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Cooke 25mm T2.0 S7/i Full Frame Plus Prime Lens (PL Mount)
The Cooke 25mm T2.0 S7/i Full Frame Plus Prime Lens is designed to cover full frame cinema camera sensors up to at least the full sensor area of the RED Weapon 8K (46.31mm image circle). It is color-matched to other Cooke lenses to keep that well-known Cooke look, and has focus markings on both sides of the lens. A cam-type focus mechanism with a large lens barrel diameter and 270° of rotation from end-stop to end-stop allows for precision focus markings, especially at close focus.
The lens features a PL mount, which makes it compatible with most commonly used professional motion picture film and electronic cameras, and has an aperture range of T2.0 to T22. The PL mount incorporates i/Technology contacts that feed lens information metadata to a compatible camera, including focus distance, aperture and depth-of-field.
Specs
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| Minimum Object Distance (M.O.D.) | |
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Cooke 32mm T2.0 S7/i Full Frame Plus Prime Lens (PL Mount)
The Cooke 32mm T2.0 S7/i Full Frame Plus Prime Lens is designed to cover full frame cinema camera sensors up to at least the full sensor area of the RED Weapon 8K (46.31mm image circle). It is color-matched to other Cooke lenses to keep that well-known Cooke look, and has focus markings on both sides of the lens. A cam-type focus mechanism and a large lens barrel diameter with 270° of rotation from end-stop to end-stop allows for precision focus pulls, especially at close focus.
The lens features a PL mount, which makes it compatible with most commonly used professional motion picture film and electronic cameras, and has an aperture range of T2.0 to T22. The PL mount incorporates i/Technology contacts that feed lens information metadata to a compatible camera, including focus distance, aperture and depth-of-field.
Specs
| Mount | |
| Focal Length | |
| Aperture | |
| Maximum Format Size | |
| Minimum Object Distance (M.O.D.) | |
| Close Focus | |
| Scales | |
| Drive Gear | |
| Rotation | |
| Angle of View | |
| Length | |
| Front Diameter | |
| Weight |
Cooke 50mm T2.0 S7/i Full Frame Plus Prime Lens (PL Mount)
The Cooke 50mm T2.0 S7/i Full Frame Plus Prime Lens is designed to cover full frame cinema camera sensors up to at least the full sensor area of the RED Weapon 8K (46.31mm image circle). It is color-matched to other Cooke lenses to keep that well-known Cooke look, and has focus markings on both sides of the lens. A cam-type focus mechanism and a large lens barrel diameter with 270° of rotation from end-stop to end-stop allows for precision focus pulls, especially at close focus.
The lens features a PL mount, which makes it compatible with most commonly used professional motion picture film and electronic cameras, and has an aperture range of T2.0 to T22. The PL mount incorporates i/Technology contacts that feed lens information metadata to a compatible camera, including focus distance, aperture and depth-of-field.
Specs
| Mount | |
| Focal Length | |
| Aperture | |
| Maximum Format Size | |
| Minimum Object Distance (M.O.D.) | |
| Close Focus | |
| Scales | |
| Drive Gear | |
| Rotation | |
| Angle of View | |
| Length | |
| Front Diameter | |
| Weight |
Cooke 75mm T2.0 S7/i Full Frame Plus Prime Lens (PL Mount)
The Cooke 75mm T2.0 S7/i Full Frame Plus Prime Lens is designed to cover full frame cinema camera sensors up to at least the full sensor area of the RED Weapon 8K (46.31mm image circle). It is color-matched to other Cooke lenses to keep that well-known Cooke look, and has focus markings on both sides of the lens. A cam-type focus mechanism and a large lens barrel diameter with 270° of rotation from end-stop to end-stop allows for precision focus pulls, especially at close focus.
The lens features a PL mount, which makes it compatible with most commonly used professional motion picture film and electronic cameras, and has an aperture range of T2.0 to T22. The PL mount incorporates i/Technology contacts that feed lens information metadata to a compatible camera, including focus distance, aperture and depth-of-field.
Specs
| Mount | |
| Focal Length | |
| Aperture | |
| Maximum Format Size | |
| Minimum Object Distance (M.O.D.) | |
| Close Focus | |
| Scales | |
| Drive Gear | |
| Rotation | |
| Angle of View | |
| Length | |
| Front Diameter | |
| Weight |
Cooke 100mm T2.0 S7/i Full Frame Plus Prime Lens (PL Mount)
The Cooke 100mm T2.0 S7/i Full Frame Plus Prime Lens is designed to cover full frame cinema camera sensors up to at least the full sensor area of the RED Weapon 8K (46.31mm image circle). It is color-matched to other Cooke lenses to keep that well-known Cooke look, and has focus markings on both sides of the lens. A cam-type focus mechanism with a large lens barrel diameter and 270° of rotation from end-stop to end-stop allows for precision focus markings, especially at close focus.
The lens features a PL mount, which makes it compatible with most commonly used professional motion picture film and electronic cameras, and has an aperture range of T2.0 to T22. The PL mount incorporates i/Technology contacts that feed lens information metadata to a compatible camera, including focus distance, aperture and depth-of-field.
Specs
| Mount | |
| Focal Length | |
| Aperture | |
| Maximum Format Size | |
| Minimum Object Distance (M.O.D.) | |
| Close Focus | |
| Scales | |
| Drive Gear | |
| Rotation | |
| Angle of View | |
| Length | |
| Front Diameter | |
| Weight |
ARRI Ensō Prime Lenses
Technical Specifications
- Format Compatibility: Full-frame (Large Format) sensors
- Lens Mount: ARRI LPL with LDS-2 and Cooke /i lens data protocols
- Aperture Range:
- T2.1 for most focal lengths
- T2.5 for 14mm and 150mm
- T2.8 for 10.5mm and 250mm
- Focal Lengths Available:
- Close Focus Capability: 1:4 magnification ratio; for example, the 32mm lens focuses as close as 10 inches (25.4 cm)
- Front Diameter: 95mm for most lenses, facilitating easy matte box compatibility.
Optical Characteristics
- Native Look: Delivers natural image detail with stunning bokeh, gentle focus fall-off, and minimal focus breathing
- Ensō Vintage Elements: Optional rear-mounted magnetic filters that allow cinematographers to modify the lens’s optical characteristics, offering three positive and three negative elements to achieve various vintage looks
- Metadata Integration: Built-in chips provide real-time lens data (focus, iris, zoom) to compatible cameras, aiding in on-set monitoring and post-production workflows
Angenieux EZ-3 45-165mm T2.3 S35 & 68-250mm T3.5 Cinema Zoom
The EZ-3 68-250mm & 45-165mm Cinema Zoom Kit from Angenieux consists of a compact PL-mount zoom lens plus both Super35 and FF/VistaVision rear lens-groups, enabling you to use the zoom with a wide range of cine-style cameras. Simply swap out the rear group to use this versatile 3.7x ratio zoom with the format of your choice on a project-by-project basis. The ARRI PL mount can be changed for separately available Sony E or Canon EF mounts, further expanding the EZ-3 zoom’s versatility.
This lens features industry-standard 0.8 MOD focus, iris, and zoom gears for compatibility with follow focus units and lens control motors. The 114mm front diameter enables you to work with a wide variety of rod-supported matte boxes.
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| Filter Thread | |
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| Electronic Communication |
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| Interchangeable Mount | |
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| Image Circle | |
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Cooke SP3 Full-Frame 5-Lens Prime Set (25/32/50/75/100mm, Sony E)
The SP3 Full-Frame 5-Lens Prime Set from Cooke comprises 25, 32, 50, 75, and 100mm lenses and a hard-shell lens case. These full-frame primes feature a fast T2.4 maximum aperture, a compact, lightweight design, user-changeable mounts, and consistent gear placement across the series.
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| Filter Thread | |
| Image Stabilization |
| Maximum Aperture | |
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| Lens Mount | |
| Interchangeable Mount | |
| Lens Format Coverage | |
| Image Circle | |
| Angle of View | |
| Focus Scales | |
| Filter Thread | |
| Minimum Focus Distance | |
| Aperture/Iris Blades | |
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DJI 75mm f/1.8 Telephoto Lens (DL)
Designed for the Zenmuse X9-8K and X9-8K Air gimbal cameras, this DL mount 75mm f/1.8 Telephoto Lens from DJI is a medium telephoto lens capable of 8K shooting. The lens itself has a total aperture range of f/1.8 to f/22 for a variety of lighting conditions. High lens sharpness and minimal chromatic aberration ensure natural image reproduction with rich details. A 55mm filter thread allows you to add compatible filters and customize your camera’s visuals. Included pan and tilt axis counterweights make balancing the lens on your gimbal camera a breeze. Other included accessories are a balancing ring and lens protector.
SPECS:
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DL 35mm F2.8 LS ASPH Lens
DJI’s 35mm f/2.8 ASPH LS Lens is compatible with the Zenmuse X7 camera. The aperture opens to f/2.8 at its widest to maximize light passage when shooting in low light conditions or to reduce depth-of-field for augmented bokeh effect. A lens hood and balancing ring are included.
SPECS:
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DJI 24mm f/2.8 ASPH LS Lens
DJI’s 24mm f/2.8 ASPH LS Lens is compatible with the Zenmuse X7 camera. The aperture opens to f/2.8 at its widest to maximize light passage when shooting in low light conditions or to reduce depth-of-field for augmented bokeh effect. A lens hood and balancing ring are included.
SPECS:
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DJI 50mm f/2.8 ASPH LS Lens
DJI’s 50mm f/2.8 ASPH LS Lens is compatible with the Zenmuse X7 camera. The aperture opens to f/2.8 at its widest to maximize light passage when shooting in low light conditions or to reduce depth-of-field for augmented bokeh effect. A lens hood and balancing ring are included.
SPECS:
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| Dimensions | |
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DJI 17-28mm T3.0 ASPH PZ Lens (DL)
Designed for the Ronin 4D 6K and 8K gimbal cameras, this DJI 17-28mm T3.0 ASPH PZ Lens features a DL mount, full-frame sensor, and built-in servo zoom motor. The lens has calibration-free autofocusing technology and allows you to zoom within the 17 to 28mm focal range without needing to rebalance your Ronin 4D. A T3.0 to T22 aperture range and lens construction of 13 elements in 11 groups capture footage up to 8K with ease. The lens can focus on objects from 7.5″ away at its minimum focal length. Its 67mm front diameter allows you to add compatible filters to customize your camera’s visuals.
SPECS:
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Venus Optics Laowa Sword Macro Cine 4-Lens Set
Designed for full-frame camera sensors, the Laowa Sword 25mm T2.9 1x Macro Cine Lens from Venus Optics captures ultra-sharp macro footage with compatible ARRI PL cameras. The 25mm lens features a T2.9 to T22 aperture range and is constructed of 13 elements in 10 groups. Create a shallow depth of field and dreamy bokeh with the 7-blade iris. This focal length has a 1x magnification ratio and a 6.6″ minimum focus distance for detailed close-ups.
The Sword series is engineered with improved chromatic aberration control to prevent color fringing while maintaining sharp and vibrant images. The focus ring rotates 100°, and the iris ring 40° for intuitive manual adjustments. An 82° angle of view ensures your subject remains in the frame. Like most of the series, the 25mm version has an 80mm outer diameter and 77mm filter thread for use with compatible matte boxes and filters. Cine-standard gearing on the lens and separately available interchangeable mounts provide wide compatibility with cameras and accessories.
- T2.9 to T22 aperture range
- 7-blade iris, optical construction of 13 elements in 10 groups
- 80mm outer diameter, 77mm filter thread
- 6.6″ minimum focus distance
- 100° focus and 40° iris rotation
- 43.2mm image circle, 82° angle of view
Designed for full-frame camera sensors, the Laowa Sword 35mm T2.9 1x Macro Cine Lens from Venus Optics captures ultra-sharp macro footage with compatible ARRI PL cameras. The 35mm lens features a T2.9 to T22 aperture range and is constructed of 13 elements in 10 groups. Create a shallow depth of field and dreamy bokeh with the 13-blade iris. This focal length has a 1x magnification ratio and a 7″ minimum focus distance for detailed close-ups.
The Sword series is engineered with improved chromatic aberration control to prevent color fringing while maintaining sharp and vibrant images. The focus ring rotates 270°, and the iris ring 59° for intuitive manual adjustments. A 63° angle of view ensures your subject remains in the frame. Like most of the series, the 35mm version has an 80mm outer diameter and 77mm filter thread for use with compatible matte boxes and filters. Cine-standard gearing on the lens and separately available interchangeable mounts provide wide compatibility with cameras and accessories.
- T2.9 to T22 aperture range
- 13-blade iris, optical construction of 13 elements in 10 groups
- 80mm outer diameter, 77mm filter thread
- 7″ minimum focus distance
- 270° focus and 59° iris rotation
- 43.2mm image circle, 63° angle of view
Designed for full-frame camera sensors, the Laowa Sword 60mm T2.9 2x Macro Cine Lens from Venus Optics captures ultra-sharp macro footage with compatible ARRI PL cameras. The 60mm lens features a T2.9 to T22 aperture range and is constructed of 14 elements in 11 groups. Create a shallow depth of field and dreamy bokeh with the 13-blade iris. This focal length has a 2x magnification ratio and an 8.3″ minimum focus distance for detailed close-ups.
The Sword series is engineered with improved chromatic aberration control to prevent color fringing while maintaining sharp and vibrant images. The focus ring rotates 160°, and the iris ring 73° for intuitive manual adjustments. A 40° angle of view ensures your subject remains in the frame. Like most of the series, the 60mm version has an 80mm outer diameter and 77mm filter thread for use with compatible matte boxes and filters. Cine-standard gearing on the lens and separately available interchangeable mounts provide wide compatibility with cameras and accessories.
- T2.9 to T22 aperture range
- 13-blade iris, optical construction of 14 elements in 11 groups
- 80mm outer diameter, 77mm filter thread
- 8.3″ minimum focus distance
- 160° focus and 73° iris rotation
- 43.2mm image circle, 40° angle of view
Designed for full-frame camera sensors, the Laowa Sword 100mm T2.9 2x Macro Cine Lens from Venus Optics captures ultra-sharp macro footage with compatible ARRI PL cameras. The 100mm lens features a T2.9 to T22 aperture range and is constructed of 12 elements in 10 groups. Create a shallow depth of field and dreamy bokeh with the 13-blade iris. This focal length has a 2x magnification ratio and a 9.7″ minimum focus distance for detailed close-ups.
The Sword series is engineered with improved chromatic aberration control to prevent color fringing while maintaining sharp and vibrant images. The focus ring rotates 220°, and the iris ring 65° for intuitive manual adjustments. A 24° angle of view ensures your subject remains in the frame. Like most of the series, the 100mm version has an 80mm outer diameter and 77mm filter thread for use with compatible matte boxes and filters. Cine-standard gearing on the lens and separately available interchangeable mounts provide wide compatibility with cameras and accessories.
- T2.9 to T22 aperture range
- 13-blade iris, optical construction of 12 elements in 10 groups
- 80mm outer diameter, 77mm filter thread
- 9.7″ minimum focus distance
- 220° focus and 65° iris rotation
- 43.2mm image circle, 24° angle of view
Venus Optics Laowa Sword 25mm T2.9 1x Macro Cine Lens (ARRI PL)
Designed for full-frame camera sensors, the Laowa Sword 25mm T2.9 1x Macro Cine Lens from Venus Optics captures ultra-sharp macro footage with compatible ARRI PL cameras. The 25mm lens features a T2.9 to T22 aperture range and is constructed of 13 elements in 10 groups. Create a shallow depth of field and dreamy bokeh with the 7-blade iris. This focal length has a 1x magnification ratio and a 6.6″ minimum focus distance for detailed close-ups.
The Sword series is engineered with improved chromatic aberration control to prevent color fringing while maintaining sharp and vibrant images. The focus ring rotates 100°, and the iris ring 40° for intuitive manual adjustments. An 82° angle of view ensures your subject remains in the frame. Like most of the series, the 25mm version has an 80mm outer diameter and 77mm filter thread for use with compatible matte boxes and filters. Cine-standard gearing on the lens and separately available interchangeable mounts provide wide compatibility with cameras and accessories.
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| Lens Format Coverage | |
| Filter Thread | |
| Image Stabilization | |
| Electronic Communication |
| Maximum Aperture | |
| Minimum Aperture | |
| Lens Mount | |
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| Angle of View | |
| Focus Scales | |
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