cinema camera.
This dedicated lens mount adapter features a 1/4”-20 thread on the bottom for a lens support or cage mount. It includes a PL mount port cap and three vertical lens support posts for integration with optional lens support brackets.
Adapter
Camera Mount
Canon RF
Lens Mount
ARRI PL MOUNT
WOODEN CAMERA LPL MOUNT TO SONY E
Use this Wooden Camera LPL to Sony E-Mount Adapter to adapt the E Mount on your Sony full-frame Alpha series camera to accept cine-style LPL lenses such as the Signature LPL Primes. The integrated 1/4″-20 support foot serves as stress relief, transferring the weight of the lens away from the mount and onto your tripod or WC baseplate. This adapter includes a set of color-coded, stackable shims for adjusting your flange focal distance if your camera is out of calibration. The included LPL lens port cap will help keep your camera’s sensor dust-free when no lens is attached to the mount.
ZEISS CP.2
One of the most important aspects of a successful production is the competence and diversity of your team. Whether you’re shooting a commercial where exquisite color rendition and high contrast is important, or a tense, dramatic sequence in low light situations for a feature film, Compact Prime lenses offer you the performance you need to get the scene right.
With a wide range of focal lengths, full-frame coverage, fantastic image quality, great flare suppression and precise focusing through the large rotation angle, Compact Prime lenses give you a flexible set of tools to make your film shine.
Available Focal Lengths
15MM T2.9 (CP.2)-PL OR EF MOUNT
18MM T3.6 (CP.2)-PL OR EF MOUNT
21MM T2.9 (CP.2)-PL OR EF MOUNT
25MM T2.1 (CP.2)-PL OR EF MOUNT
28MM T2.1 (CP.2)-PL OR EF MOUNT
35MM T2.1 (CP.2)-PL OR EF MOUNT
50MM T2.1 (CP.2)-PL OR EF MOUNT
50MM MACRO T2.1 (CP.2)-PL OR EF MOUNT
ZEISS CP.2 SUPER SPEED
Whether you’re shooting a commercial where exquisite color rendition and high contrast is important, or a tense, dramatic sequence in low light situations for a feature film, Compact Prime CP.2 Super Speed lenses offer you the performance you need to get the scene right. They are an ideal complement to the existing range of CP.2 lenses. <br/>
The Compact Prime Super Speed lenses show less aberration which results in an overall better image quality. Images appear much sharper and show a much higher contrast. The CP.2 Super Speed lenses cover a full-frame sensor format and are equipped with the interchangeable lens mount system for use with a variety of cameras ranging from HDSLR to professional cinema cameras.
AVAILABLE FOCAL LENGHTS:
- 35MM T2.1 (CP.2)-PL OR EF MOUNT
- 50MM T2.1 (CP.2)-PL OR EF MOUNT
- 85MM T2.1 (CP.2)-PL OR EF MOUNT
Zeiss Distagon/ Planar Standard
ZEISS Standard Speeds arrived between 1964 and 1975. They were designed for use with Arriflex film cameras and offer a smooth pleasing image with cool color rendition and medium contrast. Many iterations have been released through the years, with the most recent models featuring standard 0.8 gearing on the focus and iris rings.
AVAILABLE FOCAL LENGHTS:
- 10MM T2.1 – PL MOUNT
- 12MM T2.1 – PL MOUNT
- 14MM T2.1 – PL MOUNT
- 16MM T2.1 – PL MOUNT
- 20MM T2.1 – PL MOUNT
- 24MM T2.1 – PL MOUNT
- 28MM T2.1 – PL MOUNT
- 32MM T2.1 – PL MOUNT
- 40MM T2.1 – PL MOUNT
- 50MM T2.1 – PL MOUNT
- 85MM T2.1 – PL MOUNT
- 100MM T2.1 – PL MOUNT
- 135MM T2.1 – PL MOUNT
Zeiss Distagon/ Planar Super Speed
Zeiss Super Speeds arguably the most capable and beautiful vintage lenses available. Their T1.3 maximum aperture is an obvious advantage and puts them in rare company. Whether you are wide-open or stopped down, the images they produce are magic.
AVAILABLE FOCAL LENGHTS:
- ZEISS 18MM DISTAGON T1.3
- ZEISS 25MM DISTAGON T1.3
- ZEISS 35MM DISTAGON T1.3
- ZEISS 50MM PLANAR T1.3
- ZEISS 65MM PLANAR T1.3
- ZEISS 85MM PLANAR T1.3
NOTE: FOCAL LENGHTS AVAILABLE IN BOTH MKII & MKIll
Zeiss Supreme Primes
The ZEISS Supreme Prime lenses are designed for cinematic large-format sensor coverage, making them the ideal choice for current and future camera systems. At T1.5 the ZEISS Supreme Primes demonstrate their unsurpassed craftsmanship in tricky low-light environments. Aesthetic focus fall-off and elegant bokeh -a very smooth transition between in-focus and out of focus areas characterize the unique look of the ZEISS Supreme Prime lenses. This adds richer texture and greater depth to the image. A versatile look and gentle sharpness -the ZEISS Supreme Primes possess a look, which ensures freedom in creating the look you want to achieve. Especially when capturing crucial textures such as skin tones, the unique quality of the ZEISS Supreme Prime lenses is a gentle sharpness that renders a crisp but organic look.
AVAILABLE FOCAL LENGHTS:
- ZEISS 25MM SUPREME FF PRIME T1.5
- ZEISS 29MM SUPREME FF PRIME T1.5
- ZEISS 35MM SUPREME FF PRIME T1.5
- ZEISS 50MM SUPREME FF PRIME T1.5
- ZEISS 85MM SUPREME FF PRIME T1.5
- ZEISS 100MM SUPREME FF PRIME T1.5
ZERO OPTIK/ OLYMPUS OM PRIME LENSES
The Zero Optik/ Olympus OM primes are unique among vintage photo lenses for their combination of compact size. Images are clear without being sterile and the flares are warm and gentle. This set also offers the widest range of individual focal lengths between 18mm and 135mm.
AVAILABLE SET:
-
ZERO OPTIK / OLYMPUS OM 18MM T3.8 – OD 114MM
-
ZERO OPTIK / OLYMPUS OM 21MM T2.2 – OD 95MM
-
ZERO OPTIK / OLYMPUS OM 24MM T2.2 – OD 95MM
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ZERO OPTIK / OLYMPUS OM 28MM T2.2 – OD 95MM
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ZERO OPTIK / OLYMPUS OM 35MM T2.2 – OD 95MM
-
ZERO OPTIK / OLYMPUS OM 40MM T2.2 – OD 95MM
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ZERO OPTIK / OLYMPUS OM 50MM T1.3 – OD 95MM
-
ZERO OPTIK / OLYMPUS OM 60MM T1.7 – OD 95MM
-
ZERO OPTIK / OLYMPUS OM 70MM T2.2 – OD 95MM
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ZERO OPTIK / OLYMPUS OM 100MM T2.1 – OD 95MM
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ZERO OPTIK / OLYMPUS OM 135MM T3.0 – OD 95MM
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ZERO OPTIK / OLYMPUS OM 180MM T2.9 – OD 95MM
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ZERO OPTIK / OLYMPUS OM 50MM MACRO T2.2 – OD 95MM
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ZERO OPTIK / OLYMPUS OM 90MM MACRO T2.1 – OD 95MM
ZIESS CZ.2 15-30mm
The newest addition to the Zeiss CZ.2 line, the 15-30mm offers excellent image quality with a respectable aperture of T2.9 and an impressive 35mm Full Frame (Vista Vision) coverage. Combine these features with Zeiss’ interchangeable mount system and the new 15-30mm CZ.2 is one of the most future-proof zoom lenses available
today.
SPECS:
Lens Mount: PL Mount
Focal length: 15-30mm
Maximum Aperture T-No.: 1:2.9
Minimum Focus: 1’10”
Length: 10″
Weight: 5.7 Ibs
ZIESS CZ.2 28-80mm
A zoom range familiar to photographers and cinematographers alike, the Zeiss 28-80mm T2.9 CZ.2 is a powerful tool with plenty of staying power. With it’s interchangeable mount system, 35mm Full Frame (Vista Vision) coverage, compact size and weight, and standardized feature set, the Zeiss 28-80mm is an classic lens for a wide range of production environments.
SPECS:
Lens Mount: PL Mount
Focal length: 28-80mm
Maximum Aperture T-No.: 1: 2.9
Minimum Focus: 2′ 8″
Length: 7.7″
Weight: 5.5 Ibs