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Zeiss Distagon/ Planar Super Speed
Zeiss Super Speeds arguably the most capable and beautiful vintage lenses available. Their T1.3 maximum aperture is an obvious advantage and puts them in rare company. Whether you are wide-open or stopped down, the images they produce are magic.
AVAILABLE FOCAL LENGHTS:
- ZEISS 18MM DISTAGON T1.3
- ZEISS 25MM DISTAGON T1.3
- ZEISS 35MM DISTAGON T1.3
- ZEISS 50MM PLANAR T1.3
- ZEISS 65MM PLANAR T1.3
- ZEISS 85MM PLANAR T1.3
NOTE: FOCAL LENGHTS AVAILABLE IN BOTH MKII & MKIll
Zeiss Distagon/ Planar Standard
ZEISS Standard Speeds arrived between 1964 and 1975. They were designed for use with Arriflex film cameras and offer a smooth pleasing image with cool color rendition and medium contrast. Many iterations have been released through the years, with the most recent models featuring standard 0.8 gearing on the focus and iris rings.
AVAILABLE FOCAL LENGHTS:
- 10MM T2.1 – PL MOUNT
- 12MM T2.1 – PL MOUNT
- 14MM T2.1 – PL MOUNT
- 16MM T2.1 – PL MOUNT
- 20MM T2.1 – PL MOUNT
- 24MM T2.1 – PL MOUNT
- 28MM T2.1 – PL MOUNT
- 32MM T2.1 – PL MOUNT
- 40MM T2.1 – PL MOUNT
- 50MM T2.1 – PL MOUNT
- 85MM T2.1 – PL MOUNT
- 100MM T2.1 – PL MOUNT
- 135MM T2.1 – PL MOUNT
ULTRA PRIME
The Ultra Prime Lenses have the widest focal range of any 35mm prime lens set available to cover every cinematic need: from the unique Ultra Prime 8R extreme wide angle lens to the best telephoto lens designed specifically for motion pictures, the Ultra Prime 180 mm, giving you the flexibility to get the coverage you want.
Ultra Prime Lenses retain their excellent image quality even at close focus across the whole Super 35 frame. They are lightweight standard speed lenses that are a perfect optical match to the high speed Master Prime Lenses.
AVAILABLE FOCAL LENGHTS
- 8MM (8R) ULTRA PRIME T2.8-PL MOUNT
- 12MM ULTRA PRIME T2.0-PL MOUNT
- 14MM ULTRA PRIME LDS T1.9-PL MOUNT
- 16MM ULTRA PRIME LDS T1.9-PL MOUNT
- 20MM ULTRA PRIME LDS T1.9-PL MOUNT
- 24MM ULTRA PRIME LDS T1.9-PL MOUNT
- 28MM ULTRA PRIME LDS T1.9-PL MOUNT
- 32MM ULTRA PRIME LDS T1.9-PL MOUNT
- 40MM ULTRA PRIME LDS T1.9-PL MOUNT
- 50MM ULTRA PRIME LDS T1.9-PL MOUNT
- 65MM ULTRA PRIME LDS T1.9-PL MOUNT
- 85MM ULTRA PRIME LDS T1.9-PL MOUNT
- 100MM ULTRA PRIME LDS T1.9-PL MOUNT
- 135MM ULTRA PRIME LDS T1.9-PL MOUNT
- 180MM ULTRA PRIME LDS T1.9-PL MOUNT
MASTER PRIME
The Master Prime Lenses are both fast and have an optical performance surpassing that of all standard speed primes. There are new creative opportunities with these lenses, making shots possible that would have been considered impossible before. The Master Primes have been co-developed by ARRI and ZEISS, are manufactured by ZEISS.
Available Focal Lengths
12MM MASTER PRIME T1.3-PL MOUNT
14MM MASTER PRIME T1.3-PL MOUNT
16MM MASTER PRIME T1.3-PL MOUNT
18MM MASTER PRIME T1.3-PL MOUNT
21MM MASTER PRIME T1.3-PL MOUNT
25MM MASTER PRIME T1.3-PL MOUNT
27MM MASTER PRIME T1.3-PL MOUNT
32MM MASTER PRIME T1.3-PL MOUNT
35MM MASTER PRIME T1.3-PL MOUNT
40MM MASTER PRIME T1.3-PL MOUNT
50MM MASTER PRIME T1.3-PL MOUNT
65MM MASTER PRIME T1.3-PL MOUNT
75MM MASTER PRIME T1.3-PL MOUNT
100MM MASTER PRIME T1.3-PL MOUNT
135MM MASTER PRIME T1.3-PL MOUNT
150MM MASTER PRIME T1.3-PL MOUNT
COOKE S4 I
Award winning Cooke $4 Prime Lenses were designed and developed in close technical collaboration with industry professionals. They are colour-matched and compatible with all contemporary Cooke cine lenses. Cooke $4 optics offer superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture. The cam-type focus mechanism allows for smooth focus adjustments.
AVAILABLE FOCAL LENGTHS:
- COOKE 12MM S4/I T2.0-PL MOUNT
- COOKE 14MM S4/I T2.0-PL MOUNT
- COOKE 16MM S4/I T2.0-PL MOUNT
- COOKE 18MM S4/I T2.0-PL MOUNT
- COOKE 21MM S4/I T2.0-PL MOUNT
- COOKE 25MM S4/I T2.0-PL MOUNT
- COOKE 27MM S4/| T2.0-PL MOUNT
- COOKE 32MM S4/I T2.0-PL MOUNT
- COOKE 35MM S4/I T2.0-PL MOUNT
- COOKE 40MM 54/1 T2.0-PL MOUNT
- COOKE 50MM S4/I T2.0-PL MOUNT
- COOKE 65MM S4/I T2.0-PL MOUNT
- COOKE 75MM S4/I T2.0-PL MOUNT
- COOKE 100MM S4/I T2.0-PL MOUNT
- COOKE 135MM S4/I T2.0-PL MOUNT
- COOKE 150MM S4/I T2.0-PL MOUNT
- COOKE 180MM S4/I T2.0-PL MOUNT
Leica Summilux-C
At T 1.4 and averaging only 1.7 kg per lens, the SUMMILUX-C lenses are the smallest set of fast aperture, purpose-built prime lenses available for cinematography. Their patent focus design allows for a long focus throw even on these compact lenses.
The use of exotic aspherical elements in each SUMMILUX-C lens creates a telecentric path of light from the rear element to the sensor. Telecentricity and aspheric correction not only reduce
chromatic aberrations and color fringing, but also create a more even illumination across the entire field. Add in an already large image circle and the SUMMILUX-C lenses are the perfect companions for larger digital sensors like RED’s Dragon sensor.
Their unique design allows these cine lenses to be far smaller than any existing lenses below T2.0. At just 5.6″ (142 mm) long and
weighing between 3.5 and 4 pounds (1.6-1.8 kg), lens changes are easier and safer than ever, which is welcome news for camera assistants and hurried productions. Smaller lenses also result in smaller, lighter camera packages and cases as well as significantly smaller rigs.
Available Focal Lengths
16MM SUMMILUX-C T1.4-PL MOUNT
18MM SUMMILUX-C T1 4-PL MOUNT
21MM SUMMILUX-C T1.4-PL MOUNT
25MM SUMMILUX-C T1. 4-PL MOUNT
29MM SUMMILUX-C T1.4-PL MOUNT
35MM SUMMILUX-C T1.4-PL MOUNT
40MM SUMMILUX-C T1.4-PL MOUNT
65MM SUMMILUX-C MACRO T1.4-PL MOUNT
75MM SUMMILUX-C T1.4-PL MOUNT
100MM SUMMILUX-C T1.4-PL MOUNT
135MM SUMMILUX-C T1.4-PL MOUNT
Leica Summicron-C PL Mount
The T2.0 SUMMICRON-C prime lenses are built with high ASA/ISO digital cameras in mind, offering plenty of depth of field and performance while maintaining a compact size. Advances in cine lens design allow the SUMMICRON-C lenses to be smaller and more compact than other lenses with comparable performance. Only 4″ (101 mm) long and weighing between 2.9 and 3.4 pounds (1.3-1.6 kg), these lenses are perfect for stabilized gs, aerial cinematography, underwater cinematography, and ereoscopic 3D. The classic linear focus scale of the SUMMICRON-C lenses is miliar to camera assistants around the world. Focus rolls in ently allowing for smooth pulls without the unpleasant sudden nap of sharpness.
AVAILABLE FOCAL LENGTHS:
- 15MM SUMMICRON-C T2.0
- 18MM SUMMICRON-C T2.0
- 21MM SUMMICRON-C T2.0
- 25MM SUMMICRON-C T2.0
- 29MM SUMMICRON-C T2.0
- 35MM SUMMICRON-C T2.0
- 40MM SUMMICRON-C T2.0
- 50MM SUMMICRON-C T2.0
- 75MM SUMMICRON-C T2.0
- 100MM SUMMICRON-C T2.0
- 135MM SUMMICRON-C T2.0
Canon CN-E Primes
Intended for the working professional, the EF Cinema prime T1.5 LF lenses have markings on angled surfaces on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera. Focus markings can even be switched from standard labeling to metric. The control rings are engineered to maintain the proper amount of resistance with consistent operating torque. Designed to fulfill contemporary 4K production standards, it features a full-frame imaging circle in a lightweight, compact design-this phenomenal lens is also perfect for any number of applications. It also features an 11-blade aperture diaphragm for beautiful background blur and innovative glass construction that counteracts barrel expansion and contraction to avoid temperature induced marking discrepancies.
SPECS:
Lens Mount: EF Mount
Available Focal Lengths:
- 14MM – T3.1
- 20MM – T1.5
- 24MM – T1.5
- 35MM – T1.5
- 50MM – T1.3
- 85MM – T1.3
- 135MM – T2.2
Cooke S2 Panchros TLS
The growing demand for vintage Cooke Speed Panchro lenses from the 1920s to 1960s prompted us to introduce a modern redesign of the vintage classic. We are pleased to introduce Cooke Panchro/i Classic, T2.2 to T3.2 Prime lenses.
AVAILABLE FOCAL LENGHTS:
- COOKE S2 / TLS 18MM T2.2-PL MOUNT
- COOKE S2 / TLS 25MM T2.2-PL MOUNT
- COOKE S2 / TLS 32MM T2.3-PL MOUNT
- COOKE S2 / TLS 40MM T2.3-PL MOUNT
- COOKE S2 / TLS 50MM T2.3-PL MOUNT
- COOKE S2 / TLS 75MM T2.3-PL MOUNT
- COOKE S2 / TLS 100MM T2.3-PL MOUNT
Sigma Cine Primes
The image quality of a high-end prime lens. Full-frame compatibility yet compact. These ten prime lenses range from 14mm to 135mm, and all offer T1.5 or T2 brightness. Rivaling a high-end prime set with their stunning image quality and compact construction, they also offer full-frame coverage. With this complete set of ten lenses designed for 6K-8K shooting, the FF High Speed Prime Line allows filming of various cuts without making any changes to the lighting, taking cinematography to the next level of performance.
AVAILABLE FOCAL LENGHTS:
- SIGMA 14MM CINE FF HIGH SPEED T2.0
- SIGMA 20MM CINE FF HIGH SPEED T1.5
- SIGMA 24MM CINE FF HIGH SPEED T1.5
- SIGMA 35MM CINE FF HIGH SPEED T1.5
- SIGMA 50MM CINE FF HIGH SPEED T1.5
- SIGMA 85MM CINE FF HIGH SPEED T1.5
- SIGMA 135MM CINE FF HIGH SPEED T2.0
CANON K35
Rehoused by TLS, the Canon K35s are the perfect combination of amazing performance and unique character. They are low contrast, have a gentle focus fall-off, and produce gorgeous pastel skin-tones. It is made up of some of the oldest K35’5 produced, therefore they are quite warm, and flares are a beautiful mix of gold, amber and magenta. Covering Full Frame, these high speed lenses have excellent close-focus and their 15-blade iris means your bokeh is always a soft circular shape. They are one of the best performing vintage super speed lenses when shot wide-open thanks in a large part to their aspherical designs.
SPECS:
Available Sizes: 18mm/ 24mm/ 35mm/ 55mm/ 85mm
T-stop: 18mm, 24mm – T1.5/ 34mm, 55mm, 85mm – T1.4
Close Focus: 18mm, 24mm, 34mm – 12″/ 55mm – 22”/ 85mm – 2’9”
Front Diameter: 110mm
Kowa Cine Prominar Lens TLS PL Mount
Kowa Cine Pominar Spherical Primes, are Japanese cinema lenses from the 1960s. These are impressive lenses with one of the most amazing combinations of characteristics. They are sharp on center, with medium/low contrast. So you can get sharp images, but you retain more detail on your shadows and highlights. This also makes them very flattering on your subject. Their bokeh is very special, with enough character to make the lenses stand out from modern options, but not so busy that it distracts from your subject. What really sets them apart from almost every other lens set, is their signature gold and amber lens flares, thanks to their gold single-layer coatings. They flare like nothing else. And since the lenses are slightly cool in color, when properly white balanced, their flares have a rich saturated amber tone that is beautiful, never distracting, and contrasts blue skies really well.
AVAILABLE FOCAL LENGHTS:
- KOWA CINE PMINAR / TLS 20MM T2.6
- KOWA CINE PMINAR / TLS 25MM T2.3
- KOWA CINE PMINAR / TLS 32MM T2.3
- KOWA CINE PMINAR / TLS 40MM T2.3
- KOWA CINE PMINAR / TLS 50MM T2.3
- KOWA CINE PMINAR / TLS 75MM T2.3
- KOWA CINE PMINAR / TLS 100MM T2.6
SIGMA 20MM CINE FF HIGH SPEED T1.5
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