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IB/E Raptor Macro
The movement towards larger format sensors is still in progress. Early examples include RED Weapon 6K and 8K, Sony A7 or ARRi’s new ALEXA65. Larger sensors deliver the film-look and an interesting bokeh due to their very shallow depth of field. These new cameras require lenses that can cover the larger sensor sizes.
SPECS:
Available Focal Lengths: 60mm/ 100mm/ 150mm/ 180mm
Lens Mount: PL Mount
Maximum magnification 1:1
Maximum Aperture: T2.9
Front Diameter : 95 mm
Canon K35 25-120mm Macro T2.8
This lens is a great compliment to the K35 prime set because of the vintage coatings and fast aperature. Extreme close focus ability makes the lens handy in many situations.
SPECS:
Lens Mount: PL Mount
Maximum Aperture T-No.: 1:2.8
Minimum Focus: 4′ (13″ w/Macro)
Length: 10″
Weight: 11.5 Ibs
Arri/ Zeiss Macro
ARRI has produced a range of Macro Prime lenses for cinema use. Each is capable of extreme close focus with the 50mm and 100mm lenses achieving 1:1 magnification. The unique ARRI design also offers an auto compensating iris function, eliminating stop loss guess work.
SPECS:
Lens Mount: PL Mount
Format Coverage: Super 35
Focal Lengths Available: 16mm/ 24mm/ 32mm/ 40mm/ 50mm/ 60mm/ 100mm/ 200mm
Maximum Aperture F-No. 16mm – 40mm; T2.1/ 50mm – 100mm; T3.0/ 200mm; T4.3
Minimum Focus: 16mm – 6″/ 24mm – 7″/ 32mm – 9″/ 40mm – 10″/ 50mm – 8″/ 60mm – 11″/ 100mm – 1’2″/ 200mm – 1’11”
Front Diameter: 80mm
ARRI Master Macro 100mm T2 Lens
For those who want the ultimate in image quality for table top cinematography, product shots, close-up inserts on feature films or any other applications that require a macro lens, the ARRI Master Macro 100 delivers images of breathtaking beauty. Designed for the ANSI Super 35 image format, the ARRI Master Macro 100 can be used on any PL mount 35 mm film and single sensor digital camera.
SPECS:
Mount: PL Mount
Maximum Aperture F-No.: T2
Minimum Focus: 13.75″ (1:1 ratio)
Weight: 5.7 lbs.