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Kern/Switar C-Mount Lenses
Kern Switar RX Primes and Macro-Switar RX primes were made in Switzerland in the 1960s by Kern-Paillard for Bolex reflex 16mm cameras. The RX versions were designed to compensate for the addition of the prism in Bolex reflex cameras, and that is where they really shine. These are some of the most beautiful and highly regarded C-Mount primes ever made.
Specs:
Mount: C-Mount
Available Focal Lengths: 10mm/ 16mm/ 25mm/ 50mm/ 75mm/ 100mm/ 150mm
Maximum Aperture F-No: 10mm – 1 : 1.6/ 16mm – 1 : 1.8/ 25mm – 1 : 1.1/ 50mm – 1 : 1.4/ 75mm – 1 : 1.9/ 100mm -1 : 2.8/ 150mm – 1 : 3.3
Century Precision Optics 6mm T1.9
The Century Optics 6mm T1.9 is a super-wide, fast prime lens made to cover Super-16 film and S16mm cropped sensors. When the custom made wide-angle adapter is attached the lens becomes a 4.5mm T1.9, one of the widest lenses ever made for this format. This is a rectilinear lens, not a fisheye, so you have an incredibly wide field of view but straight lines stay relatively straight, with slight barrel distortion.
This lens is at home on film cameras, but can work fine with digital cameras too. If you need to go really wide, and need a relatively fast lens, this is a great option.
Specs:
PL Mount
Focal length – 6mm
Maximum Aperture F-No. – 6mm – 1 : 1.9
Minimum Focus – 1′
Weight – 2.2 lbs
ARRI/ZEISS Ultra Primes S16
Cinematic Quality For Super 16
Like the Master Primes, the Zeiss Ultra 16 lenses combine high speed with outstanding optical performance. With a widest stop of T1.3 they create shallow depth of field and allow shooting on tight lighting budgets or under severe time pressure. Equaled by no other Super 16 lenses in optical performance, they join the other ARRI lenses in elevating the Super 16 image to its highest possible quality.
All nine Ultra 16 lenses (6, 8, 9.5, 12, 14, 18, 25, 35, 50 mm) cover the full Super 16 format and are fully compatible with the optical quality, color balance and ergonomics of the other ARRI lenses.
The Zeiss Ultra 16 lenses are the perfect companions to the Super 16 cameras, the ARRIFLEX 416, 416 Plus and 416 Plus HS.
SPECS:
Mount: PL
Maximum Aperture F-No.: 1 : 1.3
Front Diameter: 95mm
Focal length: 6mm/ 8mm/ 9.5mm/ 12mm/ 14mm/ 18mm/ 25mm/ 35mm/ 50mm
Minimum Focus: 6mm – 8″/ 8mm – 1’/ 9.5mm – 1’/ 12mm – 1’/ 14mm – 1’/ 18mm – 12″/ 25mm – 12″/ 35mm – 14″/ 50mm – 16″
Weight: 6mm – 2.2 lbs/ 8mm – 2.2 lbs/ 9.5mm – 2 lbs/ 12mm – 2.4 lbs/ 14mm – 2.1 lbs/ 18mm – 2.6 lbs/ 25mm – 2.6 lbs/ 35mm – 2.4 lbs/ 50mm – 2.6 lbs
ARRI/ZEISS Super16 Standard Speeds
The ARRI Zeiss Standard Speed MKII PL primes are serious industry players and have been for over 45 years and still are today.
Small, solid, lightweight, fast enough at T2.1 and have an organic sharpness and fall-off bokeh which is different to modern lenses, they also have slightly more contrast too. The Standard Speed MKII primes have plenty of character, personality and history. They bring an additional filmic aesthetic to modern digital cameras.
SPECS:
Mount: PL Mount
Front Diameter: 9.5mm – 50mm; 80mm
Focal Lengths Available: 8mm/ 9.5mm/ 16mm/ 25mm/ 50mm
Maximum Aperture: F-No.-: 8mm – 1 : 2.1/ 9.5mm – 1 : 1.3/ 16mm – 1 : 1.3/ 25mm – 1 : 1.3/ 50mm – 1 : 1.3
Minimum Focus: 8mm – 8″/ 9.5mm – 10″/ 16mm – 8″/ 25mm – 10″/ 50mm – 2″ 4″
Weight: 8mm – 1.2lbs/ 9.5mm – 1.6lbs/ 16mm – 1.6lbs/ 25mm – 1.4lbs/ 50mm – 1.8lbs